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50 pages 1 hour read

Charles Dickens

Hard Times

Fiction | Novel | Adult | Published in 1854

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Book 2, Chapters 7-12Chapter Summaries & Analyses

Book 2, Chapter 7 Summary: “Gunpowder”

Harthouse begins to experience success in his nascent political career, showing “much promise,” while still pursuing Louisa. While visiting Bounderby’s “snug little estate” (136) in the country, he can spend time with Louisa. They talk about emotions; Louisa is still certain that she lacks the capacity to feel anything, but Harthouse suspects that he knows just how to manipulate her. He believes that Tom is the key to seducing Louisa, as he’s the only person she truly cares about. They discuss Tom’s gambling problems, and Louisa admits that she sold various “trinkets” that Bounderby gave her to pay her brother’s debts. Harthouse dislikes Tom, though Tom is fascinated by Harthouse. Despite his dislike for the “inconsiderate” Tom, Harthouse shows him kindness. In doing so, he makes sure that Louisa knows who is helping her brother deal with his gambling issues.

Book 2, Chapter 8 Summary: “Explosion”

While Harthouse is talking to Louisa, Bounderby bursts into the room with “violence” to announce that the bank has been robbed. Someone has stolen a sizeable amount of money—and the primary suspect is Blackpool. Numerous witnesses recall him standing outside the bank on several occasions. Now, Blackpool has “bolted” from Coketown, which makes him seem even more guilty. Mrs. Sparsit is still in shock. To recover, she moves back into Bounderby’s house. She spends more time with Bounderby and refuses to acknowledge Louisa as his wife, referring to her constantly as “Miss Gradgrind.” At the same time, Louisa suspects that Tom may be the bank robber, as she knows that he’s in debt. When she confronts her brother, he insists that he’s innocent. When she leaves, however, he breaks out in guilty tears and “hatefully but impenitently” (152) sobs into his pillow.

Book 2, Chapter 9 Summary: “Hearing the Last of It”

Mrs. Sparsit ingratiates herself with Bounderby through flattery. She spends her time “prowling about” Bounderby’s house, keeping a close watch over Louisa, noting how much time she spends with Harthouse. Louisa’s time with Harthouse is interrupted, however, when she receives a note from her father that her mother is “very ill,” so she rushes back to Stone Lodge. There, her little sister, Jane, seems “better and brighter” (157) than Louisa ever remembers herself being. Jane and her brothers, Adam Smith and Malthus, are being raised by Sissy. Mrs. Gradgrind lies dying in her bed. In her last conversation with Louisa, she claims that she has forgotten or misplaced something. She can’t remember what that is, but she wants to write to her husband, who is still in London. She dies a short time later.

Book 2, Chapter 10 Summary: “Mrs. Sparsit’s Staircase”

Mrs. Sparsit leaves Bounderby’s house but continues to pay regular visits. Through her “consequent observation,” she begins to suspect that Louisa may be considering an immoral act. In her imagination, Louisa is hurtling toward a dark abyss—but Mrs. Sparsit has “not the smallest intention of interrupting the descent” (161).

Book 2, Chapter 11 Summary: “Lower and Lower”

Mrs. Sparsit learns that Louisa is all alone at Bounderby’s country estate. Harthouse sends Tom to the train station, but Mrs. Sparsit suspects that this is a lie to keep Tom “out of the way” (164). She goes to the estate in the hope of catching Louisa on the verge of an affair. She glimpses Louisa and Harthouse deep in conversation, seemingly exchanging intimate words. However, Mrs. Sparsit is too far to hear their conversation. Harthouse is declaring his love for Louisa. He’s asking her to have an affair. Louisa doesn’t give him a direct answer. Instead, she tells him to leave the estate right away and meet her in Coketown. When he follows her instructions, she prepares to return to Coketown. Mrs. Sparsit tails her, as rain begins to fall. The old woman’s thoughts are filled with the image of Louisa tumbling into a dark abyss. She tries to follow Louisa but loses sight of her.

Book 2, Chapter 12 Summary: “Down”

Rather than meet Harthouse (as Mrs. Sparsit expects), Louisa goes straight to Stone Lodge. She runs through the rain, into the house, and into her father’s study. Visibly upset, Louisa confronts her father about how she was raised. She believes that he denied her the opportunity to think freely, as any child should. Now, her inability to feel anything has “doomed” her. Louisa is concerned that she’s in love with Harthouse despite being a married woman. The entire situation, she explains, has made her completely miserable. Her father is taken aback by his daughter’s plea for help and is overwhelmed with regret for the way he raised his two eldest children. As he thinks about how his “philosophy and teaching” (170) have failed, Louisa faints.

Book 2, Chapters 7-12 Analysis

Book 2 is the dramatic peak of the Hard Times plot. During its final chapters, Louisa’s unhappiness culminates in a brief moment of romantic temptation and then an emotional confrontation with her father. Her mother’s death has a dramatic impact on Louisa. In her mother’s final hours, while Gradgrind is away in London and Sissy is caring for the younger children, Louisa visits her family home to see her mother and meet with her younger sister, Jane. The difference in personalities between Louisa and Jane is stark. On an aesthetic level, they look the same, yet on a psychological level, the difference is remarkable. Jane wasn’t raised on her father’s utilitarian philosophy. Gradgrind’s absence and Sissy’s presence has allowed Jane to embrace her emotions and her sentimentality. Louisa looks into her younger sister’s face and sees the reflection of the happy young girl she might have been. The realization horrifies her, clearly illustrating everything she has lost. Louisa confronts her father not because of Harthouse declaring his love for her but because of her internal comprehension of her misery and the role her father played in cultivating her unhappiness.

The relationship between Tom, Louisa, and Harthouse is a complicated triangle of manipulation. As Harthouse correctly deduces early in the novel, Tom is the only person who can stir Louisa’s emotions. She’s willing to do anything for him, from selling her jewelry to marrying Bounderby. In addition, Harthouse recognizes that Tom is a liar and a gambler who has racked up massive debts and manipulated his sister into paying them off on his behalf. As a result, Harthouse manipulates Tom as part of a complex plan to get to Louisa. His friendly interactions with Tom are always conditioned on being able to attract Louisa’s attention, showing her that he’s a kind and caring man. However, Harthouse is amoral. He doesn’t care about Tom’s crimes or his vices—or that Louisa is deeply unhappy and married. He simply wants to be with her, and his complicated manipulation seems to him the most direct way to get what he wants. In this sense, the manipulation is an expression of Gradgrind’s utilitarianism. Harthouse is examining the cold, hard facts and judging his moral choices by the outcome he hopes to achieve. Everything else is irrelevant to him.

During the culminating events of Book 2, Mrs. Sparsit offers an outside, detached perspective to view the actions of the characters. Mrs. Sparsit has disliked Louisa for a long time. She doesn’t consider Louisa worthy of Bounderby, so she passive-aggressively continues to refer to her as Miss Gradgrind. These small sleights continue, and Mrs. Sparsit convinces herself that Louisa and Harthouse are about to conduct an affair. She follows Louisa, spying on the wife of her employer because she can’t deal with her own jealousy and paranoia. Even when she can’t hear the conversation between Harthouse and Louisa, she’s convinced that she’s right. She projects her paranoia onto the conversation, illustrating that she completely misunderstands Louisa as a person. Other parts of the narrative, however, make it clear that Louisa has no real interest in an affair. She abandons Harthouse and goes to her father, completely contrary to Mrs. Sparsit’s expectations. The contrast between Mrs. Sparsit’s suspicions and Louisa’s actions reveals the disconnect between wealth and intelligence. Mrs. Sparsit is from a wealthy family and considers herself to be of a high moral standing in society. Throughout the novel, however, she gets almost everything wrong. The abject failure of her every action completely dispels the notion that the rich and powerful are in any way better or more intelligent than the poor and powerless.

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