logo

63 pages 2 hours read

Jenny Han

It's Not Summer Without You

Fiction | Novel | YA | Published in 2010

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Character Analysis

Isabel “Belly” Conklin

Belly Conklin is the protagonist of the Summer I Turned Pretty trilogy. In this second installment, Belly continues to develop and mature as she approaches adulthood. Belly experiences growth throughout the course of the year portrayed in the book, most notably in the way she approaches her relationships. While Belly exhibits moments of emotional immaturity throughout the text, she ultimately proves to herself that she has progressed and come to understand what she wants out of her relationships.

Though generally sweet-natured, Belly can be reactive and vindictive when hurt. Evidence of this is when she yells at Conrad after Susannah’s funeral, anguished that he has apparently gotten back together with his ex-girlfriend: “On the day of his mother’s funeral, to the boy I loved more than I had ever loved anything or anyone, I said, ‘Go to hell’” (41). In the moment, Belly utters something unforgivable, but her later shame and horror indicates that she understands her mistake. Belly feels things deeply, especially for the people she loves, but her emotions at times get the better of her and cause further problems.

Belly exhibits this ability to hurt those she loves again when she yells at her mother: “Susannah will never forgive you for this, you know. For losing her house. For letting down her boys” when Laurel at first refuses to help them fight Mr. Fisher for the Cousins Beach house (213). Again, she immediately regrets her words, and she and her mother ultimately come to an understanding that they have each inflicted harm on the other in the wake of Susannah’s death.

Despite these instances of lingering immaturity, Belly stands at the cusp of adulthood and decides, at the end of the text, that she is ready to grow into the woman she wants to be. After harboring a lifelong crush on Conrad, who is never quite able to express his feelings for her, Belly is used to a perpetual state of insecurity when it comes to romantic love. Conrad shows up for her at times, but even when he does (like at prom), he often lets her down.

Belly realizes that this kind of half relationship characterized by withholding affection is no longer enough for her when Conrad confronts her about the necklace. Belly hopes that during their confrontation, Conrad will tell her that the necklace represents his love for her, but Conrad can only say, “You know what it means” (263). Although his inability to express his feelings hurts, it is the evidence Belly needs to realize that Conrad will never give her the kind of love that she really wants. In their final encounter, Belly releases Conrad and, in doing so, releases herself. Belly chooses Jeremiah at the end of the text, but she really chooses herself in no longer settling for a partner who will not give her what she wants and deserves. 

Conrad Fisher

Conrad Fisher is the elder Fisher brother and longtime crush of Belly Conklin. Conrad is a quiet and stoic character, one who struggles to express his true feelings, even if it costs him valuable relationships. Regardless of his lack of vulnerability, Conrad cares deeply about certain things in his life, primarily the preservation of the Cousins Beach house.

After losing his mother to cancer and learning of his father’s plans to sell the house, Conrad takes it upon himself, leaving summer school and risking failure, to go to Cousins to prevent this. This risk is an act of sacrifice on his part, though Belly and Jeremiah initially interpret his abrupt departure from school as a self-destructive act. Belly soon realizes: “[H]ere we’d just thought he was a screwup in need of saving. When in actuality, he was the one doing the saving” (162). Conrad often runs in the face of conflict or complicated emotional situations (prompting him to break up with Belly at prom, for example), but his willingness to put his future at risk to preserve his mother’s memory speaks to the depths of Conrad’s emotion, even if he struggles to outwardly express it. This struggle is markedly demonstrated in the scene the morning after Susannah’s death, when Jeremiah reaches out to Conrad to talk and Conrad sequesters himself in his room to cry—he is overcome with emotion but can’t bear the idea of sharing it.

Conrad’s inability to express his emotions causes problems in his relationship with Belly. Although he loves her, Conrad cannot express his feelings, either verbally or through his actions. There is only one moment during Conrad and Belly’s winter trip to Cousins Beach when he explicitly indicates his feelings. Before their physical relationship advances, Conrad stops to check that she feels comfortable and safe, telling her: “I just—want to always know that you’re okay. It’s important to me” (114). This is a rare moment of vulnerability from Conrad and illustrates that he does care deeply for her.

His consistent reluctance to express his feelings to Belly causes her pain. Even before they break up after prom, Belly feels like it is a mistake to bring him: “Even though he was standing right in front of me [...] he had never felt so far away” (82). Conrad’s fear of vulnerability causes him to lose Belly because she decides she can no longer wait for him to express his feelings. When he confronts her about wearing the infinity-symbol necklace, his unwillingness to confirm outright what it means shows Belly that she cannot wait for him anymore. Conrad allows his pride and fear to get in the way of his ability to be with Belly, someone he truly does love.

Jeremiah Fisher

Jeremiah is the younger Fisher brother and the other perspective character in the text. In Jeremiah’s chapters, the reader gains insight into Jeremiah’s feelings for Belly as well as his resentment toward his older brother, Conrad.

Through Jeremiah’s chapters, the reader learns how much he had to shoulder the burden of his mother’s illness while his father was separated from Susannah and Conrad was away at school. His relief is evident when Laurel visits and tells Jeremiah to take the night off from caring for Susannah. Jeremiah recalls: “Laurel didn’t leave the next day. She stayed all week [...] I was just grateful to have an adult around” (242). The pressure he feels as Susannah’s primary caretaker causes resentment to build until he has an argument with Conrad when his brother excoriates their father’s absence during their mother’s illness. Jeremiah yells at him, “I don’t know, Con. Where were you?” (164). Although he immediately regrets saying this, the frustration and abandonment underlying the question holds.

Jeremiah’s growing feelings for Belly also fuel his resentment toward Conrad. Jeremiah, having always believed himself lacking compared to his brother (“My whole life I’ve looked up to Conrad. He’s always been smarter, faster—just better” [168]) knows that even though he loves Belly, she will never see him if Conrad is standing in the way. When Jeremiah asks Conrad about his feelings for Belly and Conrad claims he has none, Jeremiah seethes at the falsity that he believes makes Conrad undeserving: “He was full of shit. He liked her. He more than liked her. But he couldn’t admit it, wouldn’t man up. Conrad would never be that guy, the kind of guy Belly needed” (208). When Jeremiah finally does gather the courage to kiss Belly, his intent is to show her that, unlike Conrad, he will be someone she can depend on. His patience and reliability pay off, as Belly ultimately chooses to be with Jeremiah, someone she knows will show her the kind of affection she desires.

Laurel Dunne

Laurel Dunne is Belly’s mother and the late Susannah Fisher’s best friend. Laurel is a competent, no-nonsense kind of person, one whose lack of emotionality often clashes and contrasts with her daughter’s heightened emotional expression. Susannah’s death shakes Laurel’s usual steadiness, sending her retreating into herself and pulling away emotionally from her daughter.

This causes escalating friction between Belly and Laurel and culminates in an argument between the two in which Belly tells Laurel, “I wish Susannah was my mother and not you” (212). Laurel lashes out at Belly, slapping her across the face, and when the two come back together this catharsis prompts Laurel to finally admit the depth of her grief: “You’re right. I’ve been absent. I’ve been so consumed with my own grief, I haven’t reached out to you. I’m sorry for that” (215). This is a rare moment of vulnerability from Laurel, whom Belly describes as “an upright reed, an empty harbor” upon learning of Susannah’s death (31). Expressing emotion does not come easily for Laurel, but she shows her capacity for love in the ways she shows up for Susannah, even after her death. Such physical expression of her feelings, even when they aren’t verbally articulated, provides a foil for Conrad’s stoicism.

Laurel emerges from her grief when given a mission to save the house for Susannah’s sons. She organizes the breakfast with Mr. Fisher and counters his arguments for wanting to sell the house: “This house is pure Beck. It’s always been Beck. This was her favorite place. That’s why the boys should have it” (231). Until now, unable to face her memory or address his grief, Mr. Fisher has shown the same stoicism as Conrad—and has been an unconscious model for his sons. Laurel’s victory in convincing Mr. Fisher to broker a deal with Conrad—that if he passes his exams, the boys will inherit the house—solves two of the central problems of the text: how to bring Conrad up from the depths of his grief, and how to honor Susannah’s memory when her final days were filled with so much pain. Although Laurel struggles to express her true emotions, when it comes to the death of her best friend, she proves the depths of her loyalty and capacity for love. 

blurred text
blurred text
blurred text
blurred text