logo

56 pages 1 hour read

Stephen King

Fairy Tale

Fiction | Novel | Adult | Published in 2022

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 18-22Chapter Summaries & Analyses

Chapter 18 Summary: “Hana. Pinwheel Paths. The Horror in the Pool. The Sundial at Last. An Unwelcome Encounter.”

Hiding behind the fountain with Radar, Charlie observes the “nightmarishly ugly” Hana, who is at least 20 feet tall, as she crosses the passageway between the two halves of her house. As she enters the second building, Charlie and Radar dart across the passageway. They emerge into a plaza shaped like a pinwheel, with branching, multicolored paths going off in eight directions. Charlie follows another set of Mr. Bowditch’s initials, which leads him to an alcove with a small pool. The pool contains the desiccated corpse of a once-beautiful mermaid.

Deeper into the alcove, Charlie finally finds the sundial. He hefts Radar onto it and spins it counterclockwise. Each spin makes Radar visibly younger and healthier. After five rotations, she jumps off, “back in the prime of life” (358).

Charlie pedals back toward the city’s gate with a now-spry Radar at his side. They narrowly avoid Hana a second time, but as they navigate Lilimar, Charlie can’t find Mr. Bowditch’s initials. The city seems to shift and change around them, sprouting dead ends and extra buildings at random. Peterkin suddenly appears around a corner and gloats that he scrubbed off Mr. Bowditch’s initials with lye, dooming Charlie and Radar to wander the city until the night soldiers emerge. Charlie threatens him with the .45, but Peterkin manages to escape.

Chapter 19 Summary: “The Trouble with Dogs. The Pedestal. The Graveyard. The Outer Gate.”

As he continues to wander, Charlie thinks that the problem with dogs is that they trust you unconditionally, and Radar “trusted a fool” (369). As dusk falls, he comes upon an overgrown park. At the center is a statue depicting a man and woman who look like royalty. Nearby statues of monarch butterflies are smashed and broken. Struck by an idea, Charlie climbs onto the statue’s pedestal and is able to figure out the general direction of the Lilimar gate.

Climbing down, he and Radar begin to sprint to the gate. As they cut through a graveyard, undead hands emerge from the ground and grab at them. They make a narrow escape, closing in on the gate just as the cloud of monarch butterflies rises again to fly out of the city. An army of night soldiers emerges from the palace. Up close, the soldiers are ghostly men with translucent flesh and eyes weeping beams of blue light. Charlie manages to open the gate and get Radar through but is apprehended by a night soldier, who grabs him by the throat. He loses Mr. Bowditch’s .45 in the struggle. Before he falls unconscious, Charlie yells at Radar to run to Claudia’s house.

Chapter 20 Summary: “Durance Vile. Hamey. Feeding Time. The Lord High. Interrogation.”

Charlie wakes up in a dank dungeon with a prisoner named Hamey looming over him. Hamey is protecting Charlie from another prisoner named Iota, or “Eye,” who wants to kill him to prevent the arrival of a tournament called the “Fair One.” They are in “Deep Maleen,” a prison below the palace. The other prisoners, though ugly and malnourished, are “whole ones” like Charlie, unafflicted by the graying curse. Charlie is the 31st whole person in Deep Maleen. Once the night soldiers catch number 32, Flight Killer will announce the Fair One tournament and force the prisoners to fight to the death.

In the morning, the prisoners are marched into the palace, where they meet Kellin, also known as the Lord High. He is chief of the night soldiers but he doesn’t look like a ghostly apparition; he is a healthy, albeit older, man. Kellin invites Charlie into a parlor and serves him tea. He questions Charlie’s origins, and Charlie lies and says he comes from the city of Ullum and escaped the mass poisoning that took place there. Incensed at his deception, Kellin sends Charlie back to Deep Maleen.

Chapter 21 Summary: “The Belts. Innamin. Not a Spotch of Gray. Dungeon Days.”

Another night soldier named Aaron leads Charlie deeper below the palace, even deeper than Deep Maleen. He shows Charlie a torture room where gray-afflicted people are forced to walk on treadmills for 12 hours at a time, generating power for the castle.

Charlie is returned to his cell, where Hamey is lying on his pallet. He is covered in cuts and bruises from “playtime,” or abuse from the night soldiers. Hamey weakly tells Charlie that the Galliens used to rule Empis, and “in a way they still do…Flight Killer being who he is” (410). He explains that the Galliens were good-natured and relaxed rulers who procreated prolifically, resulting in many Empirians with at least a drop of royal blood in them. It’s this blood that protects the “whole ones” from the gray but makes them targets for Flight Killer.

Another prisoner named Jaya says that Flight Killer was once Elden Gallien, Leah’s only surviving brother. Charlie wonders if Leah would rather believe her brother dead than know what became of him.

Over the following days, Charlie gets to know his fellow prisoners. He learns shreds of information about Empis, including the fact that Hana has a giantess daughter named Red Molly, against whom the winner of the Fair One will have to square off. One day, Hamey hands him a tin cup to view his reflection, and he sees that his brown hair has turned blonde and his eyes lightened to hazel. Hamey asks if he is “the true prince” (419), a character prophesied to save Empis.

About a week later, the night soldiers return and escort the prisoners out of the dungeon for “playtime.”

Chapter 22 Summary: “The Playing Field. Ammit. Washing Up. Cake. The Gas-Jets.”

Charlie and the other prisoners are led up to a huge, well-maintained playing field. The surrounding parapets are occupied by night soldiers and “well-dressed whole people” (428), who watch the prisoners engage in forced exercise. Then comes “playtime,” where the night soldiers force pairs of prisoners to fight with heavy sticks until one of them is on the ground. Afterward, in the locker room, Charlie washes the dirt from his hair to find that it’s now golden blond. When the other prisoners see his hair, they act deferential and call him “Prince Charlie.” A woman named Eris dirties Charlie’s hair with grease to disguise his transformation from Flight Killer.

The prisoners are marched back to Deep Maleen. Charlie asks Hamey if Flight Killer also goes by Gogmagog, but when he speaks the name, the floor of the prison rises and falls. Hamey hisses at him not to say it again, lest he “wake what sleeps in the Dark Well” (444).

Chapters 17-22 Analysis

In this section of the narrative, Charlie faces a classic fairy tale trial: imprisonment in a dungeon. As he bonds with a ragtag group of fellow prisoners, he continues to grow into the fabric of Empis. In previous chapters, the Empirians he met agreed with his assessment that he was not their promised prince. In Deep Maleen, however, the other prisoners believe that he is indeed the prince, and they foist the burden of their survival onto him because they believe he is the only one capable of saving them. The narrative hints with decreasing subtlety that Charlie is the chosen one destined to save Empis. As he reluctantly accepts the responsibility bestowed on him, his physical appearance changes to match that of a stereotypical, princely protagonist. Charlie is hyper-aware of his transformation into “a Disney prince” (440) but is powerless to stop it. The shackle of fate which he described in the first chapter has begun to close around his wrist.

Further fueling the idea that Charlie’s adventure is guided by The Insurmountable Power of Fate is the way certain aspects of Empis mirror his original reality. The dwarf Peterkin, with his penchant for cruelty and ha-ha interjections, is a double for the small and cruel Christopher Polley. Commonalities like this establish the possibility that Empis and the original world are somehow connected.

These chapters continue to meditate on good and evil, particularly The Universal Capacity for Evil. Until this point in the novel, the main antagonists in Empis have been monsters who are distinctly inhuman and exist outside of human morals and emotions. Their motivations are beyond the reader’s understanding, and even Peterkin’s cruelty seems to have no reason behind it: He is evil for evil’s sake. At the palace, however, Flight Killer and his cronies demonstrate a more mundane, familiar evil. They are still human and thus are driven not by a base, corrupt nature but by human failings like greed, resentment, and envy. A few hints about Flight Killer’s past imply that he fell out with his family, which motivates his disproportionate desire for revenge. As a foil to Charlie, Flight Killer represents the type of all-encompassing evil that is possible when one dedicates themselves to harming rather than helping others.

Just like in Charlie’s original world, Empis’s powerful elite subjugates those without power. In Empis, however, the “whole” and healthy people who benefit from royal blood are targeted. This is a subversion of the real world’s usual power dynamics but in line with fairy tale tropes, in which kindhearted and beautiful people are often punished for their enviable qualities by those who covet them. Between the smashed monarch butterfly statues and the desiccated corpse of the mermaid in the pool, this is certainly true of Flight Killer. The creature that was once Elden Gallien hates beauty and seeks to destroy it in all its forms. In the world he created, monarch butterflies–which symbolize hope, beauty, and liberation in the text–flee the city and are smashed to pieces. Meanwhile, the prisoners in Deep Maleen demonstrate some of humanity’s best qualities by banding together to provide one another with friendship, hope, and comfort. Even though King takes care to portray the internal struggle between good and evil as ongoing and complex, the line between Fairy Tale’s protagonists and antagonists is clearly drawn.

The changes in Charlie’s character since the start of the narrative are highlighted by his behavior in Deep Maleen. One of his fellow prisoners, Hamey, suffers from an ongoing illness that renders him weak and ineffectual. In earlier chapters, Charlie was repulsed by any display of weakness from his father, a reaction to the trauma of witnessing his addiction. Hamey’s behaviors mirror Charlie’s father before he got sober: He is often violently ill and cries easily. With Hamey, however, Charlie demonstrates concern and compassion rather than disgust. He is starting to grow past his trauma responses and see more goodness and kindness in the world.

blurred text
blurred text
blurred text
blurred text