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Eleanor Oliphant, the narrator and protagonist of the story, introduces herself as a woman who works in an office. Her boss, Bob, hired Eleanor nine years ago as a finance clerk at a graphic design firm called By Design. Eleanor’s Friday ritual includes store-bought Margherita pizza, a bottle of wine, and two bottles of vodka that she drinks over the course of each weekend. She does not speak with her coworkers, her home phone does not ring, and she has never hosted a guest at her apartment.
Eleanor visits a young red-headed doctor to alleviate alleged back pain caused by her breasts. The doctor distractedly prescribes Eleanor painkillers and eczema medication while Eleanor makes jokes about weighing her breasts with her kitchen scale.
The previous evening, Eleanor attended a concert with a reluctant coworker and noticed a singer named Johnnie Lomond. Johnnie attracts Eleanor’s eye not only for his handsome face but also because the bottom button of his waistcoat is unbuttoned, which her mother calls the mark of a gentleman and suitable romantic partner. Eleanor concludes, “Mummy was going to be thrilled” (8).
At work, Eleanor overhears her coworker, Billy, who accompanied her to the concert, insult Eleanor’s behavior at the concert and call her “‘mental’” (9). Their colleague, Bernadette, says she knows Johnnie through her brother.
Eleanor considers how to find out more about the musician and finds her computer malfunctioning when she returns to her desk. She leaves a message for the new IT technician and leaves the office for a painful “Hollywood” bikini wax (14), which—to her horror—removes all her pubic hair.
Back at work, the new IT technician, Raymond, arrives to fix her computer. Eleanor does a crossword in the staff room while Raymond removes a virus. He shows her how to run a system scan and attempts to chat with her about crosswords and By Design. Eleanor receives these comments with some annoyance and notes Raymond’s sloppy appearance and awkward walk. She contrasts him with the poised, well-heeled musician.
In order to find out more about Johnnie, Eleanor buys her first laptop after work. She objects to the store clerk’s question about how she’ll use the laptop and scares the clerk with her curt response. Eleanor blames the outburst on impatience. She orders a pizza via delivery and is disappointed to learn that the shop does not deliver wine. After receiving the pizza from a “rude” deliveryman (20), she finds this pizza pales in comparison to the typical frozen variety she prefers.
Eleanor then drinks brandy while viewing Johnnie’s personal website and social media pages. She writes a to-do list for her research on him, but as she continues to drink, she falls asleep on the couch. She wakes to find Johnnie’s name imprinted all over her hands and goes to bed.
Monday has arrived again, and Eleanor has spent the weekend researching Johnnie on her new computer. She reflects on his light brown eyes, how they look familiar and almost like her own. She also reflects on his physical beauty and how it is something of a burden, since beautiful people have to prove they are more than looks and confront fading pulchritude with age.
Eleanor mentions her face’s notable feature: a scar that “slithers” (26) down the right side of her face. She also buys a stack of women’s magazines in order to learn beauty and fashion tips, thereby readying herself to attract the musician. She takes a rare look in the mirror and objects to nearly every part of her body, wishing she were an average-looking woman.
Eleanor’s Mummy once described Eleanor’s father as “‘the gametes donor’” (27), which perplexed young Eleanor. In a flashback, Eleanor, as a child, asks her mother how she came to be. Her Mummy implies that Eleanor’s father sexually assaulted her and that she can’t remember what he looked like. Mummy references the man’s foul smell and that she wishes him dead.
Eleanor’s Mummy calls on schedule for their weekly Wednesday night phone call. Mummy lives in an unspecified institution. Eleanor’s mother barks at others in the institution while on the phone with her daughter, and her accent changes to mimic that of the other residents. When she speaks with Eleanor, she mimics her daughter’s accent, sounding refined and lively.
Eleanor speaks with trepidation about the singer and her research on him, and her Mummy encourages her to continue. Mummy also speaks about the primal, unbreakable bond between mother and daughter. She wonders which genetic traits she passed to Eleanor. They hang up, and Eleanor discovers she’s crying.
The first four chapters introduce the reader to Eleanor Oliphant’s particular voice and worldview. She notices that others dismiss her as just another person who works in an office and that her coworkers deride her for being different. The reader, however, cannot overlook or dismiss Eleanor, as she provides the unique voice and point of view for the story. Wry comments like “I’m a finance clerk. I could be issuing invoices for anything, really: armaments, Rohypnol, coconuts” (4) reveal Eleanor’s quick wit and intelligence. Eleanor also bears distinctive scars on her face but longs to appear unremarkable and unnoticed. As she gazes in the mirror, her narration reveals a pitiless self-view and deep sense of inadequacy.
Eleanor’s solitary habits have become routine, although she seems to know that such isolation is not normal, per se: “I’ve not voluntarily invited another human being across the threshold, except to read the meter. You’d think that would be impossible, wouldn’t you?” (5). Eleanor has decided to invite a partner into her life, however. She creates a strong attachment to Johnnie Lomond on sight and makes a concerted effort in these chapters to ready herself for a romance with him.
These chapters also begin a common motif in the novel: Eleanor’s awkward encounters with members of the service industry. She remarks on the poor social skills of the young, redheaded doctor, the waxing technician, the young man who sells her the laptop, and the staff at the pizza shop. These interactions utilize dramatic irony (in which the reader has information that the character does not). Eleanor fails to realize that she, too, lacks social skills. She repeatedly misinterprets common social cues and makes unreciprocated attempts to connect through humor, presumably a byproduct of her isolated lifestyle.
Both the flashback in Chapter 3 and the body of Chapter 4 introduce Eleanor’s Mummy. Mummy’s visceral dialogue in these scenes reveals her manipulative way with her daughter. Eleanor mentions that her mother called her “ugly, freakish, vile” (26) as a child, and a vague cruelty similarly hides behind her language over the phone. Mummy says:
‘You grew inside me, your teeth and your tongue and your cervix are all made from my cells, my genes. Who knows what little surprises I left growing inside there for you, which codes I set running? Breast cancer? Alzheimer’s? You’ll just have to wait and see’ (32).
These initial glimpses of Mummy inform Eleanor’s prior references to her mother, whom she wishes to satisfy with a romance with the musician. Eleanor’s sense of self, although she insists to the contrary, appears unstable, and it seems her Mummy’s treatment might contribute to this instability.