46 pages • 1 hour read
Louis ChuA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
During the late 19th and early 20th centuries, a series of legislative acts and social policies were enacted to restrict immigration from China and limit the rights of those who had already immigrated. The California Gold Rush of the 1850s led to an influx of Chinese immigrants into the US, which was often referred to as the Golden Mountain. Initially welcomed for their labor, Chinese workers soon faced growing resentment as competition for jobs increased. The passage of the Page Act in 1875 effectively prohibited the immigration of Chinese women, who were universally and unfairly suspected of being sex workers. The Chinese Exclusion Act of 1882 suspended the immigration of Chinese laborers for 10 years and declared existing Chinese immigrants ineligible for citizenship. The passing of the Magnuson Act in 1943 restored immigration from China, though the quota was established to limit immigration to 105 Chinese citizens per year.
These laws significantly impacted Chinese American immigrant communities. Widespread discrimination against Chinese Americans led to the creation of Chinatowns in major cities across the US as protective enclaves where immigrants could find some measure of security and community. Eat a Bowl of Tea demonstrates the closeness and importance of the Chinatown community in New York City. The novel also shows the drawbacks of these communities, such as the relative lack of women. In addition to the explicit ban on women in the 19th century, the quota system meant that single women rarely immigrated in the 20th century, leading to male-dominated Chinatowns.
Chinese naming practices reflect a deep respect for family heritage and social ties, and Louis Chu’s deliberate use of names throughout the novel helps readers map out the Chinatown community. In Chinese names, the surname (or family name) always precedes the given name, which may be composed of one or two parts. For example, in the case of protagonist Wang Wah Gay, “Wang” is the surname, and “Wah Gay” is the given name.
For married women, the suffix “Shee” is often added to the maiden name to indicate marital status. For example, the use of the name “Lau Shee” for Wah Gay’s wife indicates that her name before marriage was Lau. This practice highlights the woman’s original family lineage while also indicating her married status. Throughout the novel, nearly all married women are referred to in this way, with the notable exception of Mei Oi. The use of Mei Oi’s given name—rather than her married name, Lee Shee—highlights her initial discomfort with the traditional role of a Chinese wife.
Another distinctive aspect of Chinese naming is the use of the term “Ah” as a prefix in informal contexts. “Ah” is often used to show familiarity or affection and is usually added to the first part of a person’s given name. The most notable example of this in the novel is Ah Song, the Money Come club regular with whom Mei Oi has an affair. The Wang family’s use of the name “Ah Song” indicates that he is an intimate friend, making his sexual assault of and later affair with Mei Oi even more hurtful. Chu’s use of Chinese naming practices helps to add depth to his characterization across the novel.
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