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62 pages 2 hours read

E. Lockhart

Family of Liars

Fiction | Novel | YA | Published in 2022

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Character Analysis

Caroline “Carrie” Sinclair

Carrie Sinclair is the protagonist of the text. Seventeen years old in the summer of 1987, Carrie is an intelligent young woman who cares deeply about world events and is socially conscious. She does not shy away from her family’s problematic past and the evil ways they made their money and stole land from Indigenous people, though these truths often haunt her and cause anxiety. Carrie openly mourns the death of her youngest sister, Rosemary, and often feels alone in this as her family grieves in different, more private ways. Carrie desires physical intimacy and male attention but views herself as ugly and inadequate compared to her sisters, especially because of her misaligned jaw, which her parents have fixed with intensive surgery.

Carrie struggles to see her good qualities, and her insecurities fuel a codeine addiction that nearly derails her life. She describes herself: “Me, I am an athlete and a narcotics addict. A leader and a mourner [...]. I fix my sisters’ problems. Those are the qualities that anyone can see. But my insides are made of seater, warped wood, and rusty nails” (36). The final lines of this quote allude to later events in the text, the nail-studded dock board that Carrie uses to kill Pfeff Pfefferman. This quote illustrates that Carrie defines herself by her darkest qualities for much of the text. She sees herself as someone who fixes her sisters’ problems, but she emphasizes her codeine addiction and her murder of Pfeff.

Carrie’s biggest transformation throughout the work is how she views herself and begins to create a life for herself beyond her addictions and past misdeeds. She can do this largely due to her relationship with Rosemary’s ghost and finally decides to commit herself to sobriety and a life beyond the demons of her past so that Rosemary may rest. Carrie acknowledges the limitations of trying to move beyond her past: “This new life won’t redeem me [...]. It won’t change the fact that I killed a man” (291), but at the end of the text, Carrie believes that she deserves “to tell a new story about myself” (295), one in which “I can see that I have a future. And maybe that is enough” (291). Carrie makes the life-giving choice to live alongside the things she has done rather than let them consume her or define her.

Lawrence “Pfeff” Pfefferman

Lawrence “Pfeff” Pfefferman is one of the boys that visits Beechwood Island in the summer of 1987 and plays the role of Carrie’s love interest for much of the text. Carrie murders Pfeff after he reveals himself to be capable of sexual assault, cheating, and lies. Pfeff is a complex character, at once flighty and charming yet capable of true darkness. When Carrie first meets him, she is taken by him at once and notes he “reaches out to touch the beach roses. He leaps up to tap the branch of a tree that arches over the walk” (68). There is something innocent and carefree about Pfeff that draws Carrie in, illustrated in the gentle way he moves through the world. Pfeff confides in Carrie, telling her about his academic insecurities and the pressures he feels to conform to his family’s expectations for his life when he would rather travel the world.

Pfeff, or rather Carrie’s perception of Pfeff, transforms throughout the work as he reveals the darker side of his nature underneath his charming exterior. Pfeff takes advantage of Carrie the first night they have sex. Earlier in the evening, he points out that she is drunk and then all but begs her to come back to his room with him later on, which she does. His insatiable need for sex drives his actions through much of the rest of the text. This includes his decision to begin hooking up with Penny and his capacity for sexual assault, which leads to his death. Pfeff, as a character, represents the complexity of humans; humans are not all one thing or another, all good or all evil. Later on in life, Carrie reflects: “Oftentimes, I think of his deep love for life, of his enthusiasm and his generosity, his shame and his small kindnesses [...]. Either way, I do not think he deserved to die” (271). Carrie is unsure whether Pfeff, had he lived, would have redeemed himself or learned right from wrong. She decides that she does think he could become a good man and that even if he had not, his death was unwarranted. 

Penny Sinclair

Penny is Carrie’s younger sister. Throughout their childhood and teenage years, Carrie is jealous of Penny’s beauty. Carrie describes Penny early on as: “She wants things to happen easily, without conflict [...]. Signs of unrest and turmoil bother Penny” (36). Penny keeps her true emotions close to her chest and often chastises Carrie for being too emotional.

Penny shows her complexity and similarity to their mother in that she, too, is unable to live a truly authentic life. Penny reveals that she and her friend Erin have been dating and that she has been romantically interested in girls for a long time. Penny explains that she cannot be out as her authentic self or even fully explore and understand her sexuality because she worries about her parents’ reaction: “I know Daddy and mother will be just–ugh [...]. I don’t want to disappoint them” (175). In keeping with her character, Penny would rather hide her true feelings for girls than advocate for herself or live authentically despite the ramifications.

Carrie’s jealousy turns into something more sinister when Carrie kills Pfeff in a fit of rage. She has to confront the difficult realization that she felt capable of killing Penny at the moment, too. Penny views the attack as Carrie protecting her, but Carrie knows “[she] was not rescuing Penny” (268). Penny brings out a profound insecurity in Carrie that she will never be able to heal fully. But later in her life, Carrie decides that “although I will never love Bess and Penny free of resentments and obligations and shared secrets and guilt, I will, in a small way, in a limited way, move on” (289). Carrie chooses her sisters, including Penny, and remains loyal to them despite their relationship challenges.

Tipper Sinclair

Tipper Sinclair is Carrie’s mother. Tipper is a quintessential homemaker; she derives joy from throwing parties and emphasizes her reputation as the perfect hostess. Tipper has experienced a great deal of hardship and loss in her life. Her transformation throughout the text illustrates the difficult position women often find themselves in a society that sets limiting expectations for how they conduct themselves.

Tipper reveals that she felt pressured to make a choice that did not align with her heart’s desires. Knowing that her family would never accept a marriage between her and Buddy, a Jewish man, Tipper marries Harris: “I said yes because I finally understood that I could never marry Buddy. Marrying Harris meant I had to stop dithering, stop thinking about it, stop wishing things were different” (139). Tipper makes clear that she grew to love Harris over the years, but the fact remains that had she been able to make a choice in an accepting society, she would have chosen Buddy.

Carrie resents her mother for what she perceives as her mother’s ability to move on from Rosemary’s death. She views her mother’s parties and homemaking as frivolous, and her refusal to talk about Rosemary is further evidence that her mother no longer cares about losing her youngest daughter. Tipper teaches Carrie about the true nature of grief: how it does not manifest in the same way for everyone. Tipper explains toward the end of the text: “Sometimes I feel like I can’t live without her [...]. I have to go on. People depend on me [...]. It’s better to be busy. To be useful. That’s how I get by” (242). Carrie learns here that Tipper’s only way to avoid being consumed by her grief is to be busy. She shows Carrie that loss and grief take different forms for everyone experiencing it.

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