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28 pages 56 minutes read

Gayl Jones

Corregidora

Fiction | Novel | Adult | Published in 1975

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Themes

Gender Roles and Sexism

Many of the incidents and issues that take place in this book stem from the confines created by gender roles and the patriarchy. While slavery in America is certainly rooted in racism, this novel also draws attention to the ways that sexism played a role as well. Great Gram and Grandmama’s experiences being raped by Corregidora and prostituted out to his friends and wife show the ways in which the demands on women slaves could be quite different from that of their male counterparts. On her guard after her own mother’s experiences, Ursa’s mother is no stranger to sexism, either. Her trust is broken when an otherwise friendly waiter convinces her to come upstairs with him and then takes advantage of her. She is impregnated and despite the fact that she hates him, she is forced to marry him for no other reason than traditional gender roles dictate that a mother should be married. 

Ursa, as the novel’s protagonist, is the greatest example of sexism’s shaping forces. Neighbors, classmates, audience members, nightclub owners–the list of Ursa’s predators is long. Like her mother, who becomes reclusive in order to fend off unwanted advances, Ursa numbs herself to the world around her in order to experience it. When her body loses its capacity for sexual arousal, this appears to be the ultimate manifestation of her defense against the masculine. However, even when she is robbed of all possibility of pleasure, men continue to volley for her body’s ability to provide them with pleasure. For her ancestors, as well as for Ursa, sexuality was a cage more permanent than any of the other confines they were forced into. 

Ursa’s struggle with gender roles is internal as well. She doesn’t feel like a woman once she is infertile, which leads to a deep feeling of inadequacy that is only further highlighted when her mother reveals that it was hard to tell which gender she was when she was first born. Ursa feels incapable of finding a good man because she doesn’t feel like she meets the requirements for being a woman, and for decades basically gives up.

The men in this novel also find themselves trapped in their masculine roles. Mutt’s violent actions toward Ursa all stem back to his pride and his ability to appear manly. Mutt tries to force himself on her in public, reminding readers that he is more invested in what others think of him, and less in what Ursa thinks of him. He feels betrayed when she doesn’t take his name or stop working, proving that he only feels comfortable when she is subordinate to him. Tadpole, if less violent, is equally insistent on the fulfillment of gender roles. He feels emasculated when Ursa can’t respond to him sexually and quickly replaces her with someone he feels can make him feel like a man.

The Impact of Racism on Society and the Individual

Corregidora allows readers to see both the individual and societal cost of slavery and racism. Much of the story takes place before slavery was abolished and centers on Great Gram and Grandmama’s experiences at that time. On an individual level, the trauma is registered through obsession and a heightened need for intimacy. Great Gram obsessively repeats the vivid details of her life as a slave and rape victim to the generations that come after her, constantly replaying her own trauma in an effort to heal herself and warn others. She explains how she was not allowed to even talk to other black men, as her owner believed that that would have tainted her, and if she did talk to them, then they would most likely be brutally killed. Great Gram hints that Corregidora’s own skin color, which was not as pale as he had hoped, was one reason he was so cruel to other races. It seems he was worried he would see traces of those he considered below him in himself. 

Great Gram and Grandmama forge a lifelong bond that is based in their relationship to Corregidora. Having been raped and prostituted by the same man, they cling to each other for the rest of their lives, sharing the same bed and forever musing over their history together. Their relationship to each other is so close that Ursa’s mom and others often feel great distance when they try to form their own bonds with them. 

The racism that fueled slavery did not stop with the people who were alive during that era, but rather continued to manifest itself in later times. This is evident from the discussion of the suicidal Melrose woman who could not get proper legal representation because of her skin color, as well as from Sal and Ursa’s discussion about passing. While there may not be plantations per se anymore, Corregidora demonstrates that those racist attitudes have permeated current settings.

The Power of Pre-Existing Patterns

Whether the issue is race, gender, or practically anything else, Corregidora insists its most likely part of a larger pattern. Generational trauma is the pattern most often highlighted. Ursa, who is removed from slavery by a couple of generations, still suffers from consistent nightmares about the atrocities that took place at that time. She constantly confuses her own past with those of the women in her family, so closely are they aligned. The idea that each successive generation’s experiences are slightly more diluted is reflected in the discussion of the Corregidora women’s ever-lightening skin color. They seem to be getting further and further from the truth. 

Ursa’s role as a mother was also supposed to be part of a pre-existing pattern. All of the women before her produced daughters and raised them to attest to the horror of Corregidora. When Ursa is attacked by Mutt, she appears much more upset about her inability to uphold this pattern than she does about any personal suffering. Additionally, Ursa knows Jeffey’s inappropriate sexual behavior is part of a larger pattern; she is just not sure where that pattern extends from. 

The men’s behavior in this book is often also part of a pattern. For example, Mutt often uses the same metaphors to refer to Ursa as Corregidora used to refer to Great Gram. Additionally, Mutt’s attempts to control Ursa’s profession mimic Corregidora’s past actions. No matter the specific subject, Corregidora asks readers time and again to consider the bigger picture.

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