48 pages • 1 hour read
Nick HornbyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
After a week of distractions, Rob returns home one night to find a message from Laura on his answering machine. The tone of her voice makes him revisit his initial sense of victory after their last conversation. He obsesses over her statement that she has not slept with Ian “yet” (143), going so far as to subtly ask Barry for his opinion on the use of the word. Barry offers no help, so Rob calls Laura. She reluctantly agrees to meet him for a drink.
As Barry and Rob bicker about a top five list of songs, Dick reveals that he has a date planned. Barry teases Dick and, in doing so, reveals that he knows about Rob’s night with Marie. Rob is shocked. He intervenes in Barry’s taunting, before Barry storms out of the shop. Left alone, Rob realizes that Barry’s incessant mockery comes from a place of fragility. Like Rob’s encounter with the pitying man in the cinema queue, Dick’s date makes Barry realize that he is “worried about how his life is turning out, and he’s lonely, and lonely people are the bitterest of them all” (151).
The store has one record which they cannot seem to sell but which they refuse to throw away. The record has become a recurring joke among the staff and the regulars. One day, a man excitedly finds the record and purchases it. The moment gives Rob hope that “surely anything good can happen at any time” (153). Rob meets Laura and notices how much she has changed. He cuts through the small talk and immediately asks whether Laura has slept with Ian yet. She refuses to answer, so Rob leaves.
The next day, the excited customer comes back to the store to return the unsellable record. Laura calls Rob that afternoon but they say little. Rob calls her back throughout the day, even looking up Ian’s phone number. He then goes to Ian’s new address and realizes that he has “lost it again” (156), just like he did when he broke up with Charlie. He decides that he should meet up with every woman on his top five list of bad breakups to try and find some kind of resolution.
Rob meets Dick’s new girlfriend, Anna. She is as awkward and anxious as Dick, and Rob realizes that they adore one another, even if she likes music that they would normally consider embarrassing. A few days later, Lisa intervenes to bring a stop to Rob’s incessant phone calls to Laura. Lisa warns Rob that his behavior is not helping his cause. She does not like Ian, even if she still thinks Rob’s behavior toward Laura was terrible. She also explains that Rob’s constant mocking of Ian helped to show Laura that Rob had become sour and bitter.
Rob begins to look up his old girlfriends, beginning with Alison. He reaches Alison’s mother on the telephone and tries to explain that he was Alison’s first boyfriend. Alison’s mother does not believe him. She insists that Alison married her first boyfriend and now they live together in Australia. She reveals that the name of Alison’s husband is Kevin Bannister. Kevin was the boy Alison left Rob to be with. He is delighted by this news.
At work, Rob sells a record to a man of a similar age. The man’s obvious professional success makes Rob reflect on his life, and he wonders whether he is wasting his time working in a record store. He realizes that, even though he spends most of his time listening to songs about love, he has learned nothing that has helped him in his romantic endeavors.
Rob moves through his list of breakups. Penny is easy to track down as her parents are still friends with Rob’s parents. They go to the movies together as Penny is now a film reporter. Afterward, they have dinner in an Italian restaurant. As they eat, Rob tries to half-jokingly explain the situation whereby he broke up with Penny because she did not want to have sex with him, only for her to sleep with one of his friends immediately after. Penny is not amused. She reveals that Rob pestered her for sex frequently. While she wanted to have sex with him eventually, she felt that they were too young. Rob broke up with her, she reminds him, and she was so emotionally devastated that she found herself in a situation with his friend and felt unable to refuse him. Penny struggled to deal with the ramifications of Rob’s break up for many years, and she did not develop a healthy attitude toward sex until a long time after. She blames Rob. After this outburst, Rob realizes that Penny did not reject him; he rejected her, so Penny is “another one [he doesn’t] have to worry about” (174).
Rob begins to work his way through his most damaging breakups, meeting with the women involved to try and understand why he struggles to maintain a relationship. The act itself is a telling example of Rob’s narcissism. The approach is entirely self-serving, designed to excuse or justify his past behavior.
Penny is the most important illustration of this narcissism. After she agrees to meet with him, Penny hears about his motivation for contacting her and reminds Rob that he broke up with her because she felt she was too young to have sex with him. She then explains that the breakup was a great deal more damaging to her than to Rob, as another man was able to take advantage of her in the wake of Rob’s departure. This emotional confession provides a new perspective on Rob’s biased narration. His list of breakups fails to account for the women’s point of view. He never asks himself how Penny, Alison, or any of the other women felt about themselves; he is only concerned about what they think about him. Added to this, Rob completely ignores Penny’s revelation. He refuses to acknowledge any part he played in distorting her view of sex and causing her pain. He only sees their meeting in the terms of how it benefits him. Rob’s encounter with Penny gives him exactly what he wants in the form of an excuse: He broke up with Penny, so he was in control of the relationship. Rob’s self-interested perspective on the world is partly to blame for his string of failed relationships, and his inability to even acknowledge Penny’s pain demonstrates how even his recovery process is self-serving.
In addition to Rob’s mistreatment of Penny, he continues to act poorly toward Laura. he says and does things to Laura which he knows to be unhelpful and hurtful. He cannot help himself from pestering Laura, calling her at work and making insulting comments about the end of their relationship. Laura left Rob because his constant pessimism and negativity became exhausting. Rob knows this, but his attempts to win Laura back are even more bleak and negative than his behavior during the successful period of their relationship. While Rob is still unable to change his behavior, the discrepancy between his narration and his actions indicates that he is becoming more self-aware. With the novel written largely in the present tense, Rob’s becomes slowly more aware of the extent of his damaging behavior. He informs the audience that he does not want to hurt or insult Laura, but then he does so anyway. This real-time dawn of self-understanding illustrates the way in which Rob becomes gradually aware of his toxic behavior and how, later in the story, he will begin to take steps to modify his behavior and mature into an adult.
Dick’s romantic endeavors provide a counterpoint to Rob’s dramatic failings. Rob and Dick are similar men, in that they experience their emotions vicariously through cultural products made by other people. Their existences are based almost entirely on pop music, so real relationships often seem dull and inadequate in comparison to the soaring, dynamic emotions described in their favorite records. However, the men differ in certain respects. While Rob constantly fails to maintain a relationship, Dick’s quieter, more socially awkward personality contains less self-destructive tendencies. His slow-burning relationship with Anna is a relief, preventing him from becoming overwhelmed by experiencing emotions. Rob and Dick suffer from the same personality traits, but these traits hinder Rob’s search for love while aiding Dick’s same forays into romance.
By Nick Hornby