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39 pages 1 hour read

Hunter S. Thompson

Fear And Loathing In Las Vegas

Fiction | Novel | Adult | Published in 1971

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Part 1, Chapters 7-12Chapter Summaries & Analyses

Part 1, Chapter 7 Summary: “Paranoid Terror… and the Awful Specter of Sodomy… A Flashing of Knives and Green Water”

Raoul and Gonzo return to their room at the Mint Hotel after the evening at the Circus-Circus Casino, gripped with paranoia. Gonzo claims that their photographer, Lacerda, tried to “steal” and sleep with a woman he liked. This was someone, Raoul remembers, Gonzo had talked to and frightened in the hotel elevator. Raoul goes to check on their car and put it in the parking lot. When he returns, Gonzo is in the bath with a hunting knife and a radio plugged into the electric razor socket. While listening to the song “White Rabbit” by Jefferson Airplane, Gonzo tells Raoul to throw the radio into the bath when the song reaches its climax. Gonzo has his eyes closed, and as “White Rabbit” reaches its peak, Raoul throws a grapefruit into the bath instead, which momentarily makes Gonzo believe he is being electrocuted. Raoul then protects himself from the crazed Gonzo by wielding a can of mace and putting a chair in front of the bathroom door.

Part 1, Chapter 8 Summary: ‘“Genius” ‘Round the World Stands Hand, and One Shock of Recognition Runs the While Circle ‘Round’”

Raoul reminisces about the 1960s and how he first came to take LSD. Initially, he tried to get some in the mid-1960s in San Francisco from a doctor who made it nearby, but the doctor refused to sell it. Raoul stuck to drinking rum and smoking marijuana for another six months until one evening at a music concert he managed to get some. It changed his life. He imagined that he was poking up through the soil of the doctor’s Garden “like some kind of mutant mushroom” (66). He then describes how he became part of the 1960s youth and drug culture and started to feel that he was part of something bigger than himself. He began believing that this youth culture was on the right side of history and was defeating the forces of the old, conservative world. However, as he now recognizes, this historical and cultural momentum of 1960s counterculture had by 1970 collapsed and receded.

Part 1, Chapter 9 Summary: “No Sympathy for the Devil… Newsmen Tortured? … Flight into Madness”

Gonzo returns to Los Angeles on the Monday evening after their weekend in Las Vegas. After dropping Gonzo off at the airport, Raoul is seized by the same desire to leave. This is because he realizes that he is “all alone in Las Vegas with this goddamn incredibly expensive car, completely twisted on drugs, no attorney, no cash, no story for the magazine” (70). In addition, he has a huge hotel bill to deal with, a result of them constantly ordering food and drinks to the room. Furthermore, Gonzo had, without Raoul’s consent, left him in possession of his handgun. As such, Raoul decides to flee the hotel without paying and drive back to Los Angeles the following morning.

Part 1, Chapter 10 Summary: “Western Union Intervenes: A Warning from Mr. Heem… New Assignment from the Sports Desk and a Savage Invitation from the Police”

Just as Raoul is about to drive away from the hotel the next day, he is stopped by a member of the staff. Raoul assumes that his fraud and drug taking has been discovered and that he will be arrested. However, the hotel clerk actually stops Raoul to explain that a telegram has just arrived for him. It is from Gonzo, telling him not to leave Las Vegas. This is because they have been asked by Rolling Stone magazine to cover the District Attorney’s conference on narcotics and dangerous drugs taking place the following day. All expenses for this will be covered, including a new car. As Raoul drives off, he considers the proposition, admitting there would be a “twisted humor” (80) to someone “in the grip of a potentially terminal drug episode” (80) going to a police convention on narcotics. Nevertheless, he still considers the idea to be too dangerous.

Part 1, Chapter 11 Summary: “Aaawww, Mama, Can This Really Be the End? … Down and Out in Vegas, with Amphetamine Psychosis Again?”

Raoul gets a drink in a place called Wild Bill’s Café on the outskirts of Las Vegas. He contemplates his potential journey on the road Interstate 15, and through the towns of Baker, Barstow and San Bernardino, then on the Hollywood Freeway to Los Angeles. However, he realizes that until he gets to Los Angeles, he will be incredibly conspicuous on those roads, in his bright red convertible and wearing his Acapulco shirt.

Part 1, Chapter 12 Summary: “Hellish Speed… Grappling with the California Highway Patrol… Mano a Mano on Highway 61”

Approaching Baker, California, Raoul is noticed by a member of the California Highway Patrol. Raoul tries to evade the patrol officer but is pulled over for speeding and driving while intoxicated. However, the officer is lenient on him and says that he will let him off if Raoul goes to the rest area further along the road and gets some sleep. Raoul almost blows this chance by initially insisting that he’s “been awake far too long- three or four nights” (92) and “if I go to sleep now, I’m dead for twenty hours” (93). He sees sense though and agrees to take a rest. Unfortunately, as he drives off again, he sees the hitchhiker he and Gonzo picked up on the way to Las Vegas, and the hitchhiker notices him. This presents Raoul with a dilemma: If he goes to the rest stop and stays for any length of time he will be reported to the police by the hitchhiker. On the other hand, if he tries to drive straight on to Los Angeles he will be chased and arrested by the highway patrol officer. As such, he decides to take up the new assignment mentioned by Gonzo, and heads back to Las Vegas.

Part 1, Chapters 7-12 Analysis

At first, even after hearing about the new assignment from Gonzo, Raoul does not want to stay. As he says, “I was in no mood or condition to spend another week in Las Vegas. Not now. I had pushed my luck about as far as it was going to carry me in this town…” (78). This attitude is mainly rooted in practical concerns. As Raoul puts it, after the weekend, “all these horrible realities began to dawn on me” (70). He has no money, but he has a massive bill at the Mint Hotel and an extremely expensive rental car to pay for. He is in possession of an illegal firearm and a car’s load of illicit drugs. If caught, any one of these things could land him in prison for years. Combined, he could be looking at decades behind bars.

Given all this, and the extreme danger to his person and liberty, readers may question why Raoul turns around halfway from Los Angeles and goes back to Las Vegas and the police conference. On a superficial narrative level, the answer appears to be that he is caught in dilemma. Having allegedly been seen by the hitchhiker from the novel’s start, he can no longer obey the patrol officer’s instructions to stop at the next rest-stop. Raoul reasons that the hitchhiker would certainly tell people about him and get him arrested. On the other hand, if he disobeys the officer’s directions and continues straight to Los Angeles he would be picked up and arrested by him. Thus, the only alternative to avoid being caught, it seems, is for Raoul to head back to Las Vegas.

However, there are many problems with Raoul’s justification and reasoning here. It is unclear why the hitchhiker would necessarily report him. Even if the hitchhiker was scared by his initial encounter with Raoul, he may nonetheless be reluctant to talk to the police or others about it for a variety of reasons. For example, the hitchhiker is an outsider in California, referred to as an “Okie” (5) by Raoul. And as Raoul himself asks, “How could I be sure he’d recognized me?” (93). Even more fundamentally, it is not clear that the character Raoul saw was that same hitchhiker in the first place.

On a deeper and subconscious level, the answer behind Raoul’s decision goes back to why he went to Las Vegas with a car full of drugs in the first instance. It is to experience a new and greater high. As Raoul says about Gonzo as he tries getting him to throw the radio in the bath at the climax of a song, he goes back to Las Vegas to take “another fast run up that mountain” (60). He wants to achieve the thrill, as with gambling, that comes with ever higher stakes and risk. As Raoul explains, when on the brink of collapse, “this tension is part of the high” (89). And there is no greater risk than attending a police narcotics conference while on drugs, in a place halfway across town from a hotel they had already ripped off. The audacity and perversity of such a plan is too much for Raoul to resist—so too is the related possibility of creating a new and better story from it.

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