logo

50 pages 1 hour read

Jenna Evans Welch

Love & Gelato

Fiction | Novel | YA | Published in 2016

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Background

Cultural Context: The Romance of Italy

Twenty-something Hadley Emerson, a promising photographer, immediately feels how Florence stirs her emotions, her heart, and her creativity. She feels alive, saying, “I’ve never been anyplace that I want to capture so much” (136). Years later, her daughter undergoes a similar experience when she first visits the city’s Medieval Ponte Vecchio, saying, “It gave me a solemn, awestruck kind of feeling. Like going to a church. Only I wanted to stay here for the whole rest of my life” (160). Before Lina falls in love with Ren, she falls in love with Italy.

Love & Gelato taps into a deep cultural association between Italy and romance. Since the sweeping romantic tragedy of William Shakespeare’s Romeo and Juliet, Italy has been conceived within the cultural imagination as a magical land of romance and passion, embodying the concept of la dolce vita (or the good life), a term that iconic Italian filmmaker Federico Fellini popularized in one of his many quirky fantasy-romances set in the environs of Rome. With its distinct Old-World charms—its cities, towns, and seaside villages preserve the look and feel of both the Medieval and Renaissance eras—Italy has become a splendid escape for lovers young and old, a place to affirm new love or to rekindle its fires. In addition, Italy is associated with sensual delights, known for rich and indulgent foods served during luxuriously long meals, as well as for cellars full of wines grown in the local vineyards that line the countryside’s rolling hills. The musical rhythms of the language itself, as generations of opera composers and aficionados would testify, delight the ear with a rich, sonic weave of languid vowels and soft, rolling consonants. The country’s cutting-edge fashion and celebration of art in its architecture, cathedrals, and the statuary in its public squares all give the country a reputation for passionate creativity.

Given this cultural context, Italy has provided backdrop for countless contemporary movies that have used Italy to create an ambience of magic, love, and possibility—among the more widely known are the 1953 Audrey Hepburn vehicle Roman Holiday (which Lina and Howard watch together); A Room With a View (1985), based on the novel by E. M. Forster; Il Postino (1994); Under the Tuscan Sun (2003); Eat Pray Love (2010); and Woody Allen’s To Rome With Love (2012). Italy also maintains its powerful aura of love and passion in best-selling contemporary romance novels (in addition to Jenna Evans Welch’s “Love & Gelato”), including the novels of T. A. Williams, Ann Fortier, Samantha Tonge, and Leonie Mack.

Literary Context: The “Love &” Series

As a child, Jenna Evans Welch was a voracious reader. She grew up in a home rich with literature—her father is best-selling novelist Richard Paul Evans, known both for his 30+ romance titles and his best-selling inspirational meditations on faith and family. When she moved into young adult fiction, however, young Jenna grew restless with the limited range of the female characters such titles offered. Welch later acknowledged that what she was missing was the sense of adventure that young girls could embody. Where were the tales of young women facing the future boldly, willing to travel to exotic, foreign destinations that would offer them a chance to redefine their own identity, to forge new friendships, and ultimately to find love? When, as an adult, Welch decided to try her hand at fiction writing, she conceived of a series of interrelated novels in which young women would do just that—travel abroad in a Journey of Self-Discovery to find themselves and love. Love & Gelato, her first novel, was followed by Love & Luck, Love & Olives, and Love & Other Details. These novels are stand-alones. However, characters reappear in different volumes (for instance, Addie, Lina’s go-to friend back in Seattle, takes center stage in Welch’s follow-up novel, Love & Luck, when Addie heads to Ireland with her aunt and ends up finding love).

Welch taps into a literary context, a romance genre of novels that dominated canonical literature in the late 19th century. Most familiar of these novels to contemporary readers are the American romances of Henry James, Edith Wharton, and William Dean Howells and the coming-of-age novels of Jane Austen, the Brontë sisters, George Eliot, and William Thackeray. These tales center on young, accomplished women who, at a time when women were not expected to attend university, toured Europe or other exotic destinations to complete their education in art, society, and manners. By going abroad, the heroines of these novels discovered what their domesticated lives back home could not teach them: the meaning of love, the virtue of virtue itself, the purpose of art, the definition of true friendship, the value of family, and (often scandalously) the viability of social mores and codes of conduct. This genre template, which Welch acknowledges as an important influence, explores how these young female characters, much like both Lina Emerson and her mother, make the challenging transition into adulthood.

blurred text
blurred text
blurred text
blurred text