44 pages • 1 hour read
Stephen KingA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Elevation’s protagonist is Scott Carey, a divorced web designer living in Castle Rock, Maine, with his cat. Scott’s interactions with his friends and neighbors portray him as a sympathetic, reasonable, and likable. Scott’s small flaws, like taking pleasure in Bull Neck’s struggle to finish the Turkey Trot, add to his relatability without significantly compromising his moral standing. His physical characteristics—he’s 6’4” and overweight—are an important aspect of his characterization for how they influence the way others see him. He’s constantly underestimated because people judge his abilities based on his age and size. This kind of stereotyping develops the book’s theme of Overcoming Rifts Caused by Prejudice. Scott’s physical attributes also emphasize the paradox of his strange condition, in which he loses weight but the appearance and mass of his body stay the same. The discordance between his large body and light weight supports an interpretation of Weightlessness as Liberation From Human Suffering, rather than merely a biological phenomenon.
Scott is motivated by the looming approach of his death, which he calls “Zero Day” because it’s the day he expects to weigh zero pounds based on his rate of weight loss. Unlike most people who know they’ll die soon from a terminal illness, he’s not too weak to make the most of his remaining time. Scott’s recognition of this difference and his intent to enjoy life and do something meaningful characterize him as a self-aware optimist who doesn’t take things for granted. Scott’s feelings of elevation may be due to his remarkable weight loss disorder, or to the choices he makes in his final months. Either way, his experiences contribute to a thematic message about The Inevitability and Transcendence of Death.
Scott’s initial conflict with Deirdre is central to his character arc. Though Scott may not be guilty of overt prejudice or anything that would warrant Deirdre’s hostility, he does realize he hasn’t made much of an effort in the other direction, either. When his first attempt to greet her and Missy as new neighbors failed, he didn’t try again, and he hasn’t eaten at their restaurant. As Scott loses weight, he becomes less bothered by things that make most people angry and defensive. Instead, he’s able to be the bigger person, continuing his attempts to mend the conflict. The friendship they build as a result has positive impacts on both of them, helping Scott feel fulfilled as his death nears.
Deirdre McComb is a restaurant owner, a former competitive runner, and Scott’s relatively new neighbor. As a woman married to another woman, she’s no stranger to prejudice and discrimination. In the small, conservative town of Castle Rock, such discrimination is widespread and threatens to sink the restaurant she recently opened with her wife Missy. At first, Deirdre comes off as a possible antagonist in the story. She’s hostile toward Scott and refuses to accept his efforts at fostering a neighborly relationship between them. She’s rude, dismissive, and easily offended. In fact, she approximates a stereotype character in early scenes, evoking images of the hypocritical progressive, the villain of cancel culture, determined to find offense in everything around her. She accuses Scott of being prejudiced against marriage between people of the same sex after he asks her to make sure her dogs don’t poop on his lawn, and pounces on his use of the term “policing”—in reference to picking up after the dogs—calling him militaristic. Despite being affected by discrimination, Deirdre is guilty of such conduct herself. For example, she says to Scott, “[y]our body tells me that you’re a typical overindulgent, under-exercised white American male” (79), displaying ageism and sizeism. Her hypocrisy demonstrates that prejudicial thinking patterns aren’t limited to any political or social demographic.
Deirdre’s hostility is motivated, at least in part, by past experiences with prejudice. She avoids being hurt by pushing others away before they can let her down. Her wife recognizes this and helps Scott understand it. Deirdre’s conflict with Scott is a manifestation of her larger conflict with a society that disapproves of her, or even hates her, because of an intrinsic characteristic. Deirdre’s changing relationship with Scott reveals the possibility of Overcoming Rifts Caused by Prejudice. Her character arc echoes this process. When Scott helps her up during the Turkey Trot and his weightlessness is momentarily shared with her, it leads to an epiphany—symbolized by lightning—in which she realizes she’s misjudged Scott. This revelation helps Deirdre let go of her fear of trusting people and opens her up to a happier future. Her wife’s email to Scott best summarizes Deirdre’s character arc. She may always be “a prickly pear” (134), but because Scott helped her up when she fell, Deirdre will no longer be closed off to the world and the all the joys it has to offer.
Missy Donaldson is Deirdre’s wife and the talented chef at their restaurant. She’s characterized initially by Scott’s stereotyping observations: He sees her as “a sweet little thing who look[s] at the world with a mixture of fear and wonder” (24) and deems her fragile, like his mother’s decorative china plates. Fittingly, given the novel’s thematic opposition to the practice of judging others based on appearance, Scott turns out to be wrong about Missy. Her actions demonstrate courage, not only in approaching Scott in Chapter 1, but in opening a new restaurant in a small town where she may not be accepted. This contrast between Missy’s timid appearance and courageous approach to life gives depth and complexity to her character.
Missy’s effort to find common ground with Scott is motivated, in part, by a desire to protect Deirdre, whom she loves and wants to shield from hurt. This is ironic, given Scott’s assumption that Deirdre is the protector in the relationship. Missy approaches her first interaction with Myra the same way she approaches her first interaction with Scott: by building bridges through common ground. In this case, the two women bond over a shared interest in culinary arts. This approach demonstrates another effective method for Overcoming Rifts Caused by Prejudice. Missy’s character is static, since she doesn’t undergo significant transformation in the course of the narrative. One of her functions in the story is to elucidate the transformations that Scott and Deirdre undergo. Both her explanation of Deirdre’s hostility in Chapter 1 and her email to Scott in Chapter 6 interpret for the reader Scott and Deirdre’s motivations, actions, and realizations. In other words, Missy tells the reader what the story’s plot and characters mean in terms of the novel’s themes.
Scott’s close friend Doctor Bob, who has been retired five years, is Scott’s first confidant regarding the mysterious weight loss malady. At 74 years old, the active and fit Bob offers a visual contrast to the out-of-shape Scott, emphasizing the story’s supernatural departure from conventional ideas about health. Bob is a sympathetic character, portrayed through his actions and dialogue as intelligent, professional, and kind. His respect for Scott’s wishes regarding medical care and keeping his condition secret characterizes Bob as a loyal ally. He also fulfills some aspects of the mentor archetype: He shares his wisdom with Scott, guiding him in navigating life and relationships. Unlike the typical mentor archetype, however, Bob doesn’t serve as Scott’s conscience or a role model for Scott’s moral behavior. Instead, Scott models a moral attitude that helps Bob overcome his initial flaws.
Bob’s attitude sometimes reinforces stereotypes and prejudice, illustrating the novel’s point that bias can exist in the minds of “good” people. For example, Bob brings up Deirdre and Missy’s sexual orientation when it’s irrelevant, thereby diminishing them. He also shows discomfort at affection between male friends, like when he insists on clarifying dinner plans with Scott as a “man-date” (47), not a date. Bob has been acculturated to feel like being a man means behaving in a very narrow set of heteronormative rules; Bob’s discomfort expresses a fear of being seen as gay or feminine, demonstrating how subtle forms of anti-gay bias can exist even in educated, open-minded individuals. Bob’s transformation is also subtle. He doesn’t make any overt claims about his former ignorance or his changed perspective. Instead, he gets to know Deirdre and Missy and acts as a loyal friend, reinforcing the novel’s message about Overcoming Rifts Caused by Prejudice through friendship and solidarity.
As a doctor, Bob provides expertise that helps establish the fact that Scott’s weight loss is not really a medical condition. As they discuss it, Bob helps Scott process his weight loss. In turn, this allows readers to understand the symbolic meaning of Weightlessness as Liberation From Human Suffering. Bob’s central function in the story, however, is that of a caring, loyal friend. Such friendship gives Scott’s final months meaning, which supports his elevation and transcendence over human suffering and death.
By Stephen King