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56 pages 1 hour read

Krystal Sutherland

House of Hollow

Fiction | Novel | YA | Published in 2021

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Prologue-Chapter 4Chapter Summaries & Analyses

Prologue Summary

Content Warning: In general, House of Hollow depicts body horror and gore.

 

Prologue Summary

Iris Hollow, 17, recalls a memory from age 10, when a strange woman broke into her family’s home and cut off a lock of her white hair with sewing scissors. The woman then smelled her hair, tasted it, and swallowed it. Iris was initially too scared to scream but upon shrieking, her older sisters, Vivi and Grey, and their mother, Cate, tackled the woman.

The woman injured Vivi and Cate, but Grey subdued her, held her face, and kissed her. Within moments, the woman “stopped,” her eyes faraway, limbs “so liquid she could no longer stand” (2). The police reported the woman was high on methamphetamine and had stalked the Hollow family before breaking in. She was obsessed with the Hollow girls’ story, something that happened to them three years ago. Iris can’t fully remember the incident, but people still theorize about the mystery of the three suddenly white-haired, black-eyed sisters.

Iris was highly aware of her and her sisters’ strangeness after the break-in. She recalls Vivi breaking a man’s jaw for pulling him into her car, a teacher Grey hated kissing her neck in front of the class and getting fired, and her own bully shaving her head during a school assembly (after she told her sisters about the bully). Confident and creative, Grey dropped out of school due to boredom. The feisty Vivi followed, and both sisters moved out to travel and pursue their goals, leaving Iris to relish the decrease in strangeness, as she wants to be normal.

Chapter 1 Summary

Iris gets the latest copy of Vogue in the mail with her “achingly beautiful” sister Grey’s face on the cover, the story titled “The Secret Keeper” (6). The article describes Grey’s successful modeling and fashion career for her House of Hollow brand; she creates unique pieces with tulle, embroidery, beads, and secret messages stitched into lining. She adds scraps of rolled-up paper, shards of engraved animal bones, vials of her signature perfume, and such within the fabrics. Iris reads up to a sentence about the creations reflecting Grey‘s mysterious nature. She knows the next part will be about the sisters’ past, which none of them remember, and how their father died.

Iris texts her mother, Cate, that she’s going on her daily morning run. Cate works as a nurse and tracks her daughter’s GPS location on her phone. She watches Iris’s “dot” run through the neighborhood.

Vivi calls while Iris jogs through London. Vivi’s band has a gig, and Grey is flying in from Paris, so she wants all the sisters to meet up. When Iris complains about the impromptu plan, Vivi tells her to skip school, or she’ll give them an excuse about her needing an STD test. Appalled, Iris begs Vivi not to intervene with school, which she ignores.

As Iris runs through a thick garden, she sees an eerie man at the end of the street. He doesn’t have a shirt on, despite the February cold, and wears a horned skull over his head, reminiscent of the antlers Grey’s models wear. Iris smells a familiar scent of woodsmoke and something wet and feral. Scared, she rushes home. The man doesn’t follow her, but Iris laments strangeness returning with Vivi’s call.

Chapter 2 Summary

Iris returns home, overhearing her mother Cate on the phone, who is back from her night shift in the emergency room. Cate’s voice rises as she pleads with a private investigator. When the investigator suggests that she needs mental help and should ask her daughters, Cate swears and hangs up. Every year, around the anniversary of the Hollow girls’ disappearance, Cate hires a PI. No one ever has answers for the girls’ sudden disappearance for a month.

Cate stifles tears and braids Iris’s hair. Iris asks if she can see Vivi and Grey that night, and Cate reluctantly agrees. She feels lucky, since their mother tried to separate her from Grey in particular for unknown reasons. Iris looks at a family photo from the day she and her sisters disappeared, stating they looked so different.

Cate leaves to make breakfast, and Iris considers how her mother and her father, gentle carpenter Gabe, don’t fit with their daughters—who are extremely tall and angular with sharp features. The girls used to have light blue eyes and dark hair like their parents, but after vanishing, they came back with black eyes and white hair. They were always hungry, eating ravenously but never gaining weight. They had matching crescent moon-shaped scars on their necks, and their baby teeth grew back. The sisters spent all their time together, whispering, and couldn’t sleep unless in the same room. Doctors believed their symptoms were the results of PTSD and other acronyms, but at last dubbed them “strange.” 

Iris thinks about how Grey wields her beauty like a weapon, fearlessly wearing revealing clothes and walking alone at night. Meanwhile, Vivi hides her beauty with rage, piercings, and tattoos. Iris falls in the middle, not intoxicating or aggressive, wearing little make-up and baggy clothes. She then finds an envelope of evidence in her mother’s dresser: The police report states that the sisters didn’t remember anything, the police officers who questioned them experienced the same nightmares, the cadaver dogs reacted to them, and Gabe insisted they were different. Iris chokes up, then finds a photo of 11-year-old Grey with living, white flowers growing out of her eye sockets.

Chapter 3 Summary

Iris feels jumpy at her private school, as usual. Her hands smell of the putrid flower from Grey’s photo, the same one she uses in her designs. Iris ignores the scent of rotten meat and braves the crowd of rich students, thinking she doesn’t fit in.

Iris meets Paisley, a 12-year-old whom she tutors in coding, in the library. Paisley heard that Iris is a witch, and that her sisters sacrificed a teacher to the devil. Iris denies the rumors and reviews the younger’s computer code. Paisley adds that Iris’s white hair is like witch’s hair, and Iris lies that she dyes it (though she tried to dye it dark after vanishing, but it didn’t change). The younger girl reveals that this is their last tutoring session because her religious parents didn’t realize Iris’s background. She hands Iris a note, in which her parents mention “concerning accusations” about Iris’s family (28).

Iris huffs as Paisley leaves. Iris’s classmate Jennifer arrives and asks if she’ll introduce her to Grey, since she’s a fan. Jennifer, along with Justine Khan, are her bullies; Jennifer usually ignores her, while Justine tortures her with dead birds placed in her locker among other acts. After her sisters left school, Iris tried to befriend them, but after a horrific game of spin the bottle at Jennifer’s house, she became a loner. Iris denies Jennifer’s request.

During her first class, Iris readies her copy of Frankenstein, which she’s read twice and highlighted, looking for the “right answer.” Out the window, she sees the shirtless man with the bull skull watching her.

Chapter 4 Summary

Iris jumps, knocking over her desk from seeing the bull-man. She fakes being sick and the teacher allows her to leave; she races outside to confront the man. However, the man is gone. Iris calls Grey to calm down, but hears her voicemail. She then calls Vivi, who answers and waves from the parking lot.

Vivi gets Iris out of school by calling Cate and reassuring her that Iris is fine, though Iris knows if Grey did the same, Cate wouldn’t approve. After telling her English teacher that Vivi is taking her home, Iris and her sister have a bonding day—checking out Vivi’s favorite music shops, tattoo parlors, and restaurants before her band’s gig.

Outside the club, Iris’s bullies Jennifer and Justine shout at her from the long waiting line. When Jennifer cozies up to Iris with fake kindness and begs to meet Grey and her boyfriend Tyler Yang, both famous models, Vivi verbally attacks her, asking if she even knows her band’s name. Jennifer sputters while Justine calls Vivi a witch and storms off.

By the rock-and-roll band’s fourth song, Grey is still missing. Iris thinks about the three’s sisterly connection and that “you may not see [Grey] for months, and then she’d show up and know every word to every song” of Vivi’s band or read all Iris’s school papers and discuss their merits (36). She checks her messages and Grey’s social media, which has over 90 million followers, but Grey hasn’t posted for days.

Toward the end of the set, Vivi stops playing her bass, wide-eyed and panicked, a tear streaking down her face. Iris meets Vivi backstage, where she’s still shaken. She also saw the bull-man, and Iris suggests he’s an internet stalker like the woman who broke into their house. Vivi disagrees, saying he smelled “familiar.” They both worry about Grey and set out to find her.

Prologue-Chapter 4 Analysis

House of Hollow starts with the Gothic, fairy tale-inspired strangeness of an intruder tasting Iris’s white hair, which sets the tone for the dark story. From the first line of Iris telling us that she was “ten years old the first time I realized I was strange” (1), readers are propelled into Sutherland’s ominous, peculiar world. Grey’s powerful kiss that intoxicates the intruder, causing her limbs to turn to liquid, as well as the sisters’ abyss-like black eyes, stark white hair, and crescent moon scars at their necks are oddities that fit the novel’s Gothic tone—and foreshadow the sisters’ unexpected past.

Sutherland’s darkly beautiful writing (which fits the Hollow girls being darkly beautiful themselves) is often reflected in Grey’s unique fashion:

Hollow’s couture has been described as a fairy tale meeting a nightmare inside a fever dream. Gowns drip leaves and decaying petals, her catwalk models wear antlers scavenged from deer carcasses and pelts of skinned mice, and she insists on wood-smoking her fabric before it’s cut so her fashion shows smell like forest fires (7).

Such images immerse readers and pique interest. Sutherland’s writing is full of lush figurative language and precise word choice that both build mystery and provide clues for solving it, such as describing Grey’s kiss as something out of a “dark fairy tale” or Iris stating Justine’s skin has something stagnating beneath—when the sisters do have a second skin stagnating underneath their disguises. This writing concentrates on sensory details, most notably smell. The smell of the Halfway is hinted at multiple times before Iris and Vivi reach the unsettling land. When Iris first sees the bull-man, she smells “woodsmoke and the wild wet stench of something feral” and thinks she knows the smell, “even if I couldn’t remember what it meant” (12). Later, this putrid smell is linked to carrion flowers, freestanding doors, and Iris’s second skin. Though Iris doesn’t remember anything before age seven, when she and her sisters reappeared after going missing (as per the theme of Memory and Letting Go), she recalls the scent of the Halfway. Thus, when the bull-man reveals himself and causes Vivi to have a panic attack, Iris insists he’s stalking her too. Smell is the sense most linked to memory, so it makes sense that Iris feels an innate danger around the man, as he hails from the Halfway (as do the sisters).

The “Weird Sisters” trope establishes Iris, Vivi, and Grey as both individuals and people linked by blood (as per the theme of “Weird Sisters” Trope: Family and Identity). Their sisterhood is an integral part of their identity. In fact, after they return from their month-long disappearance, they don’t “speak to anyone but each other for months” (18). The girls only sleep when in the same room, and share matching characteristics (their blue eyes turn dark, their dark hair white, and their skin begins to smell milky) and scars which mark their ordeal. They eat but are never satisfied, even chewing in their sleep until they wear down their baby teeth. They’re portrayed as forever connected, able to detect each other’s energy, and can manipulate others with their touch (further separating them from the rest of humankind). When Iris and Grey press hands in a flashback, the former “felt her heartbeat in my skin, in my chest, felt the strong thread that bound us together” (41). All these bizarre, unsettling qualities reinforce the sisters’ shared identity, despite them having gone their separate ways for a while.

The Hollow girls are joined, but Sutherland also gives them distinct personalities from each other: Grey is creative and fearless, the eldest sister who calls herself the “thing in the dark” (20), embracing her powers and protecting her sisters. She and Vivi force one of Iris’s bullies, Justine, to shave her head in front of the entire school by using their manipulation powers. Grey is the bold, confident leader with ethereal beauty and a creative, chaotic mind—all of which help her fashion career. Vivi is described as the aggressive, self-destructive sister, but is also witty and musically talented. She fights with teachers, skips school, and embodies punk culture with her tattoos, piercings, and vices (mostly alcohol). In contrast to Grey and Vivi, Iris is the shy, studious youngest sister who enjoys school and loathes conflict. She wants to lead a normal life and adores her protective mother, Cate, while Grey sees Cate as an annoying, controlling stranger and Vivi treats Cate as more of a friend than a mother. The sisters’ characterization both connects and separates them, especially Iris, as she learns to redefine herself as an individual separate from her murderous sister Grey.

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