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Darrell HuffA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Chapter 6 covers problems with other visual interpretations of statistics: the bar chart and the pictorial graph. Huff notes the appeal of representing a number with a picture but warns of the ease with which these images can misrepresent data.
He begins with a section on bar charts. Because they represent comparisons between quantities, any alteration to the chart or shape of the bars can exaggerate differences. Bar charts, like line graphs, can be truncated. Huff also warns against charts that make the bars broader and taller or use three-dimensional shapes, as these can make the differences appear more significant to the eye.
His next section focuses on the pictorial graph. Like the bar chart, it represents the differences between numbers but uses representative pictures instead of simple bars. Huff again warns against images that alter the width and height. A picture might be twice as tall, for example, but its width and volume increase. Huff notes a variety of publications and advertisements that use this method, including differences in wealth within a population or the increase in the steel industry’s production capacity. Huff describes the problem as follows: “To say ‘almost one and one-half’ and to be heard as ‘three’—that’s what the one-dimensional picture can accomplish” (72). For example, the steel industry image reports a 50% increase in production in one decade but adjusts visual proportions to “give a visual impression of […] over 1500 per cent” (71). The artist’s interpretation of the data inflates the perceived difference.
Huff concludes with another caution on the interpretation of pictures in statistics. While the difference in size between items, such as bags of money, may lead the viewer to wrong ideas about the amounts represented, taking this information literally doesn’t necessarily cause issues. However, this difference can become a problem when the size of the figures is not meant to represent reality. Huff uses pictorial graphs of changes in the population of cows and rhinoceroses as examples. The number of milk cows in the US tripled in the period being studied, and an image presents a cow labeled 1936 that is “three times the height” of a cow labeled 1860 to demonstrate this increase (72). However, Huff notes that a reader taking a quick glance at this image might interpret it as indicating cows’ size increase over that period of time, represented by a larger and smaller cow. The reverse is true for the images of rhinoceroses that he presents, which show an enormous animal labeled “1515” above a very small one labeled “1936.” Not only do these two graphs have the issues he previously discussed, but they can also lead to the inaccurate impression that the physical size of the animals is increasing or decreasing over time.
Closing Huff’s discussion on the visual manipulation of data, this chapter covers two types of graphs: the bar chart and the pictorial graph. For both instances, the manipulation proves the same. Problems arise in the bar chart when tampering with the widths of each bar. If the width of one bar increases, the perceived volume also increases. This creates the appearance of a more significant size difference than is reflected by the data. This especially becomes a problem for the pictorial graphs due to their width’s increasing proportionately to their height. While this is done to not create a stretched-out image of the represented object or image, better care must be taken with the initial size to avoid skewing the reader’s interpretation of the data. Huff notes that choosing this kind of graph often arises due to a desire to sensationalize the results.
In Huff’s final example with the cows and the rhinoceroses, he underlines The Importance of Critical Thinking when approaching statistical information. The size of the animals reflects the population numbers, not their literal sizes. However, if the reader doesn’t examine the data that accompanies the images, they may come away with the wrong conclusion about what the drawings represent. Like the rest of the examples in the book, they require a closer look and reading the description to understand them. He references a poem by Ogden Nash, who “once rhymed rhinosterous with preposterous” (73), to convey his disapproval of the kind of deception used in the rhinoceros chart.