43 pages • 1 hour read
Jennifer EganA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Anna and her mother take Lydia to Dr. Deerwood, the expensive Manhattan physician who treats her condition. Despite the doctor’s saccharine words, Anna has noticed her sister’s is getting worse; she has less capacity to laugh and talk. The doctor agrees that Lydia could benefit from more activity and a trip to the seaside, a suggestion which makes Agnes irritable. Later, as Agnes and Aunt Brianne gossip about the ill repute of their fellow chorus girls, Anna goes to join Lydia.
Agnes and Aunt Brianne see Anna as a paragon of virtue; however, Anna she lost her virginity, at age 14, to a neighborhood boy called Leon. Anna, who has been chaste ever since, wonders “when would she be allowed to know what she knew? Or when should she have forgotten it?” (139).
Dexter takes Tabatha and his mentally troubled sister-in-law, Bitsy, to Naval Yard. Dexter is at first troubled by the flirtation between Tabatha and her cousin Grady: He realizes that Tabatha has come to see Grady and not the working girls. When Dexter hears sex noises, he worries that it is his daughter and Grady; however, it is Bitsy and his other brother-in-law, George.
After they have given blood, Anna’s colleague Rose warns her of the dangers of being favored by Mr. Voss and the ensuing damage to her reputation. Anna cannot locate Nell at Naval Yard, which troubles her.
Dexter bumps into Anna, “the girl he’d been looking for, the one who had told him about the Naval Yard in the first place” and offers to drive her home (157). She asks for a ride another time to help transport Lydia to the beach.
Anna goes to Lieutenant Axel to ask about becoming a diver. His assistants, Mr. Greer and Mr. Katz, put her into the 200-pound diving dress and implore her to walk in it. She passes this first part of the test, and also unties the knot they have given her, but the two men forbid her from diving because she is a woman. Anna decides that “the lieutenant wouldn’t break her; she would break him” (170).
Dexter regrets his promise to ferry Anna and Lydia to the beach. When he arrives at their apartment to carry Lydia downstairs, he notes its femininity and the lack of a male presence. He feels uncomfortable with Lydia at first, and he feels like Anna is the one in control of the situation when she rides in the front of the car with Lydia. Anna, who has removed any photos that could connect her to Eddie from their home, keeps her real identity secret.
In the car, Dexter offers Anna a good-paying job in his dubiously legal businesses. He takes the girls to Manhattan Beach, and Lydia is fully awake and chatty. Anna feels grateful while Dexter loses track of time.
After a brief interlude of good health, Lydia becomes increasingly lethargic and dies. Both Anna and Agnes are heartbroken, and Lydia’s absence reminds them of Eddie’s disappearance. Anna surmises that “he must be dead” (201), and Agnes packs away his things and changes the locks on the doors.
Agnes decides to return her childhood home on a Minnesota farm. She asks Anna to come with her, but Anna refuses, still intent on pursuing a diving career. After seeing off her mother at Grand Central Station, Anna takes a walk through central Manhattan and remembers her father speaking to her about how he remembered Manhattan as a boy. It’s almost as if “after years of distance, Anna’s father returned to her” (210).
Dexter has a gangster boss, Mr. Q., with whom he has worked for 30 years. Dexter only visits Mr. Q. four times a year. Mr. Q.’s cover business is food production, and during his meeting, Dexter has to bottle beans.
Mr. Q., who made his fortune as a Prohibition-era bootlegger, respects Dexter. He advised Dexter, after the repeal of Prohibition in 1933, to open a franchise of legitimate nightclubs. Dexter’s advantageous marriage and changing of his “tongue-twisting name in favor of a short, stylish one” made him a “figurehead” in Mr. Q’s enterprise (220). Dexter’s one “misjudgment” had been Ed Kerrigan, whose involvement precipitated people getting hurt. Mr. Q. reminds Dexter of this failure.
Dexter imagines how the United States will emerge as a world leader after the war. He believes that if they buy war bonds at a discount price and resell them through their business, both he and Mr. Q. will make a significant profit.
When Dexter drives away, he goes to Coney Island and remembers his father’s warning that becoming involved with Mr. Q. was synonymous with being owned by him. Dexter dismissed the warning at the time it was given, but he now feels its full force.
At diving training, Lieutenant Axel calls Anna back to intimidate the male trainees; he notes her ability to wear the 200-pound suit and to untie a knot with a three-fingered glove. He continues to be dismissive of her throughout the training, though, and she and an African-American trainee called Marle—both of whom are outsiders—strive to avoid one another.
When it is time to do her first dive underwater, Anna reaches the sea bed and hammers pieces of wood into a box. She struggles to climb up the ladder with the weight of her suit, but she eventually makes it up, along with another student named Bascombe and Marle. Lieutenant Axel is “bewildered” by her success.
Now living alone, Anna feels solitude engulf her like a “macabre heartbeat.” The usual comforts of books and music do not work so well. She thinks back to her father and wonders: “What had he been doing, exactly? Was it dangerous?” (238). She wonders about his association with Dexter and decides she cannot square the bootlegger with the man who took Lydia to the ocean.
After she qualifies as a diver, Anna meets Mr. Voss, her old boss, who wants to take her out to dinner. He takes her home to clean up, and she dons her mother’s “off-the-shoulder strapless dress of sea-green satin” to resemble a “glamour girl” (253). Anna and Mr. Voss flirt playfully, and he takes her to dine in Manhattan and then on to Moonshine’s. At Moonshine’s, she encounters Nell, who gave up work in Naval Yard to become the kept mistress of callous Mr. Hammond. Nell tells Anna that the couple has a contemptuous relationship and that she another lover on the side, Marco. While the two women are in the powder room, a waiter addresses Anna as Miss Feeney and implores her to visit Dexter. Dexter asks after Lydia and is saddened to learn that she has died. When he insists on driving Anna home, Anna tells Mr. Voss that she has run into a friend of her mother’s.
In Dexter’s car, Anna gives an account of the days following their visit to Manhattan Beach. In the dark, she feels “a new understanding opened between them” (265).
Overcome with lust for Anna, Dexter drives her to the old boathouse near Bay Ridge, where he does his dodgiest business deals. They make love with feverish abandon and in the morning, though they would wish to continue, Anna feels that she should go home to save her reputation.
In the car, she confesses that her true name is Anna Kerrigan, and that Eddie Kerrigan, her father, disappeared five and a half years ago. Dexter does not believe her at first and tries to pay her off. He says that if he disappeared, he would wish his own daughter to “stay as far away as possible […] to keep her safe” (275). Anna, furious, gets out of the car.
Eddie Kerrigan is in San Francisco on New Year’s Day, 1943. He is third mate on a ship called the Elizabeth Seaman. When he boards the ship, he has a letter from Ingrid, the young German widow he met in San Francisco a week earlier, though he “could hardly picture her anymore. Faraway things became theoretical, then imaginary, then hard to imagine. They ceased to exist” (296). After reading the letter, however, he reflects that “everything he’d left behind” was still there, and “its vanishing had only been a trick” (298).
Eddie lapses into a stream of consciousness. He hears Anna’s voice as it was before he left home. He travels back to Lydia’s birth and remembers struggling to accept his disabled daughter, as he thought “the alloy of beauty and contortion” in Lydia suggested she had been cursed by something he’d done (302).
Finding himself unable to stay at home alone with Lydia while Agnes danced, he implored Agnes to stop working and went off to try his luck with Dunellen in shipping. Then, he began doing “errands” for Dunellen, serving as his go-between. He took Anna with him and combined the errands with fun activities, like going to the hippo-drome. In quiet moments, when Dunellen had no work for him, Eddie learned that “a single man controlled much of the gaming in New York City” (307). Through a series of “hairpin turns,” Eddie found Styles, and Dexter invited Eddie to come to his home—accompanied by his children. Eddie hoped that Dexter would turn his luck around.
Anna transforms from a girl who supports her boss’s and family’s interests to a woman who’s more autonomous and can pursue her own dreams and pleasures. She takes the initiative with Lydia, insisting that her sister’s condition is worsening because of lack of stimulation, and she orchestrates a trip to the ocean. Also opportunistic, she requests that Dexter Styles take them there in his car. All three participants benefit from the visit: Lydia gains strength, Anna feels grateful for her sister’s newfound health and Dexter’s generosity, and Dexter appreciates the girls’ company.
Despite this temporary recovery, Lydia worsens and dies. Agnes moves back to Minnesota, and Anna, clinging to her ambition to be a diver, does the unthinkable and becomes an unmarried girl who lives alone. At first, the solitude that surrounds her during her diving training is intimidating, as every night “quiver[s] with a danger against which her lonely routine form[s] a last thin line of defense” (236). Routine offers scant defense against the unknown, which the night represents.
As an outsider working to break into a man’s world, Anna finds herself in a similar position to Marle, the African-American diving candidate. Ethnic identity continues to define many characters: the Kerrigans are micks, the Mr. Q. is a wop (Italian), and Nell Konopka is a Polack (Polish). Although from a different background that these white immigrants, Marle faces similar struggles against societal bias. In Marle, Anna recognizes the same mixture of hard work and self-evasion as she carries within herself.
Anna is “keenly aware of Marle but also eager to avoid him” (253), in case they are seen as two underdogs collaborating against an establishment that wants to keep them out. When Lieutenant Axel notes how hard they work to stay apart, he forces Marle to assist Anna with her dive, hoping to “rattle them and thereby worsen their chances” (242). Without exchanging a word, however, Marle and Anna adjust their mindsets; they help each other succeed and eventually become Lieutenant Axel’s most promising divers.
Anna’s first successful dive gives her a new confidence. She realizes that the 200-pound suit that suffocates her on land makes it easy to move beneath 30 feet of water. Diving feels “like flying, like magic—like being inside a dream” (245). Her newfound confidence prepares her to thrive in other new and challenging situations. She flirts with Mr. Voss, dressed in her mother’s ballgown because “the idea of transformation appeal[s] to her” (253). Nell sees her as an equal, and Dexter sees her as a lover. In his car, on the way to the boathouse where they will make love, darkness becomes enticing rather than frightening:
Her dread of the dark had vanished. Without knowing when or how, she had released herself to it—disappeared through a crack in the night. Not a soul knew where to find her. Not even Dexter Styles. (236)
Anna’s sense of invisibility in the darkness, similar to what she feels underwater, makes her feel invincible. She opens herself to being Dexter’s lover and receiving pleasure from him while at the same time being protected from his sleuthing. When she reveals her true identity to him, Dexter does not reveal her father’s location, and he warns her of danger to come. Their brittle departure, whereby Anna stalks out of his car in anger and he drives off, creates a narrative cliffhanger and sets up further confrontation between the pair in the novel’s final section.
Meanwhile, although he has vanished, the controversial Eddie Kerrigan remains in the background. Agnes and Anna symbolically try to kill him off, when he fails to show up to Lydia’s funeral, by changing the locks on the door and saying that they think he must be dead. Yet Agnes and Anna take different paths in relation to Eddie: Agnes, resentful that he did not do enough for their fragile younger daughter, returns to Minnesota to close the chapter that entwined her fate with his; Anna pursues Dexter Styles, and thus continues to pursue a connection with her father, hoping that she can learn what happened to Eddie.
Dexter remembers Eddie as his one mistake. Mr. Q. reminds him of this mistake, suggesting that Dexter still suffers the consequences. Once Anna reveals that she is searching for Eddie, Dexter suggests that the search is unsafe, continuing to build narrative tension toward the moment when Eddie’s actions are revealed.
Chapters 18 and 19, told from Eddie’s perspective, reveal both his current circumstances and his state of mind. As third mate on a ship, he tries to escape his past yet realizes that it is inescapable. He thinks of Lydia and Anna: “Anna returned to Eddie after an absence of years: her voice, the pattering quality of it, the feel of her small hand in his” (300). Calling his healthy child his “one pure, unspoiled joy” (210), Ed realizes his heart longingly returns to her, even as he claims to have adopted a new life.
Anna, despite pronouncing her father dead, has felt that “her father returned to her […] his voice: offhand, confiding, dry from weariness and smoke” (210). This mirrored connection, augmented by each one’s experience of the other’s voice, prepares the reader for the reunion to come.
By Jennifer Egan