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Sarah’s narration continues on the day of Andrew’s funeral. She remembers that morning, before Little Bee’s arrival, surveying her neighborhood while Batman played outside. There is not, she feels “a grown-up language” (86) to describe her grief that morning. She remembers considering moving, suddenly, because “there was no longer one single reason for [her] to be here” (87). That is the moment that Little Bee rang the doorbell
Their conversation, Sarah remembers, brought back “memories from hell” (87). Sarah remembers exiting in the middle calling her neighbor and lover, Lawrence, in panic. As he comforts her, she hears his children running around, and she recognizes that she cannot bring up the “presumed-dead Nigerian girl, resurrected on his mistress’s sofa” (89). Instead, she just shares her concern over her lack of feeling. She also begins to ask about what their relationship will be with Andrew gone.
Part of her struggle to feel is that “since Africa, [she] hadn’t really bought the idea of love as a permanent thing” (91). Back in her conversation with Little Bee, she explains Andrew’s death. She is horrified by the “so old, so tired” (91) feeling in Little Bee’s voice. Then, the undertaker, who Batman calls Bruce Wayne, arrives and interrupts their interview. Sarah gathers up her son and they all prepare for the funeral.
The day of Andrew’s funeral, Sarah realizes that “life had finally broken through” her “Maginot Line of motherhood and affairs” (95). Little Bee represents the real world, which “would not be denied any longer” (95). She remembers the beginning of her relationship with Andrew, and then the fact that “the marriage cooled when Charlie was born” (96). After their experience in Nigeria, Andrew “had been so slowly lost” (96).
Sarah remembers cleaning Charlie’s clothes after he jumps in the grave at the funeral. Little Bee, who she had largely forgotten about, plays with her son. As they make friends, Sarah realizes that “it wasn’t going to work anymore, denying her, or denying what had happened in Africa” (98). She begins to recount the memory of that holiday to Nigeria, “somewhere different” (98).
When she and Andrew traveled to Nigeria, “there was an oil war” (98) that neither of them knew about. She had other offers, sent to her at the magazine, for more glamorous adventures, but her adventurous streak drew her to Nigeria. Ibeno Beach “was a cataclysm with borders” (99) of malaria and oil. There she met Little Bee, who “fled from the men who would kill her because they were paid to, and the children who would kill her because they were told to” (99). They met her at the beach where she and Andrew “were being unconventional” (99).
The night of Andrew’s funeral, Sarah asks Little Bee to tell her “how it was when [she] first reached the sea” (100) and how she survived from there. Little Bee recounts her escape from the village, how Little Bee was a name selected to replace her name from home, which would give her away as an ethnic enemy. Together with her sister, Nkiruka (renamed Kindness), who was “the kind of girl the men said could make them forget their troubles,” she ran away knowing that “there weren’t supposed to be any survivors to tell the story” (101) of their danger.
Little Bee retells the experience of seeing Sarah and Andrew on the beach, “the first whites she had seen” (102). Sarah remembers herself in that moment, apologizing for her affair with Lawrence. A guard ran up the beach, in military uniform, summoning the couple back to their hotel compound. They think that the guard is asking for a bribe, and are desperate to be free of the compound. But the guard shoots his gun into the air, and then the dogs they hear far away grow closer.
Little Bee, hearing the soldiers move in, grabs her sister, and the two move onto the beach, toward the couple. They stare at Sarah and Andrew “in hope and expectation” (105) that they will rescue them. However, Sarah doesn’t believe that they are in danger: “[W]hy would anyone want to kill you?” (106). Before she can speak, Sarah remembers, Andrew calls the whole scene “a classic Nigeria scam” (106).
The girls continue to follow the couple and the guard back to the compound, although the guard tries to shoo them off. Eventually, dogs run out onto the beach, and the guard shoots at them. Men follow them soon after, and they chase the group. Sarah remembers the leader leering at Kindness. She also remembers the girls walking behind them, leaving the couple between them and the hunters.
Andrew offers the soldiers what they want. One of them tears off Sarah’s beach wrap to reveal her “very small green bandeau bikini” (109), which she now remembers as a ridiculous item to bring to such a place. Sarah still remembers the festering wound on his neck. Even though Andrew offers the soldiers money, they demand the girls.
The leader discusses Kingston-upon-Thames, Sarah and Andrew’s hometown, with them. Suddenly, he pulls a machete and cuts the guard’s throat. Sarah remembers the moment in vibrant detail. He tells her that “this guard died because of you,” and then he tells her that “you were crazy to come” (111).
Andrew tries to convince Sarah to withdraw from the affair. The leader says that this is the “first time [he hears] white man say my business not his business” (112). Sarah begs the soldiers to take money and medicine in exchange for the girls, but they scoff at her. They offer to take Andrew’s middle finger, which “white man been giving [him]” (113), in exchange for the girls.
Andrew kneels down to give in, but he hesitates. He could get AIDS from the bloody machete blade. He does not deserve this. Andrew swings the blade down, but he misses his hand; then, he refuses to try again, because “this is just fuckin bullshit” (115). Sarah remembers that “this is when [she] stopped feeling,” that she “was no longer scared” (115).
Sarah kneels, in this moment, and chops off her own finger, “with one simple chop” (115). The leader of the killers decides that Little Bee will live for this sacrifice, but that Kindness will not. Sarah remembers hearing “the sound of [her] husband sobbing” (116). She can still hear it, in Kingston, with Little Bee, on the day of his funeral.
Back in the present, Sarah realizes that she took over the storytelling from Little Bee. She calls Lawrence. Their conversation is difficult, but honest; Lawrence is hurt that he was not invited to the funeral. Eventually, after hopefully asking if he will come over, Sarah gives in and tells him that Little Bee is at her house. Lawrence is astonished; he encourages Sarah to ask Little Bee to leave.
Sarah explains that she is “going to let [Little Bee] stay” (122). After she hangs up, she drinks a gin and tonic and reflects on her attraction to Lawrence. There weren’t, she remembers, affairs in her family historically: “[I]n my family we took our holidays in Devon and our partners for life” (122). She remembers her fairly conventional childhood, the allure of Andrew. But “as Sarah O’Rourke” she had “lost the habit of happiness” and instead found “a sense of amazed separation” (124). It had been only “the second real decision” (124) of her life.
Sarah feels, the night of the funeral, that she and Little Bee are “joined by what had happened on the beach” (124). Losing her “would be like shedding a finger, or a name” (124). She remembers how she did not sleep for weeks after the episode in Nigeria, how she had to work to make her life “work” and the beach “seem distant and impersonal” (125). She decides that what she really needs is to know what happened to Little Bee after the episode that ruined her husband and shaped her life forever.
The day after the funeral, Little Bee remembers waking up, disoriented, in Sarah’s home. She describes the home in detail, as if describing it to the girls in her village back home. She anticipates their many questions, and she feels that “this is the real reason why no one tells us Africans anything” (127). It is “a place beyond the end of the world” (127).
Little Bee addresses her audience, which is, she recognizes, full of “sophisticated people” (128) who do not see the complexity of their own world. She drank tea for the first time at Sarah’s house, even though her own country exported tea and she herself stowed away on a tea ship for “three weeks and five thousand miles” (128) to arrive in England.
That morning, over tea, Sarah pushes Little Bee to tell her story. She explains that the men led her and her sister to a broken boat on the beach after Andrew and Sarah returned to the compound. While Little Bee hid under the boat, the hunter/soldiers raped her sister; she describes all of the sounds that she heard as they did so. After telling the story for a while, Little Bee looks up at Sarah, who is ghastly and shaking.
Little Bee does not want to hurt Sarah by telling more of the story, but she continues; she “could not stop talking because now [she] had started,” and “we cannot choose where to start and stop” (131). After the rape, she hears her “sister’s bones being broken one by one” (131). All that remained of her “were the parts that could not be eaten” (132).
Through the slats, Little Bee remembers, she watched the leader of the soldiers begin to swim. The other soldiers left. So, she retells, she emerges from the boat and wades through the water toward the compound. She watches the birds pick at the guard’s body, and then she finds Andrew’s wallet; she takes the business card and driver’s license, and then she hides in the jungle.
Little Bee remembers that, when a military van from the compound arrives, it is playing “One” by U2. She asks Sarah if it is crazy that people from her village, and across the country, loved U2. She remembers that people were “killing everyone else and listening to the same music” (134). After they leave, Little Bee decided that she was afraid of the soldiers, and so she walked in the opposite direction, past where her sister was killed, to a port where she stowed away on a ship with a British flag.
Little Bee and Sarah sit in silence at this point in the story. Charlie wakes up and emerges in the kitchen; he asks his mother why she is crying, and she collapses onto the table. Sarah explains that she “is crying because of something [she] has been trying not to think about” (136). Little Bee leaves the mother and child alone, and when she rejoins Sarah later, neither woman knows what to say.
Sarah invites Little Bee to stay with the family. She insists that Little Bee will be safe from trouble there, but Little Bee responds that “trouble is like an ocean” that “covers two thirds of the world” (138). Inside, Little Bee shifts her attention to deciding where and how she can commit suicide at Sarah’s house. She covers up her interior thoughts by talking about her village.
When Charlie’s nursery calls Sarah to come pick him up, she automatically dials Andrew’s number. After she recognizes the mistake, in shock, she asks Little Bee to delete his phone number. She has never used a mobile phone, and she thinks that it will be a difficult task. Little Bee is shocked by how easy it is.
The two women go to the nursery together, after Little Bee has changed into a borrowed dress, “the prettiest thing [she] had ever worn” (141). They discover that “what had started” Charlie’s troubles that day was the nursery forcing him to take off his Batman, which he had urinated in; “Charlie did not want to be clean” (142). As Charlie screams for his father, Sarah, crying, tries to comfort him.
Little Bee calmly stands beside Charlie, looking out of the room with him, until he starts a conversation. She explains that they “are the same,” that they’ve both spent time in places that “make [them] do the things [they] do not want” (143). She also explains to Charlie that, like hers, his father is dead. They are both sad, but they “are not going to be sad” (145). Little Bee reminds him that he is lucky because he has a loving mother; at this, he runs to embrace Sarah.
Sarah asks Little Bee how long it will take for her to feel okay again. Little Bee tells Sarah about the detention center and explains that about a year passed before she could calm herself. Sarah catches herself, shocked that she is not the one helping Little Bee, but Little Bee reminds Sarah that Sarah saved her life. She also explains to Charlie that his mother saved her, like a superhero.
Little Bee says that, although “someday, the men will come,” in the interim she will live with Sarah “as if [she] were [her] mother” (148). Overwhelmed, Sarah asks for some time to think through this arrangement, which feels serious to her. They walk home in silence and drink tea again. Little Bee wonders “if it would be the last time” (149). But eventually, Sarah decides that they should help one another: “[M]aybe,” she says, “it is time to be serious” (149).
Sarah pins the start of the “serious times” (150) about a year earlier, when she first met Lawrence. She “wasn’t looking for serious” and had “felt like showing off [her] wings” after “emerging from the introverted, chrysalid stage of early motherhood” (150), yet she finds herself doing the opposite.
She had decided to take on an article on her own, partly as an example to the young journalists at her magazine. Trying to focus, she thought about the “optimistic” mood she wants her article to uphold in the face of the gloom Andrew’s articles had taken on. The two had fought about the seriousness of his articles just before she arrived at the country’s Home Office to interview her subject. In the lobby, Sarah recognized that she was there “entirely to make a point to Andrew” (152).
That day was when she met Lawrence. After he points out her bad mood, she apologizes, noting his relaxed tone and his attractive demeanor. When she asks him what is wrong with Britain, he says that he’s “the wrong man” (153) to ask, which is why he is in the press office, not fixing any of the problems. Lawrence explains that he is only there to connect her to other people, to guide her through the busyness of the offices. Sarah feels Lawrence’s “protective hand on the small of [her] back” (154).
After a few minutes in chaos after a major resignation, Lawrence explains that he will need to reschedule her interviews. He needs to write the letter explaining his department’s “deep regret” (155) at the official’s departure. Both Lawrence and Sarah recognize that their conversation is too casual, is hinting at an affair. They try to turn back to Sarah’s article, of which Lawrence has become the subject.
Lawrence continues his self-deprecation, but Sarah explains that he seems “too nice to be such a loser” (158). He comments on her beauty. They talk as he types his letter; both are shocked by the office’s apparent celebration behind Lawrence’s door. Quickly, Lawrence turns the conversation to Andrew, about whom Sarah was complaining. Eventually, their conversation stops and the two have sex.
Soon after, Lawrence finishes his letter, and Andrew calls. His voicemail says that he has been commissioned to write about “the home secretary’s downfall,” but Sarah sees it as announcement of “the change in [their] way of life” (160). She gently puts down the phone as Lawrence says: “I’d really like to see you again” (160).
With Andrew at work so often, their affair picked up, Sarah recalls. It was intended to be “just a merciful interruption,” in which she “gave [herself] completely to Lawrence” (161) in a way she hadn’t with Andrew. She “started to adore Lawrence” (161), a full escape from Andrew.
She began to attend parties again. Eventually, she ran into Andrew—Lawrence introduced the couple—where he was “crumpled and red-eyed from the office” (162). Andrew knew about the affair immediately; that night they stood in their garden, where Sarah wanted him to build a glass house, and “talked about saving [their] marriage” (163).
Andrew flew to Ireland to drink with his brother, while Sarah stayed at home. Charlie started nursery school, and the house was quiet. Being Charlie’s mother was now “the one thing [she] can be proud of” (164). Lawrence offers to come over, but Sarah rebuffs him; to protect Charlie, she thought, she needed to keep “distance between [herself] and Lawrence” (165).
When Charlie cries upon pickup from nursery and asks for his father, Sarah calls Andrew and asks him to come home because Charlie wants him. Andrew is hurt that it is for Charlie, not for herself, that he is supposed to return. At this moment, they decide to travel to Nigeria on holiday. The “[s]erious times […] rolled in” and began to “hang” (167) over them.
These serious times, Sarah explains to Little Bee, have followed her around. Together, she thinks, they can both try to move on. She enthusiastically shares her plan for Little Bee’s citizenship while trying to wrangle Charlie, who is playing under the table.
Later that day, Lawrence arrives at the house. It is his first time there; he is not sure he has the right address. He asks if Little Bee is “legal,” but Sarah responds: “I don’t think I give a shit” (170). Lawrence holds back because with even “the slightest doubt,” he “could be sacked” (170) for entering the house. So Sarah tells him not to. But he persists, explaining that “it’d be nice if [he] loved [his] wife and it’d be super if [he] didn’t work for the forces of darkness” (170).
Sarah lets Lawrence inside, where he meets Charlie, introduced to him as Batman. Lawrence also meets Little Bee. He worries about her, knowing what he knows from the Home Office. Sarah recoils, feeling as if Lawrence is asking her “to choose between [Lawrence] and her” (173). He insists that there is a logical end point to charity.
Lawrence almost leaves to stay in a hotel, not in Birmingham like he told his wife, but eventually he stays. The two have sex “on the bed [Sarah] used to share with Andrew” (175). Comparatively, sex with Lawrence feels light, but “the presence of Andrew” (176) dampens the mood. That night, it feels “too light” (176).
She also admits that her mind is elsewhere, on what she has to do. Lawrence grows frustrated; he asks is she’s “going to find time for us again, one of these days” (177). Although he wonders why she can’t “just not give a shit,” he admits that he is “glad [Sarah is] not one of them” (177). Still, he explains, he thinks that Sarah does not know how difficult her plan to find legal safety for Little Bee will be.
In Chapters 4 through 6, Sarah and Little Bee unravel the stories of their coming together and their coming apart. Both have experienced what Sarah calls “serious times” (150), before and since their first meeting on the beach in Nigeria. Where Sarah struggles to cry over her deceased husband, Andrew, she cries immediately when Little Bee tells her about what brought her to the beach and what happened thereafter.
From Little Bee’s perspective, the present is also a marvel. She is still certain, as always, that “someday, the men will come” (148). At the same time, she feels ready to treat Sarah “as if [she] were [her] mother” (148). In this time when both women are a kind of refugee, they see one another as heroes. When Little Bee explains to Charlie that Sarah lost her finger on Little Bee’s account, she compares Sarah to a superhero so that the sacrifice will make sense to the child.
Little Bee and Sarah’s retelling of the story of the beach switches from one voice to another, as Little Bee falls asleep. Sarah needs to tell Little Bee about her life, and her affair with Lawrence, as much as she needs to hear about Little Bee’s life since they came together on the beach. When Lawrence shows up, their sexuality differs from the sex elsewhere in the text, which is often tinged with violence. At the same time, the sense of commingling darkness abounds: Lawrence reminds her of his own difficult work position, which complicates Sarah’s hope. She cannot “just not give a shit” (177). This is both a point contended with by the men in her life and a positive attribute.
By Chris Cleave