74 pages • 2 hours read
George EliotA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Gwendolen’s engagement brings happiness to her family. The Gascoignes celebrate as well, while Gwendolen is delighted that she does not have to be a governess. As she lies awake that night, however, she worries about the idea of marriage, an idea that once repulsed her. The following day, Grandcourt sends an engagement ring to Gwendolen. He also gifts her £500 for expenses. Gwendolen struggles with the reality of her engagement and her guilt regarding Lydia. She wonders whether she might be able to promise some of the vast Mallinger fortune to one of Lydia’s children. However, these worries begin to recede as she imagines the influence she will have as the wife of a powerful man.
As per his fiancée’s request, Grandcourt dismisses Lush. He arranges to keep his old friend on retainer, however, so he will continue to pay Lush even though Lush will go away. The departure of Lush results in Grandcourt slipping into a bout of indolent speculation. He does not believe that Gwendolen is in love with him but the prospect of imposing himself on her and becoming the “master” of her appeals to him. He composes a letter to Sir Hugo, explaining that he plans to marry the recently impoverished Gwendolen. Grandcourt suggests that Daniel Deronda should visit the area, allowing him to place an offer for Diplow Hall on Sir Hugo’s behalf, which Grandcourt would be likely to accept. After receiving the letter, Hugo talks to Deronda, who agrees to make the journey. Privately, Grandcourt is pleased that his cousin Deronda will see him with a beautiful woman like Gwendolen, especially as Deronda also seems to believe that she is attractive.
Grandcourt and Gwendolen develop their relationship. Grandcourt respects propriety and manners, never breaking the physical boundaries as dictated by social etiquette. She resists her temptation to let him know that she has met Lydia. She does not know that he is aware of her knowledge of his illegitimate children, and he takes pleasure in tempting Gwendolen to confront him, which she never does.
Gwendolen is nervous to see Deronda again. She remembers the way in which he gazed at her in Germany. She hears a rumor about Deronda’s mysterious past, a rumor that might lead to him being denied any part in Sir Hugo’s will. The idea reminds Gwendolen of Lydia’s son, and she is concerned once again. She assures herself that she has no responsibility for the actions of others. Marrying Grandcourt, she tells herself, will not change anything.
The following day, Gwendolen agrees to join the fox hunt with Deronda and Grandcourt. When she has the opportunity, she asks Deronda in private about their previous meeting. She wonders whether he judged her for gambling. He offers her obtuse but supportive comments. Men always hope that women will be better than they are themselves, he tells Gwendolen. The conversation between Gwendolen and Deronda piques Grandcourt’s jealousy.
The narrative returns to the past to explore the relationship between Grandcourt and Lydia Glasher. Ten years ago, Grandcourt met the wife of an Irish military officer. After Grandcourt fought a duel with the officer, he and Lydia ran away together and married in private. Grandcourt had never known passion as intense as the passion he felt for Lydia. Even in the present day, he loves her enough to seriously consider marrying her after the death of her husband and the child from her first marriage. Lydia does not remember her husband fondly, so the prospect of running away with Grandcourt has always appealed to her. She is willing to endure anything now for the sake of the four children she had with Grandcourt.
Though Grandcourt rarely sees Lydia or any of his children by her, he provides them with financial support. Eventually, he feels the need to tell Lydia that he is engaged to marry Gwendolen. He wants to gift his mother’s diamonds to his fiancée, so he asks Lydia to give them back to him. Lydia has thus far refused to do so, and she is still reluctant. She does not give the diamonds up willingly but—after a tense and bitter standoff—she eventually agrees to send them to Grandcourt’s estate, named Ryelands, where he intends to spend his wedding night. Lydia promises not to annoy Grandcourt again.
The day of the wedding arrives. Mrs. Davilow has spent most of the previous night in tears, but Gwendolen is excited as she prepares for the ceremony, while her soon-to-be husband is “ecstatically quiescent.” After the wedding, he gives her a tour of Ryelands, kissing her hand and leaving her in the bedroom. He did not expect to be so in love with his bride. A servant brings a package for Gwendolen. Inside are the diamonds and a note from Lydia. Gwendolen reads the note, which gravely insults Grandcourt and accuses Gwendolen of stealing away Lydia’s true love. The knowledge of what Gwendolen has done to Lydia, the note explains, will be Gwendolen’s “curse.” When Grandcourt comes to fetch Gwendolen, he finds her in a shocked trance. His appearance breaks the spell and she erupts in a series of violent screams as the diamonds are scattered across the floor.
Deronda travels to London. He is pleased that he has given Grandcourt the inkling of an idea. He knows that Sir Hugo intends to invite Grandcourt and his new wife to the Mallinger home for Christmas. This frees up Deronda’s schedule, meaning that he can visit the Meyrick home. He discovers that the family has taken very fondly to Mirah. She has found herself a synagogue, which she attends regularly. During his trip to Europe, Deronda spent time learning about Jewish culture so that he could understand Mirah better when he returned. Though he finds much of the culture beautiful, he does not like “vulgar Jews” (307). In Frankfurt, for example, he was moved by the prayers he heard in one synagogue. After the service, a man approached him and asked to know his mother’s name. The man seemed to recognize something in Deronda, who responded only that he was “an Englishman.”
In the Meyricks’ home, Deronda is delighted to discover that Mirah is a talented singer. He suggests that she can make money by offering music lessons to rich clients. Deronda and Mrs. Meyrick talk about Hans’s imminent return. They both suspect that Hans will immediately fall in love with Mirah, so they arrange for him to stay with Deronda. For his part, Deronda can understand exactly why any man would immediately fall in love with Mirah. He suspects, however, that she could never love someone who was “not of her race and religion” (317).
More frequently, Deronda explores London’s Jewish communities. He visits shops and synagogues, familiarizing himself with the people and culture. He is keen to learn more about Jewish people, while also half-interested in seeking out Mirah’s relatives. In one pawnshop, he notices that the store belongs to a man named Ezra Cohen. He knows that this is Mirah’s brother’s name. Returning to the neighborhood the following day, he visits a used bookstore. He finds a book, written by a Jewish philosopher, that interests him. The store is run by a dirty, intense man in his early thirties. The man claims to be watching the store while the owner is away. When he speaks to Deronda, he asks whether Deronda is Jewish. When Deronda says that he is not, the man seems disappointed.
After leaving the bookstore, Deronda returns to the pawnshop. He has a plan to ask about pawning a ring as a pretext to ask further about the name Ezra Cohen. The whimsical owner of the story introduces Deronda to his mother, Mrs. Cohen, and his wife, Addy Cohen. The couple has three children: Jacob, Adelaide Rebekah, and Eugenie Esther. As Deronda speaks to Mrs. Cohen, he asks whether she has ever had a daughter. He notes that she immediately seems uncomfortable and turns away. Deronda says that he will return later in the day with the ring. Ezra agrees to meet Deronda, despite the Jewish Sabbath. He tells Deronda to return in the evening to share a meal.
That evening, Deronda returns to the store. He is surprised when the door is opened by a Christian servant, who then shows him inside the apartment located next to the shop. The family has dressed up for the Jewish Sabbath, beginning on the Friday evening. Ezra invites Deronda to sit with them, suggesting that they will finish their deal after dinner. Deronda accepts the invitation. Next, the “enigmatic” man from the bookstore enters. He is named Mordecai and he joins the family to observe the rituals. Deronda observes and partakes when he can. He and Ezra agree on a price with regard to the ring. As Ezra and Mordecai pray, Deronda learns that Mordecai is a family friend who once worked for Ezra. At one point, he became too sick to work but Ezra’s family took him into their home. He helps to teach their son, even if he is something of an “encumbrance.” After dinner, Ezra and Deronda conclude their deal. Ezra takes the ring and gives Deronda a pawn ticket and £40. Deronda promises himself that he will return and learn more about his hosts and Mordecai.
On the day of her wedding, Gwendolen receives a note from Lydia. The note is packaged with the diamonds, creating a symbol of the desperate and tragic pact into which Gwendolen has now entered. She has married Grandcourt out of a sense of desperation. With her family penniless, the thought of taking an actual job was abhorrent to Gwendolen. However, she had promised Lydia that she would never marry the man who had fathered four children and then refused to marry their mother. Gwendolen broke this promise and, in return, Lydia sends her the diamonds and a curse. Gwendolen is cursed by Lydia and the diamonds are an illustration of the cost that Gwendolen has paid to immiserate Lydia’s family. The diamonds are no longer beautiful to Gwendolen, as they represent the broken promise and her husband’s harmful character. Whenever she is forced to wear the diamonds, they feel like a burden to her. For her entire life, she has hoped for the entire world to pay attention to her. Now, as she enters the room wearing the shameful diamonds, everybody turns to her with adoring eyes. She cannot enjoy their reverence as she knows the cost she has paid. The curse placed on Gwendolen by Lydia symbolizes the recurring theme of Maternal Power and Influence. Gwendolen has everything she ever wanted but it is tainted by a secret that Gwendolen can never tell.
Deronda meets the Cohen family and suspects that they are Mirah’s long lost relatives. Eventually, he will realize that Mordecai is actually her missing brother. This mistake will be one of the first ventures into Jewish culture for Deronda, who attends a meal at the Jewish household on the night of the Jewish Sabbath. The sound of the prayers and the sight of the rituals are alien to him but nonetheless fascinating. He is drawn to the culture in a way that he cannot describe, a foreshadowing of the later reveal of his own Jewish ancestry. In this way, the novel frames religion, culture, and heritage as almost supernatural. Deronda’s fascination with Judaism speaks to something deep within him that he has never thought about. He never considered the possibility that he might be Jewish, just as he had never walked through the parts of London most commonly inhabited by Jewish people. In a geographic, psychological, and social sense, Deronda is steadily becoming enraptured by Judaism.
Despite Deronda’s growing respect for Jewish culture—and, by extension, Eliot’s desire to portray Judaism in a positive light—remains rooted in a typically antisemitic English culture. The narration—through Deronda—maintains certain stereotypes, even while trying to destroy existing prejudices. Deronda’s distaste for pawnbrokers, for example, plays on the contemporary stereotype of it being a trade lacking in respect, something which Christians would never associate themselves with. Similarly, the descriptions of characters such as Mordecai trade on stereotypical cartoons of Jewish people. Though these are deepened by the actual characterization in the novel, Deronda views people such as Mordecai and Ezra as adhering to stereotypes that he has built up in his head. Despite his fascination with Jewish people, Deronda exists in a cultural context that is inescapably antisemitic. For all his good intentions and his sincere desire to learn more about Jewish people, he cannot quite escape some of the prejudices which define Jewish life in Victorian Britain.
By George Eliot