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65 pages 2 hours read

Frank Herbert

Heretics of Dune

Fiction | Novel | Adult | Published in 1984

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Chapters 19-27Chapter Summaries & Analyses

Chapter 19 Summary

Taraza meets with Master Tylwyth Waff and demands that the Tleilaxu pay for their recent attacks on Rakis and Gammu. Before dying, Schwangyu revealed that the Tleilaxu were working with the Honored Matres. Taraza threatens to expose the new Face Dancers who have infiltrated the Honored Matres’ ranks. Waff relents and agrees to share information in exchange for her silence. Following a hunch, Taraza probes Waff with a religious reference and discovers that he secretly follows Sufi-Zensunni’s beliefs. She tells Waff she has no desire to interfere in the Tleilaxu religion and only wants to bargain. Taraza feigns an offer to provide the Tleilaxu access to the Atreides bloodline in exchange for a selection of the offspring. Waff is suspicious but agrees to the trade and accepts her offer of sanctuary on Rakis.

Chapter 20 Summary

Odrade watches the people of Rakis in the Great Square from her window and waits for the priests to bring Sheeana to her. She sympathizes with the girl with so much to learn and unlearn, like Odrade when the Bene Gesserit took her as a child. She cautions herself against giving Sheeana love. The crowd below her performs the “Dance Diversion,” a tradition from the “Siaynoq” ritual performed long ago by Leto II’s fanatic Fish Speakers army. Five naked dancers move in a circle in a style reminiscent of the Fremen’s technique of sandwalking. Odrade sees Sheeana flanked by Priest Guardians making their way safely through the crowd and into Odrade’s building. The crowd turns into a chanting mob and begins pummeling the dancers. Odrade is disturbed to see blood and bodies on the ground and no signs of the dancers. Sheeana enters the room laughing excitedly and claims Shaitan would never hurt the beautiful dancers. Odrade regards the entire ritual as a type of language in the people’s collective unconscious.

Chapter 21 Summary

Teg leads Duncan and Lucilla into hiding by following a path in the forest Patrin, Teg’s aide, had prepared. Patrin stays behind to lead the Tleilaxu on a decoy path. Teg intuits that Patrin is dead and mourns the loss of his faithful aide and friend. Duncan demands to know why the Tleilaxu wants to kill him and why the Bene Gesserit have ordered Lucilla to imprint him. Neither Teg nor Lucilla knows the full extent of the ghola project. Duncan overhears Teg telling Lucilla he will awaken the ghola’s memories when they reach their sanctuary, an abandoned Harkonnen “no-globe” that will keep them undetected. They pass a burned patch Patrin created to mimic the marks of a no-ship taking off. Lucilla realizes that Patrin sacrificed his life out of love for Teg. Duncan feels he can trust Teg and is eager to reach their shelter to have his original memories awakened. Teg has been conditioned to prioritize honesty and loyalty. He concludes that he must awaken Duncan’s memories before Lucilla can imprint him.

Chapter 22 Summary

Darwi Odrade and High Priest Hedley Tuek meet in a chamber to discuss Sheeana’s training to become a Reverend Mother. Tuek secretly allows Tylwyth Waff to eavesdrop on the meeting. They have an agreement to set the price of spice privately. Odrade is aware of the listener and openly invites Waff to join them. She detects weapons hidden in Waff’s sleeves and dodges one of his darts while the other weapon kills Tuek. She subdues Waff by breaking his arms and renders him unconscious. 

When Waff awakes, Odrade announces they are now allies against the Honored Matres. Odrade has read Taraza’s reports and knows how to manipulate the Tleilaxu through religion. She supports Waff’s plans to form a spice cartel with Rakis and replaces the dead Tuek with one of Waff’s Face Dancers. Waff is shocked when she speaks their secret language and gives him a Zensunni hand sign. Odrade tells him she wishes no harm to those who preserve the Great Belief.” She offers her breeding mothers to him. Waff rejoices and believes the Bene Gesserit will openly follow the Bene Tleilax in their “True Faith.”

Chapter 23 Summary

On Chapter House Planet, Taraza has heard no word from Teg and fears the Honored Matres may destroy the Bene Gesserit completely. Despite Teg’s expert defense system, Chapter House has no defenses against any new and unknown powers that may have evolved among the Lost Ones. Taraza is confident that Odrade can extract more information from Waff and determine if the Tleilaxu are experimenting on the gholas to acquire immortality for themselves. She is less confident in Sheeana’s ability to control the worms and believes Leto II’s plans may unknowingly still be at work. Taraza sends Burzmali, the new Supreme Bashar, to Gammu to investigate what has happened to Teg.

Chapter 24 Summary

Teg, Duncan, and Lucilla reach the ancient Harkonnen no-globe hidden within a cave. The hideout once served as Patrin’s sanctuary during his lonely childhood. Duncan instinctively hits the walls that display the Harkonnen emblem of the griffin. Teg explains that his original memories will reveal the root of his hatred. Teg prevents Lucilla from being alone with Duncan, and Lucilla ponders if Leto II predicted they would one day need the no-globe. On their eighth day of hiding, Teg explains to Duncan that awakening his original memories will be painful and that he may come to hate Teg. He assures Duncan that he will not lose his current identity but will experience a temporary “double-vision memory.” Teg admits that he has never trained a ghola before and regards his orders from Taraza as distasteful. Being called a ghola stings Duncan, but he feels no resentment toward Teg and seeks his friendship. 

Teg awakens Duncan’s memory by egging him to attack him physically. Duncan fights back violently and abruptly calls Teg “Leto.” The moment triggers the original Duncan’s memories and his vow never to kill an Atreides. Teg observes the agony in Duncan’s face and feels dirty. Duncan remembers his original death at Sardarkur’s hands and asks if Paul survived. He recognizes Lucilla’s resemblance to Lady Jessica and accuses her of attempting to breed with him. Deep in his memories, Duncan has a vision of Lucilla’s dead body covered in blood.

Chapter 25 Summary

Waff accompanies Odrade and Sheeana into the desert to witness the girl’s communion with the sandworms. Odrade uses the veneration of Sheeana as leverage to lower Waff’s guard and gain more information. She shares Taraza’s suspicions that the Tleilaxu reincarnate their Masters as gholas who retain their continuous memories. Waff regards Sheeana with awe and deference but is dubious of Odrade’s intentions. He is unsure if the Bene Gesserit truly shares in his religion or plans to kill him after extracting enough information. Either way, Waff leaves his fate in God’s hands and knows that his ghola replacement is already growing in an axolotl tank. 

Odrade looks out on the desert horizon and realizes that the Idaho River and the faery bridge once stood in the distance. Leto II was assassinated in that location. Odrade wonders if the worms on Rakis truly contain a pearl of Leto’s consciousness, though Taraza rejects the possibility. Sheeana races across the dunes and begins dancing and calling out for Shaitan. She summons the worm and commands the creature to allow them to ride on its back. The worm obeys and takes them to the spot where Leto II died.

Chapter 26 Summary

Duncan continues his training in the no-globe and adapts his repertoire of military skills, both old and new, to his younger body. He delays interacting with Lucilla, and Teg confesses that he may no longer have anything to teach Duncan. Duncan responds that there is still much he can learn from Teg. Duncan has read about Teg’s highly esteemed reputation and “moral superiority.” He asks Teg why he fights alongside his troops and spares his enemies. In typical Atreides fashion, Teg responds that this is how he earns trust and loyalty. Duncan notices Teg’s old age and wonders if the charismatic Bashar has ever considered becoming a ghola. Duncan concludes that Teg would never agree to live under the Tleilaxu’s control. 

Teg reminds Duncan that he must also train his mind, and Duncan feels that a part of him remains buried. Duncan criticizes Lucilla and Teg for their obedience to Taraza. He declares he is his own person, not a pawn in their design. He immediately senses that the Tleilaxu have done something that has not yet been expressed to him. Lucilla is determined to complete her task with Duncan and accuses Teg of disobeying Taraza’s orders. Teg retorts that he is obedient, and Lucilla realizes she is also a pawn in Taraza’s plan and equally expendable.

Chapter 27 Summary

Taraza is overworked and exhausted and has not heard from Teg in three months. Her mind wanders to a memory of Sister Baram, the night proctor at her dormitory when she was a child. Sister Baram had a nerve condition and died unexpectedly in the washroom. She was the first dead person Taraza had ever seen. Unable to fall asleep, Taraza thinks about possible conspiracies within the Sisterhood but concludes that Teg has always been reliable. She wonders if the Lost Ones are returning to Rakis to gain control of the spice and if they have discovered a way to raise sandworms on another planet. 

Burzmali arrives and reports that he has found no trace of Teg’s party on Gammu. He hypothesizes that Patrin may have found an unknown hiding place for them since he was a native of Gammu. To keep the Tleilaxu off their trail, Burzmali returns to Gammu with a small force under the pretense of placing a funeral marker to memorialize Teg. Taraza orders a new Duncan ghola from the Tleilaxu to convince them that the fugitives are dead. She tells Burzmali to make sure his forces have taken her. If they are captured, they must smash and burn their heads so the Tleilaxu cannot use Ixian probes to extract information from their corpses.

Chapters 19-27 Analysis

These chapters depict multiple scenes of physical violence and death which highlight the novel’s themes of The Critique of Religious Corruption and Love and Empathy as Vital Human Traits.

In Chapter 20, Odrade witnesses the ritual Diversion Dance where a fanatic mob kills dancers. To Odrade, the dance marks a devolution from the Siaynoq ritual, a degraded form of religious worship where the Fish Speakers fawn over Leto II in rapturous zeal. Odrade’s first impressions of the dance are that the ritual is “pointless insanity,” a “waste,” and “madness.” The dance, a performance that observes the divinity of the sandworms on Rakis, demonstrates the volatility of worshippers who can pivot from solemnity to violence and then laughter. Odrade looked upon the scene’s aftermath and “saw weepers. Some cursed. Some laughed” (267). The scene implicates religion as an institution that legitimates mob violence and indifference to others’ suffering, underscoring Herbert’s exploration of The Critique of Religious Corruption.  

However, a second meaning of the dance emerges as an expression of history and heritage. Odrade recognizes in the dancers’ movements the footsteps of the Fremen, a mighty people who survived in the harsh desert and revered the worms as gods in a type of animism. The Fremen devised an arrhythmic technique of sandwalking to avoid attracting the worms and learned to ride the creatures. During Leto II’s rule, the worms were eradicated and the Fremen’s traditional way of life diminished. Odrade sees the “ancient pattern” of the sandwalk in the dance and remarks on “the ways people carried their past within them” (264). She perceives that behind the deaths in the dance are the roots of a culture that adapted to survive. Odrade realizes that the dance’s movements “evolved the way all languages evolved. Out of necessity” (268). This epiphany is significant in understanding the novel’s ending. When Odrade calls the dance a language she must learn, she acknowledges that the Bene Gesserit must adapt to survive. This second interpretation of the dance represents Herbert’s emphasis on Change and Resistance to the Status Quo.

Another significant scene of violence and death is in the portrayal of Patrin, Teg’s longtime aide and friend, who sacrificed his life by planting a decoy no-ship to redirect searchers off Teg’s trail. Birzmali later reveals to Taraza that Patrin died a violent death by detonating the ship. He “blew himself up in that decoy ship. They identified him from bits of two fingers and one intact eye. There was nothing left big enough to probe” (377). Such a devastating death does little to affect Taraza’s emotions, as the more obliterated Patrin’s body is, the more secure Bene Gesserit’s secrets remain. The violent disintegration of one’s body is a security feature she expects her forces to follow. Taraza closes her meeting with Birzmali by telling him she expects no less violent self-destruction from his troops should they be caught. To Taraza, an individual’s willingness to die and be annihilated is a necessary act of loyalty to the Bene Gesserit.

In contrast, Patrin’s death is a profound moment of loss and remembrance for Teg that demonstrates his emotional depth and heightens the novel’s exploration of the theme of Love and Empathy as Vital Human Traits. Unlike Taraza with her unfeeling response, Teg mourns deeply for Patrin. When he intuits that Patrin sacrificed his life to save him, “[g]rief welled up in his consciousness” (271). Patrin gave his life not out of duty to the Bene Gesserit’s authority but out of a loyalty founded on genuine friendship. Teg’s sentiment that Patrin did not have to die directly contrasts Taraza’s expectation of self-sacrifice as a necessary duty. Lucilla also understands the importance of such emotions when she comprehends Patrin’s sacrifice and exclaims, “Love! That long, trusting bond between the two men” (279). Taraza’s cold commands to Birzmali appear even more violent and ruthless when compared to Teg’s compassionate wish to Patrin: “I hope you suffered no pain, old friend” (282). The contrast between Taraza’s indifference and Teg’s devastation by Patrin’s death highlights the stark difference between loyalty as a tool for obedience and loyalty as an extension of love. Herbert’s characterization of Teg and Odrade in this section demonstrates that death does not solely signify destruction and waste but can also symbolize renewal, poignancy, and loyalty.

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