37 pages • 1 hour read
Gary PaulsenA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The unnamed narrator is a 12-year-old boy from Eden Prairie, Minnesota. Despite having incredible level-headedness for his age, likely derived from his parents, he speaks at his age level—”except perhaps for not being quite gross enough,” notes Charles McGrath in his review. (“Review of Lawn Boy, by Gary Paulsen.” The New York Times Book Review, 12 Aug. 2007, www.nytimes.com/2007/08/12/books/review/McGrath-t.html.)
The boy’s slips in logic aligns with his still developing maturity. For instance, he interprets social mores as hard rules rather than nuanced moral codes, which shapes one of the novel’s central conflicts: The boy hides the business from his parents because he has internalized the idea that bragging is disrespectful. While his reasoning isn’t wrong, per say, it is incorrectly prioritized—in this case, filling his parents in on the results of amazing good fortune and solid work ethic would not really be boastful. Though there aren’t consequences for the secrecy, the narrative itself proves this particular maxim is less important than a more basic truth: His parents will support him regardless of any situation. Though the boy’s decisions are sometimes misguided, he has sincere intentions, and the story never punishes him for doing his best.
The boy’s sincerity and earnestness direct the narrative, affecting, for instance, how well the reader can understand Arnold’s economy lessons. The boy perseveres in the face of not understand something: Anytime Arnold slips into obscure business jargon, the boy asks incremental questions that guide the reader’s comprehension. The story’s emotional center stems from how the boy values his family and community. His work and financial situation evolve dramatically. Nevertheless, the boy’s core values remain constant: When asking his parents what material things they want, and they respond that his happiness is sufficient, the boy thinks, “I have a good life. […] And I have over fifty thousand dollars” (64). The word choice suggests that the money is separate from and didn’t cause his good life. His definition of a good life prioritizes family and community rather than what money offers.
Arnold is a stockbroker who pays for the boy’s mowing services through stock investments. Much of Arnold is round—his limbs, torso, head, and even the bowl haircut—and he seems to be a 1970s throwback, wearing colorful patterns and a suede sport coat that doesn’t fit well. Arnold’s personality matches his odd appearance, using outdated 70’s slang like “groovy” and “far-out” (36). He also has a strange relationship with capitalism, describing it as “beautiful” and complimenting people’s creative uses of the system (23). He’s captivated by economic intricacies and how a thriving business can develop from nothing, which is why he readily assists the boy’s new enterprise.
Though even the boy questions his motives at first, Arnold proves to be an honest stockbroker with an inclination for the underdog. He admits his investments aren’t currently profiting, but he never takes advantage of the boy’s minor status regardless of the boy’s success. He gives the boy candid advice and teaches him how the stock market functions. Similarly, Arnold respects Pasqual’s work ethic and never looks down on his blue collar job: “[Pasqual] wears a headlamp. Ingenious, really. I admire his creativity in the face of opposition. Entrepreneurship at its finest—there are no impossibilities, just hurdles to overcome” (24). Arnold supports Pasqual’s drive and appreciates how he uses difficult situations to his advantage. Arnold’s altruism and enthusiasm make him a good ally and important knowledge source for the inexperienced boy.
Joseph Powdermilk Jr., who later nicknames himself Joey Pow, is a local heavyweight boxer sponsored by the boy. Joey looks humorously enormous in his car: He hardly fits, and his side of the car unmistakably sinks. Upon first meeting Joey, Arnold marvels, “I see it […] but I don’t believe it. How did he get in the car?” (53). Joey looks like a mountain but moves lightly on his feet, like a giant cat. He effortlessly wins every fight—from confrontations with Rock to his boxing match—and exhibits nearly superhuman strength when he launches fully-grown adults across lawns and sends a man’s head through a closed dishwasher door.
Though he is not particularly intelligent, Joey has a strong sense of identity and a straightforward problem-solving approach. Joey’s perspective and methods differ from the others, and his elementary logic reflects his straightforwardness and practicality. When the boy suggests Joey adopts the fighting name “Earthquake,” a bewildered Joey rejects it because his name is not really Earthquake. Moments later, chooses the nickname Joey Pow, because “it’s catchy and it’s my name” (61). Joey believes in honesty and directness, which begets a fierce loyalty. On the same day Joey meets the boy, he volunteers to settle the Rock conflict. Though he expresses it differently, Joey matches the boy’s commitment to community, and thus complements the story’s character dynamics and themes.
The boy’s maternal grandmother gives him her late husband’s old riding lawn mower for his 12th birthday. Her bizarre gift actually ends up being the most normal thing she says or does throughout the story. She seems “about nine bricks shy of a full load” (3), but her family knows that her eccentric stream-of-consciousness comments cohere and that something—usually a vaguely connected memory—links each end of her logic. As Grandma self-professes, “It all makes sense if you wait long enough” (4), and indeed, her advice is usually profound and indicates years of wisdom.
Despite her age, Grandma has never lost her spirit of adventure. Grandma brightens when the boy mentions being a prizefighter’s sponsor, eager to introduce herself even in the midst of the Rock crisis. Grandma’s actions, particularly later in the book, unveil her young heart while augmenting her life-tested wisdom with a unique flair.
The boy’s parents are exceedingly intelligent, family-oriented people who struggle to maintain a steady income. Mom teaches at an experimental school and Dad invents assorted gadgets: “My dad is full of ideas and how to tackle them. He even understands Einstein. My mother can do amazingly complicated math in her head” (21). The boy’s parents are also emotionally astute, treating their son and each other with gentleness. Their financial situation could provoke them to lash out, but instead Mom and Dad concentrate on their son’s wellbeing: Mom worries about the boy’s quiet summer, and toward the end, both parents sympathize as the boy describes the summer’s events.
Mom and Dad’s character role differs from those of the other characters. While Joey and Arnold effectively help the boy solve problems, Mom and Dad’s influence grounds the boy’s compassionate nature. When Joey wants to handle the Rock situation permanently, the boy and his parents take turns convincing Joey to let Rock’s men flee unharmed. While Arnold’s efforts initiate the more spectacular plot points, Mom and Dad’s attitude influences the boy’s personality through his care for other people, an important theme that pervades the novel.
By Gary Paulsen