53 pages • 1 hour read
Susan HoodA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Shrapnel symbolizes the war’s danger. When Ken goes to London with his father after the first night of bombing, he sees shrapnel in the street. Ken’s father explains that it’s a piece of an exploded bomb. Ken can see the damage the bombs inflicted on the buildings and streets and reconciles how this piece of bomb is now harmless. He collects the shrapnel and does the same later with his new friends when they find shrapnel in the orphanage yard. He notes that collecting the shrapnel is their way of trying to contain the danger. It’s a tangible item that fits in their hands, and this act makes the bombs and the war less fearsome. Hood also uses the shrapnel ironically, showing that the pieces of metal that can cause death and destruction can also be used as collectibles and trading currency for young boys. An item that, hours before, was considered dangerous, loses its power after the dust settles.
Ken’s wool coat symbolizes his transition from a boy into a man. Ken’s stepmother purchases Ken a new coat before his voyage, and he feels like a different person once he puts the garment on. The acquisition of the coat aligns with Ken’s upcoming adventure and his new burgeoning identity as independent from his family:
I look into the mirror / and run my hands / down the good English wool— / dark gray, / double-breasted, / with wide lapels / deep pockets and a belt. / I don’t recognize the person / smiling back at me in the mirror. / He almost looks like a man (13).
In the context of wartime, a new “store-bought” coat is a luxury item, and Ken feels both special and protected. Although Ken rationalizes returning to his cabin for the coat to avoid his stepmother’s anger, the coat is his only tether to his family back on land. In this way, the coat also symbolizes Ken’s connection to his family: “Cold, / wet, / I wrap my warm coat around me, / remembering my family / back home / in trouble too, / braving the Blitz, / braving the bombs (99).” Despite his own dire circumstances, Ken sees beyond his own needs and comfort and thinks of those he cares about. The coat not only protects him from the harsh, cold winds, but the coat also provides him with the hope of reuniting with his family.
Ken loves to read, and his literary heroes are mainly protagonists of adventure stories, such as Robinson Crusoe, Bulldog Drummond, and Wart from The Sword in the Stone. These stories give Ken his own thirst for adventure and help him come to embrace the opportunity to live out his own thrilling tale on the voyage to Canada. Stories are calming for Ken and help to give him solace amidst the uncertainty of World War II. While at the orphanage for a day and night before boarding the ship, Ken joins his friends under a willow tree and listens to female chaperones tell a story. Ken feels safer in this moment than he has for a long time, and he is so relaxed that he drifts to sleep. This contrasts with later that night, when once again Ken huddles with his friends but cannot sleep as bombs loudly fall in the vicinity. Stories offer Ken an escape from his fears of the war.
While on Lifeboat 12, stories continue to offer important emotional escape and distraction. Auntie Mary recognizes that they are all suffering from boredom; they only think of their thirst and misery when alone with their thoughts. Therefore, she starts a story about Bulldog Drummond, a famous British character, and features the boys as characters too. By continuing the story a little more each day, she gives the boys something to think about other than their fear and discomfort. The distraction gives them hope and moments of normalcy amid the crisis. When Mary finally ends the story, Ken notes that the end corresponds with the end of their hope for rescue. The story has been helping to keep them alive. Later, Ken recognizes that the story saved his life. It helped him and the other boys escape from the constant boredom at sea, distracted them from their suffering, and gave them something to look forward to hearing each day. Hood shows the power of stories to provide comfort and calm in the midst of troubling times. She reminds the reader that stories have the ability to inspire, bolster one’s spirit, and provide hope.
Religion and prayer are mentioned consistently throughout the novel and demonstrate the common human act of crying out to a higher power when one is suffering or in danger. Although the passengers aboard Lifeboat 12 come from different backgrounds and cultures, many of them are religious. Some of the East Asian sailors are Muslim, while others are Catholic, and many of the British passengers are Catholic. Father O’Sullivan and Ramjam Buxoo seem to be the spiritual leaders aboard Lifeboat 12. They talk about God together despite their differing religions, and although they face the possibility of death, each man remains strong in his faith. Father O’Sullivan often leads Ken and his friends in prayer, in both everyday moments and moments of intensity. For example, they pray before and after each meal, and each time the hope of rescue is near, Father O’Sullivan instructs the boys to pray. Furthermore, the Muslim men aboard Lifeboat 12 pray five times a day as is customary in Islam. Hood uses religion to show the commonalities that exist among the variety of passengers on the lifeboat. The religion motif also indicates that faith can become especially important in times of difficulty as people look to the spiritual realm for hope and answers.