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72 pages 2 hours read

Chris Cleave

Little Bee

Fiction | Novel | Adult | Published in 2008

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Chapters 10-11Chapter Summaries & Analyses

Chapter 10 Summary

At the beginning of Chapter 10, Sarah shares the moment of losing Charlie from her own perspective. First, she recreates the conversation with the publisher, in which she “told him [she] didn’t want to edit his magazine anymore” (232). He takes the news easily, and she is “shocked” by how “frighteningly easy” (232) it is to change her life.

Clarissa calls her immediately to talk her down from “having a midlife crisis” (233). Suddenly, Sarah doubts the move; “it is hard,” she thinks, “when it comes right down to the actual choice, to know what you want out of life” (234). Seeing Little Bee, Sarah realizes that the girl had made her think she “was a better person,” when really she “was a quiet, practical, bereaved woman who focused very hard on her job” (234).

In that moment, she remembers, she realized Charlie was missing. She describes “the unspeakable certainty that someone had taken Charlie” (235). Everyone seems to stare as she runs, screaming, frantically across the beach. She feels “the second stage of [her] mind shutting down” (236) as she splashes into the river. As she reaches after what turns out to be a plastic mask, she plunges her cell phone into the river. Her “life was gone” in the river, replaced the “the empty eyeholes of the mask” (237).

Sarah remembers realizing that she had, in her running, never run to him: thinking Charlie lost, she “looked at the empty days before [her], and there was no end to them” (237). Lawrence wades in next to her and tells her to be “systematic” (237). He hands his phone to Little Bee and asks her to call the police, but the girl hesitates: “She looked terrified” (238). Only after she finally turns and walks to the embankment do Lawrence realizes what they have asked.

Eventually, Lawrence finds Charlie, after leaving Sarah, screaming, by herself to look for him. He had been hiding in what he calls his “bat cave” (239), a drainage pipe by the river. He went there because “Lawrence and Bee was all cross and they wasn’t playing with [him]” (239). Emotional, Sarah pours out her feelings to her son and embraces him, feeling “the gentle, insistent pressure of the bones beneath his skin” (239) underneath his costume.

Chapter 11 Summary

Policemen arrive five minutes after Lawrence finds Charlie. Little Bee describes them in detail; they “have more gadgets than Batman” (240). Little Bee reflects on her confusion that they did not carry guns: “Much of my life in that country,” she would explain to the girls at home, “was lived in such confusion” (240). Little Bee remembers feeling like she “wanted to run” (240), but instead she greeted the policemen.

She “was scared that [her] Queen’s English” (240) would not work. Even after the policemen hear that Charlie was found, Little Bee still worries that the policemen will turn back to her. If made to climb into the police car, she “would step out of England and straight back into the troubles of [her] country” (241). In this way, she thinks, it really “is a small world these days” (241).

One of the policemen notices how nervous Little Bee is. She resists telling him; finally, she says: “How dare you?” (242) and runs away. He catches her immediately, without any long or dramatic chase. As he questions her in the back of the car, she knows “it was all over” (243). When she explains that her name is Little Bee, the policeman calls for backup; Little Bee is “probably a nutter” (243). They take her away in a barred van.

That night, Sarah and Lawrence visit Little Bee. Charlie is with them, asleep, a sight that makes Little Bee cry with happiness. Outside the cell, she can hear Lawrence arguing with the police to send her back to Sarah’s home. Inside the cell, Little Bee admits that she “was there when Andrew killed himself” and that, if she had tried harder, she thinks she “could have saved him” (244). After a long silence, Sarah admits that if she “had tried harder,” she thinks she “could have saved Andrew too” (245).

Immigration officers take Little Bee away early in the morning. They handcuff her to the seat and marvel at her English. They explain to her that she is “a drain on resources” and that she doesn’t “belong” (245) in England. To belong, they explain, she would have to “share [their] values” (246).

Eventually, they bring her to Heathrow. In a holding room, where she and some others, all wearing handcuffs, await their planes, she thinks she sees Yevette. Briefly, she is joyful. Eventually, however, she grows fearful. On the airplane, she has a guard, who removes her handcuffs. Although he says he does not like the job, Little Bee does not believe him: He “should do a different job” (248) if he does not like this one. He explains that with Polish newcomers, he cannot get a laboring job; he scoffs, knowing that he is chaperoning girls who are “more employable” (248) than he is. He explains how he, and the Dutch company he works for, make money off of these repatriations. It is, he explains, “the global economy” (249).

Little Bee is afraid, at first, of the airplane’s sound. Then, she realizes “that for a few hours [she] was not in anyone’s country” (249). After looking out the window for a while, she turns to see Sarah and Charlie in the aisle. They “couldn’t let [her] go back alone” (250). They talk and embrace. Sarah explains the story Andrew left behind, which is better than a note.

Sarah does not leave Little Bee’s side at the airport, when the military police greet her. She explains that she is “a British journalist” and that she “will report” (251) anything they do to Little Bee. For two weeks, Sarah and Charlie stay with Little Bee at a hotel in Abuja. From the balcony, Little Bee watches the city lights: “[She] did not know such a thing existed in [her] country” (252).

Little Bee tries to persuade Sarah not to seek more stories. But Sarah explains that their problem now is only that they have just Little Bee’s story: “As soon as [they] have one hundred stories,” Little Bee “will be strong” (253). They can regain power when they “can show that what happened to [her] village happened to a hundred villages” (253). This was what Andrew hoped to do, to save girls like Little Bee.

After Sarah’s explanation, Little Bee decides that she wants “to be part of [her] country’s story” (254). But before they begin, Little Bee tells her about Andrew’s death in full.

First, Sarah bribes the military police outside the hotel with large sums of money. Then, Little Bee and Sarah can spend the day on the streets. Little Bee earns the trust of people who would not speak with a foreign journalist, and then they share their stories. She discovers “there were a lot of us” in the country “who had seen things” (254) they weren’t supposed to. They traveled the roads “in an old white Peugeot, just like the one that [Little Bee’s] father used to have” (255).

One night, Little Bee dreams of her sister. She asks Sarah to take her to the ocean, and so Sarah drives the policemen with more money and they travel there overnight. At the beach, she explains to Sarah her internal practice of imagining communicating her experiences: “How would I explain these things to the girls back home?” (256). Sarah wants to know how she would explain them, but Little Bee explains that she wouldn’t. On that day at the beach, she decides to say “good-bye to all that” because she and Sarah “are the girls back home now” (256). She thanks Sarah for saving her.

Sarah asks Little Bee if she wants to pursue papers to move to England, but Little Bee hesitates. Instead, she dreams that Sarah and Charlie will stay with her in Nigeria. When she wakes from dreaming, the heat and the wind takes her over: She feels “inconsequential,” like she is just part of the particles of sand, but it is “pleasant to know that there is nothing to be done” (259).

Suddenly, Sarah grows panicked because soldiers are walking up the beach. Their weapons stand out, even though they are far away. “This,” Little Bee thinks, “is how the future rode out to meet me in my country” (260). They will obviously, Sarah notes, be looking for a white woman and a white boy. She tells Little Bee to join the group of women further down the beach, with whom she will blend in. Charlie is afraid, but Sarah explains to him that she hasn’t “done enough to save” (261) Little Bee yet.

From afar, Little Bee and the other women with whom she hides watch the soldiers yell at Sarah. They point a gun at her, at which point Charlie starts to run. Most of the soldiers laugh, but the leader swings his gun and begins to shoot at Charlie. Little Bee, terrified, runs toward the boy. As the soldiers walk to her, Little Bee finds comfort in knowing that Charlie will be safe, “that the hopes of this whole human world could fit inside one soul” (264). This, she thinks, is globalization.

Little Bee tells Charlie her real name: Udo, meaning peace. Peace, she explains, “is a time when people can tell each other their real names” (265). At this, Charlie decides to take off his Batman costume. Everyone marvels at his small white body. He runs to play with the other children as the soldiers approach. Watching them play, she “laughed and laughed and laughed until the sound of the sea was drowned” (266). 

Chapters 10-11 Analysis

In the conclusion of Little Bee, all characters other than Sarah, Little Bee, and Charlie fade away. The beach, the costume, and the gun reappear, yet this time, Sarah gains power to intervene in the world around her. This is the power that she teaches to Little Bee as the two travel into Nigeria to gather stories from other victims of the oil war. When Sarah quits her job, she is “shocked” by how “frighteningly easy” (232) it is to change her life. This power and agency enables her to keep engaging with the otherwise overwhelming and frightening forces of the world that, as she and Little Bee both recognize, is globalizing and “developing” out of control.

When Sarah reaches for the floating mask in the Thames and destroys her phone, she feels as if “life was gone” in the river, replaced the “the empty eyeholes of the mask” (237). Feeling her connection to power and privilege gone, via her lost cell phone, is like recognizing that she is wearing a mask. Little Bee, too, finally sheds her mask at the end of the novel when she tells Charlie her real name, Udo. Losing these masks releases both from the entrapment the feel and helps them to engage more peacefully with the world over which they both do and do not feel control.

That the novel ends with Little Bee looking over the sea, laughing at Charlie’s nakedness, leaves readers caught in suspense. At the same time, it marks that nakedness as a recognizable kind of freedom—the same freedom that Little Bee longed for in seeking new names and new histories. While she feels as if she and Sarah “are the girls back home now” (256), and her past history is gone, it is her communion with her lost sister at the beach that enables that transition. The freedom of the child in whom “the hopes of this whole human world could fit” (264) is her ultimate joy. Where Sarah often takes over the story of Little Bee’s life, her voice in both the first and final chapters ensures that her perspective on events, which does not always rationalize them, has the final word. Ultimately, readers can see that, like the jungle and the jeep, worlds commingle in this character called peace, chased constantly by men with guns.

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