53 pages • 1 hour read
Katherine CenterA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Sadie resolves to use her art as a coping mechanism and tries to fix her brain by painting as many faces as possible. However, she can’t know if they’re “right” or not. Peanut falls ill and won’t eat or move. Sadie rushes him to the vet, and Dr. Oliver Addison examines Peanut. When she sees the dashing doctor, she is embarrassed to realize she came in her pajamas and slippers. He notes that his gums are pale and should be pink. Blood work reveals that Peanut has immune-mediated hemolytic anemia and will require a blood transfusion to survive. Sadie pleads with Dr. Addison to save Peanut as she can’t live without him. Dr. Addison gives Peanut a good chance of survival with the proper treatment, but he must remain at the vet. When Sadie returns to her building, she sees Mr. Kim. He knows she lives in the loft and does not use it as a studio. He can’t rent the space but gives it to her for free.
Sadie cancels her next session with Sue because she’s too upset about Peanut and is still frustrated over her inability to distinguish faces. When Sue suggests she watch a show to relax, Sadie realizes that Sue doesn’t fully understand her condition.
Sadie visits Peanut daily to deliver him his favorite foods. She’s careful to dress nicely in case she sees Dr. Addison. On the third day, she arrives just as Dr. Addison is locking up, but he allows her to feed Peanut the pad Thai she brought. Though Dr. Addison disagrees with her feeding Peanut takeout food, he empathizes with her needing to be close to her pet as she explains she’s had him since she was a kid. Once Peanut is strong enough, he can begin a course of steroids and immune suppressors that Dr. Addison is hopeful will cure him. Sadie notices that while she feeds Peanut, Dr. Addison stays close instead of going away to do “doctorly things.” As they leave, he asks if she is “doing better.” Dr. Addison says he doesn’t have a pet but understands her emotions. Just before she walks away, Dr. Addison asks her out on a date.
Sadie wonders whether Dr. Addison would “[…] want to date—be anywhere near—a total disaster […]” (100). She tells him that she wants to go out with him, but they must wait three weeks until after she’s completed the portrait for the contest. She doesn’t tell him about her surgery or face blindness. He agrees but suggests they meet for coffee in the meantime.
On her way home, Sadie fantasizes about marrying Dr. Addison, winning the contest, and Peanut’s recovery. She stops at Bean Street Coffee, where two Hazels work. Sadie nicknames them Hazel One and Two. She hears someone call her name. She can’t recognize the voice, but the person carries a hairless cat. To her dismay, it’s Parker again, and she announces she’s moving into Sadie’s building. When Sadie reacts angrily, Parker suggests they “[…] move on from high school” (105). Sadie recalls Parker’s merciless cruelty to her in high school, even going as far as ruining her friendship with Augusta Ross by bullying her and blaming Sadie. The incident resulted in Sadie being expelled from school. Parker adds tauntingly that she also stole Sadie’s boyfriend. Parker shows no remorse and refuses when Sadie insists she can’t live in the building. She adds that Sadie won’t know she’s there since she can’t see her face.
Sadie hardly sees Parker but begins seeing “The Weasel,” or Joe, more regularly. He’s easily identifiable by his bowling jacket and his Vespa motorbike. Sadie sees him and another woman, whom she and Sue nickname “Busty McGee,” walking into the building together, and he’s holding her up. She assumes they’re intoxicated and offers to help the woman, but Joe accompanies her to her apartment. Sadie contemplates calling the police, fearing for the woman’s safety. After that, Sadie witnesses him going home with multiple different women and assumes he’s a “womanizer,” though Sue suggests he might be a sex worker. Sue says Joe is handsome, describes his perfectly proportionate features to Sadie, and convinces her he’s not dangerous.
At therapy, Dr. Nicole listens to Sadie’s account of Joe and begs her not to call the police on him, saying, “Go easy on poor Joe. And go easy on yourself. You can’t entirely trust yourself right now. Your senses are out of whack. Your brain has a lot going on” (111-112). Dr. Nicole explains that because Sadie has been through trauma, she is leaning into confirmation bias or finding what she expects to see. She encourages Sadie to look for the good and not assume the worst about people and situations.
Peanut recovers and is well enough to come home. While lying next to him on the floor, Sadie spots a box under her bed that contains mementos from her mother. Inside, she finds her mother’s roller skates, and memories of roller skating with her mother flood her memories. Sadie’s mother loved roller skating while listening to disco music, and they enjoyed skating together. Sadie tries on the skates, which fit, so she goes to the rooftop to skate. Though shaky at first, Sadie’s muscle memory kicks in, and soon, she’s smoothly skating and swirling on the rooftop to a disco playlist. The moment is bliss and reawakens her to “An awareness of the glorious, impossible miracle of being alive” (118).
Sadie is interrupted by Joe calling her name, and she’s so startled she trips and falls into him, pinning him to the ground. Momentarily stunned by the fact that she fell weeks out from brain surgery and she’s lying on top of a man she hates, Sadie lingers for an uncomfortably long moment until she gathers herself. She is unharmed, but Joe hits his head and scrapes his back. Sadie is angry that he's there because she’s the only person in the building with access to the roof, but Joe says the door is open. He apologizes for frightening her and calls her skating ability “mesmerizing.” Sadie makes Joe remove his shirt to examine the wounds and is immediately attracted to his physique. She makes him come to her apartment so she can attend to the wounds and selfishly so she can spend more time with him. Joe stares at her artwork, and she can tell he is impressed. She applies ointment to his scrapes, and Joe loves that she’s doing all this while wearing skates.
It’s Sadie’s mother’s birthday and the day for Sadie and Dr. Addison’s coffee date. She usually spends the day at home celebrating and remembering her mother, but today, she dons her favorite dress and carefully applies makeup. After waiting at the coffee shop for an hour, Sadie resolves that she’s been stood up. Just as she leaves, Parker enters the coffee shop and mocks Sadie for being stood up. Parker demands that Sadie give her Joe’s phone number, but Sadie refuses. Parker lunges for the phone when Sadie’s phone buzzes with a text from the vet clinic alerting Sadie that Dr. Addison is late due to an emergency case. Sadie defends herself, and Parker bumps into a customer, causing her to fall to the floor, spilling iced coffee all over her white outfit. Parker leaves without apologizing, and Sadie helps the woman clean up in the bathroom. The woman is going to the airport, so Sadie swaps her dress for the coffee-soaked outfit. She’s sad to part with her favorite dress, but it feels good to help another person.
Sadie walks out of the coffee shop and runs into Joe. She explains her wet clothes, and he asks her out to dinner. Sadie must first change her clothes, but when she gets home, she discovers Sue is throwing her a surprise party for being a contest finalist. Sadie tries to be thankful for her friend’s thoughtfulness, but mingling in a room full of strange faces makes her anxious. To make matters worse, Ezra, her ex, is there. Sue promises to stay with Sadie all night, helping her navigate the awkwardness, but she doesn’t follow through, and Sadie has a panic attack and hides. Joe finds Sadie and rubs her back to calm her down, but she insists she doesn’t need his help. Joe explains that his wife left him because he was too helpful and generous. Joe flips the breaker to fake a power outage to disband the party and send everyone home. Sadie says the darkness might frighten her, but Joe orders pizza and says, “We’ve got the moon” (146).
Sadie feels so relaxed being with Joe that she tells him it’s her mother’s birthday and shares how she celebrates the occasion each year. Joe empathizes with her desire to remember her mother on a happy day rather than marking the day of her death. Sadie still has the last voicemail her mother left her, and she’s played it so much that she’s memorized it. She recites it verbatim to Joe, and the tenderness of the act moves him. Sadie is missing out on baking a cake for the day, so Joe takes her on the Vespa to get cake slices at a diner. He gets the entire place to sing “Happy Birthday, Nora” for Sadie’s mom.
Despite not celebrating the day as she typically does, Sadie calls it a success because she stood up to Parker, helped a person in need, and discovered that Joe is kind. Still, she can’t get past Dr. Addison standing her up and not calling to apologize. Her disappointment forces her to reconsider her conclusion that he is her future husband. Conversely, Joe is “Surprisingly nice. Surprisingly attentive” (153), the opposite of a weasel.
The emotional stakes deepen with Peanut’s illness, forcing Sadie to dig deeper to find Resilience Through Overcoming Challenges. Peanut symbolizes unconditional love and emotional stability for Sadie and reminds her of her mom. As Sadie’s constant companion, he provides her with comfort and a sense of grounding, especially as she struggles with the disorientation and limitations of prosopagnosia. Unlike her complicated human connections, Peanut offers pure, unspoken affection and unwavering loyalty, an antidote to an overwhelming world. Through Sadie’s connection to her dog, Center explores the healing power of companionship, showing how pets play a vital role in their owners' mental and emotional health. Moreover, Peanut’s sudden illness creates a chance meeting between Sadie and Dr. Addison, and she falls for him not just for his good hair and what she assumes is a handsome face but also because he saves Peanut’s life.
Peanut’s illness adds a layer of complexity to Sadie’s recovery as she balances caring for her pet with finding a way to navigate her career and relationships with her condition. Center uses Sadie’s experiences to highlight the challenges of living with a disabling condition. Sadie’s condition is physical and rooted in her body, but it makes her feel disconnected from her mind and herself, as if she’s become just as much of a stranger as the faces she meets on the street. The title’s symbolism comes into focus as each person Sadie meets is a stranger. Additionally, she daily meets a new version of herself with whom she must get acquainted. Her bodily disconnection leads to a detachment from her creativity, causing her to struggle in her art. This disconnect adds tension to the plot as the contest deadline looms, and Sadie is no closer to finding a solution for drawing faces. Yet, it also causes internal tension within Sadie as she wrestles with her identity without art.
Parker is a formidable source of external tension and highlights Sadie’s struggle with Overcoming Emotional Obstacles in Relationships. Center uses Sadie’s run-in with Parker to reveal the depths of Parker’s cruelty and how her bullying ruined Sadie’s high school experience. Parker’s emergence in Sadie’s life is inextricably tied to her mother’s death, and Sadie can’t disconnect them, the two worst events that have happened in her life. In another way, Center uses Sadie’s relationship with Sue to illustrate the complications of friendships, especially when one friend experiences hardships. Sue struggles to fully understand the impact of Sadie’s condition on her life and is, at times, a flighty, uneven friend. Sue’s intentions are good but misplaced as she schedules a party to celebrate her friend, ignoring the potentially distressing physical and psychological pitfalls it could pose for Sadie. This shortcoming is evident when Sue fails to stay alongside Sadie at the party to help her navigate a sea of people’s faces as she promised.
The roller-skating scene serves two functions. First, it becomes a physical and emotional release for Sadie. Wearing her mom’s skates allows her to connect to happy memories and with her body. Second, it becomes Sadie and Joe’s meet-cute. Though they’ve met in the elevator before, this is their first chance to talk, and when they collide, Sadie has no escape, a forced proximity moment. The unexpected connection reinforces the Exploring Identity Beyond External Appearances theme, as Sadie must confront her preconceived notions of Joe. Though his body is aesthetically attractive, she also realizes he may not be the creep she judged him to be. Conversely, she falls for Dr. Addison instantly based on her perceived assumptions about his appearance, but his actions show that he may not be the white horse-riding knight she thought. Center employs the trope of healing romance as Sadie and Joe’s connection deepens after the party debacle, and she sees that Joe is compassionate and sensitive to her struggles. Yet, this new connection also creates a love triangle trope. Sadie thinks she’s falling for two guys, increasing the external tension and heightening Sadie’s internal conflict. The tension in the love triangle intensifies as Sadie grows closer to Joe, yet she feels like she’s cheating on Dr. Addison. She finds herself drawn to both men for different reasons. Her confusion about whether she prefers "Dr. Addison" or Joe forces her to confront what she truly values in a partner. Joe represents familiarity and warmth, while Dr. Addison symbolizes a fantasy. This romantic tension propels the narrative forward as Sadie tries to reconcile her feelings and desires with her inability to perceive physical differences between the two men who are the same person.
By Katherine Center