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38 pages 1 hour read

Gary Paulsen

Liar, Liar

Fiction | Novel | Middle Grade | Published in 2011

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Symbols & Motifs

Kevin’s Social Studies Project

Kevin’s social studies project, in which he’s supposed to research and present a topic with a partner, is the reason for his first big lie. He pretends to have a made-up illness and manipulates Katie into doing all the work because he doesn’t want to work with her. Gary Paulsen positions this purely selfish motivation as one example of the major character flaw behind Kevin’s lies—a flaw he must overcome in the course of the narrative. He’s selfish; he puts his own needs, desires, comfort, and convenience above the needs of others. Deep down, Kevin knows lying is wrong, but he avoids feeling guilty by rationalizing his lies. Even though he successfully convinces himself that he’s helping other people when he lies to them, his real reasons are apparent. As the first example of this flaw, the social studies project symbolizes The Selfish Motives and Rationalizations for Lying.

The Shared Car

The car that Kevin shares with his siblings, Daniel and Sarah, was a gift from their Auntie Buzz. Though only Sarah currently has a driver’s license, Kevin and Daniel feel she should drive them where they want or need to go. As co-owners, they feel entitled to use it despite not having earned the right to drive it. This arrangement creates conflict between them, especially when they’re each focused on their own needs. Although the car tears them apart at first, its function changes over the course of the narrative. Later, Kevin and his siblings sit in the car to get away from their parents’ fight and to talk about the problems in their family dynamic. Finally having an open conversation, which is focused on a shared concern rather than their individual wants, helps them to reconnect and feel like allies again. The car symbolizes the ups and downs of family dynamics, as well as the unifying power of honest communication.

Markie’s EpiPen

When JonPaul takes Markie’s EpiPen, terrified of having an allergic reaction, it catalyzes Kevin’s first realization about the negative consequences of his lies. Since Markie truly needs the EpiPen, not having it is dangerous and potentially fatal for him. JonPaul isn’t blame-free, but Kevin knows JonPaul can’t control his hypochondria and he purposely played on JonPaul’s fears to manipulate him. He couldn’t have foreseen this consequence, which demonstrates that lies aren’t safe or tractable, even if they seem like they will be. Kevin’s character arc is shaped by an inner conflict between the perceived benefits and drawbacks of lying. Markie’s EpiPen symbolizes The Consequences of Lying and the Importance of Honesty that Kevin will be forced to confront.

The Family Cat

Though Paulsen only mentions the family cat in one scene, it reveals an important aspect of the Spencer family dynamic. They’ve had the cat for over three months, but Kevin’s dad has been absent so much he doesn’t even know about the cat’s existence. Kevin’s father’s ignorance of the cat allows Kevin to realize how detached his dad has become from the family, and the fact that his parents’ marriage may be in trouble. This realization forces Kevin to confront his own self-centered behaviors and to consider the costs of a family falling apart.

Closed Doors

Early in the book’s climax, Kevin comes home from school to find every member of his family avoiding each other. He notes: “Every door in the house was closed, with someone behind it. Alone. Even the door to the basement was shut, which meant that either Mom or Dad had camped out downstairs rather than share their room with each other” (89). Similar to the Spencer’s cat, these closed doors represent the detachment and disconnection that define the Spencer family dynamic. Each of them has been selfish and self-centered and needs a reminder about what members of a family need from each other, like spending time together, supporting each other, and communicating openly and honestly.

Books

The novel’s resolution sees the Spencer family reconnecting again in several ways. One prominent example involves the family sitting down together in the living room while their mom reads aloud to them. She starts with To Kill a Mockingbird, at Sarah’s request, because she’d read it to them when they were kids. Then she reads The Source, and despite it being “a bazillion pages” (119), the kids are happy with her choice because it means more time spent together. Books, therefore, symbolize the family’s reconnection in Paulsen’s narrative.

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