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Atul GawandeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Gawande catalogues the many noteworthy superstitions of performers, athletes, and coaches to provide contrast with doctors, who, in Gawande’s experience, rarely exhibit superstitious behavior. Doctors are scientists who are “usually uncomfortable, if not downright contemptuous, of the mystical” (110). He’s surprised, then, when his colleagues seem to be avoiding signing up for an emergency shift on Friday the 13th. A full moon and a lunar eclipse also happen to fall on that Friday. Gawande, eschewing superstition, signs up for the shift. One resident tells him to “rest up.”
Curious, Gawande investigates studies about Friday the 13th and full moons. He believes Friday the 13th to be an example of the “Texas sharpshooter fallacy” (111), which explains how humans identify patterns that don’t exist around random events. Of the two superstitions, Gawande is more inclined to believe that humans might be affected by lunar activity, since evidence shows human are affected by the seasons and circadian rhythms. He finds sparse evidence, but a couple of studies seem to suggest people are safer during full moons than new moons.
Despite little data and much skepticism, Gawande shows up for his shift on Friday the 13th and experiences an onslaught of patients and an unprecedented amount of work.
Gawande opens this essay with a story about a patient named Rowland Scott Quinlan, an architect who fell and hurt his shoulder in a workplace accident. Later, Quinlan began complaining of severe back pain that limited his ability to work and perform normal functions. Painkilling therapies largely lost their effect, and X rays revealed no source of the back pain. He saw a psychiatrist to address the possibility of the pain being mental. Even his own wife at times questioned if he was faking it while also observing the very real ways in which Quinlan’s quality of life had diminished.
Gawande admits that doctors find patients like Gawande, who complain about chronic pain and exhibit no traceable source of the pain, annoying. Pain like this defies logic, and doctors love logic. At Boston’s Brigham and Women’s Hospital, Gawande interviews Dr. Edgar Ross, who reveals statistics about the “virtual epidemic of back pain in this country today” that defies explanation in mechanical terms of strain or injury (118). Studies find that back pain predictors include “such ‘inorganic’ factors as loneliness, involvement in litigation, receipt of workers’ compensation, and job dissatisfaction” (119).
Gawande traces the dominant understanding of pain throughout the history of medicine, beginning over 300 years ago with Rene Descartes, who hypothesized that pain occurs when an injury to tissue stimulates nerves that then deliver a message to the brain, adding, “It is hard to overstate how ingrained this account has become” (120). However, a study of injured soldiers in WWII contradicted the Cartesian theory: Soldiers who felt happy to have survived battle reported feeling less pain.
Next came the Gate-Control Theory of Pain, developed by Patrick Wall and Ronald Melzack, which held that a “hypothetical gate could simply stop pain impulses from getting to the brain” (121). This theory made room for the idea that the brain not merely is a receiver of pain impulses but also contributes to the signal. Gawande cites a study of male and female ballet dancers versus non-dancers and their pain tolerance and thresholds. Gawande suggests the dancers’ discipline and athleticism caused them to feel less pain. Other evidence supports the idea that gender, belief system, and social factors might also contribute to pain.
Gawande describes operations and findings by Dr. Frederick Lenz that reveal how pain response can be “wildly out of proportion to the stimulus” (124). He says of two patients in particular, “Areas of the brain governing ordinary sensations appeared to have become abnormally sensitized—set to fire in response to perfectly harmless stimuli” (125).
The newest theory of pain, also proposed by Ronald Melzack, suggests that “it is the brain that generates the pain experience, and it can do so even in the absence of external stimuli” (125). This theory holds that an injury sends a signal that “still has to make it through the spinal-cord gate, but thereafter it joins a lot of other signals in the brain—from memories, anticipation, mood, distractions” (126).
New understanding about pain leads to innovations in medication, but “the fundamental problem for research is how to stop the pain system in such patients from going haywire in the first place” (127). As Gawande says, “some forms of chronic pain behave astonishingly like social epidemics” (127).
Gawande closes by saying that “the solution to chronic pain may lie more in what goes on around us than in what is going on inside us. Of all the implications of the new theory of pain, this one seems to be the oddest and the most far-reaching: it has made pain political” (129).
Gawande explores the subject of nausea, or emesis, through the lens of a story of a single patient named Amy Fitzpatrick. Fitzpatrick became pregnant with twins and suffered from a condition called hyperemesis that caused her to experience extreme nausea and frequent vomiting throughout her entire pregnancy. She stopped being able to eat, lost weight, quit working, and saw her quality of life diminish.
Gawande segues into a technical discussion of nausea, which is caused by a variety of factors ranging from pregnancy to motion sickness, or which can be a side effect of poison and drugs, from anesthesia to chemotherapy. He underlines nausea’s extreme unpleasantness, citing Cicero’s fear of seasickness and mothers whose memories of nausea during pregnancy trump their memories of pain during childbirth.
Gawande examines the recognizable biological purposes of nausea—like expelling poison—while also calling attention to the more mysterious presentations of nausea. While pregnancy sickness may have evolved to protect embryos from even natural foods that would be harmful to their development, motion sickness seems to serve no purpose. Gawande says, “Researchers have now established that motion sickness occurs when there is a conflict between the motion we experience and the motion we expect to experience” (136).
Gawande revisits Amy Fitzpatrick’s story to survey the list of medications that didn’t work for her, saying “there is no universal antiemetic” (139). Fitzpatrick stumped doctors, and their inability to find a cause upset them and caused them to refer her to a psychiatrist, who suggested that she might be subconsciously resisting pregnancy. Fitzpatrick chose not to abort her pregnancy, despite the fact that many people who suffer with hyperemesis do choose abortion.
Gawande discusses the difference between nausea and vomiting, how they aren’t always connected, and how a drug or procedure to prevent vomiting may not ease nausea. Chemotherapy patients experience acute nausea immediately after drug therapy, “delayed emesis” that brings nausea and vomiting days later, and also “anticipatory nausea or vomiting” caused by sensory cues and reminders of chemotherapy (141).
Gawande explains palliative medicine, which centers around “dying patients—specifically in improving the quality of their lives rather than prolonging their lives” (142). Whereas most doctors are trained to alleviate suffering by looking for root causes, palliative medicine supports the idea that suffering alone—like nausea and pain, even when a patient is technically healthy—deserves treatment and care.
Gawande introduces an anchorwoman named Christine Drury who suffered from blushing. Growing up, she would blush from embarrassment in school and in public interactions. Though she was ambitious in her career and used to socializing, she would blush on camera. Her discomfort was easy to spot, causing her career to stall.
Blushing is complicated, “at once physiology and psychology. On the one hand, blushing is involuntary, uncontrollable, and external, like a rash. On the other hand, it requires thought and feeling at the highest order of cerebral function” (149). It’s often thought to be an expression of humiliation, but that doesn’t explain why people blush when they’re the center of positive attention. According to one theory, Gawande says, “the blush exists to show embarrassment, just as the smile exists to show happiness” (150). One updated theory holds that blushing may serve a social purpose: to identify for people when they’ve made a transgression and to communicate apology.
People with an extreme tendency to blush struggle to stop it, and many—like one neuroscientist Gawande profiles—organize their lives around avoiding attention to the detriment of their social and professional lives. Christine Drury elects to pay for an expensive operation in Sweden called endoscopic thoracic sympathectomy, wherein pieces of the two cords along the spine that control the sympathetic nervous system are removed. Gawande describes this procedure—which Drury undergoes successfully—in detail.
Drury, cured from her blushing, initially experienced joy and success. She improved her on-camera performance and got an on-air job. That initial reaction, however, didn’t last, and she felt like an imposter, saying, “I felt incredibly ashamed over needing to remove my difficulties by such artificial means” (159). As Gawande puts it, she felt “precisely the same embarrassment as before, only now it stemmed not from blushing but from its absence” (159). Gawande closes by asking whether Drury’s condition was psychological or physical and expands the discussion to a definition of people as both psychological and physical beings.
“The Man Who Couldn’t Stop Eating” begins with a scene of a gastric-bypass operation on a patient named Vincent Caselli, a construction contractor who weighed 428 pounds and who experienced severe deterioration in health, productivity, and quality of life as a result of his obesity. In 1999, at the time of the surgery, the gastric bypass was a relatively new operation gaining in popularity. Gawande participated in Caselli’s surgery and followed him through his post-operative phase to track his progress. He also interviewed Caselli to learn about his life and the circumstances that led to his obesity, gathering that Caselli’s reasons for eating and reasons for stopping eating weren’t unique, but that “the main difference seemed to be that it took an unusual quantity of food to make him full” (167).
Gawande segues into a more technical discussion of hunger, establishing through a list of diets that “the history of weight-loss treatment is one of nearly unremitting failure” (169). Most people who lose weight gain it back, with children being a noteworthy exception: “Apparently, children’s appetites are malleable. Those of adults are not” (170). Gawande also breaks down the biological processes by which humans eat and feel full, admitting “our knowledge of these mechanisms is still crude at best” (171). A study of patients with amnesia showed that a person’s memory of having eaten or not contributes to his appetite more than the fact of having eaten.
Gawande tells the story of a women in his office named Carla who also had gastric-bypass surgery and claimed to acquire “a profound and unfamiliar sense of willpower over food” (174). This change in attitude toward food, and in life in general, is common amongst gastric-bypass patients. Initially, Caselli didn’t experience this shift in a desire to eat. He wondered if things would ever really change, even after a drastic operation. As Gawande followed him in the months after the operation, however, eventually Caselli reported feeling satisfied with less food.
To Gawande, the popularity of gastric-bypass surgery and the speed at which new professionals, patients, and innovations flock to the field is a cause for concern. He also feels concerned by a culture that equates fatness with failure and that drives women to seek surgery seven times more than men despite being “only an eighth more likely to be obese” (182). Long-term effects of the surgery are relatively unknown.
In “Full Moon Friday the Thirteenth,” Gawande opens up a discussion of the paradox between science and mystery by exposing how even surgeons he knows—people who rely on data and science—feel skittish about taking a shift during a full moon and on Friday the 13th. Gawande’s instinct to try to explain people’s superstitions with research demonstrates his commitment to rational thinking, but still, he’s not immune to feeling some amount of awe and befuddlement when the superstitions appear to come true. This essay is a light and even playful exploration of the science/mysticism paradox and also speaks to themes of fallibility, as doctors who embrace logic and science still fall prey to superstition and lore. It also includes a historical reference in what will become a motif of historical references, this time to the misreading of the pattern of bombs in World War II.
In “The Pain Perplex,” Gawande continues his structural pattern of focusing on a single patient inflicted with a particular malady—here, it’s back pain—and profiles his suffering and journey to find a cure. He also incorporates historical information about the understanding of pain, tracing which theories arose when, and explaining why they had to evolve and adapt to explain various contradictions. This discussion contributes to the theme of imperfection in medicine and creates a sort of narrative suspense underneath the accumulation of explanations for the serious problem of pain. It seems that for every rule about pain Gawande presents about pain, there's a mysterious exception. This phenomenon, combined with the surprising social factors and political implications of pain, builds the theme of mystery in science.
In “A Queasy Feeling,” Gawande continues his discussion of mysterious pathologies begun in “The Pain Perplex” with the subject of nausea. He similarly focuses the broader discussion through the lens of a single patient’s story, illuminating the universality of the topic through a specific case. Gawande continues in his confessional voice, relating to the annoyance doctors feel when they can’t solve a problem, and saying that he understands why non-palliative doctors are more driven to solve diagnostic mysteries than to soothe symptoms—again building on the theme of fallibility. Still, Gawande includes details of Amy Fitzpatrick’s case, including the specific times and places she remembers getting sick, the random foods she could stomach while sick, and the first meal she ate after giving birth—details that reveal his investment in the humanity of the people at the center of the cases he cites, even as he works to build a focused, researched argument.
The mysteries at the heart of medicine’s explanations for nausea, like the mysterious contradictions in pain in the previous essay, build a thematic pattern of mystery. Gawande also flags a theme—of success despite uncertainty—that he develops when he explains Fitzpatrick’s affinity for her fallible doctors: “the doctors she liked best were the few who admitted they didn’t know how to explain her nausea or what to do about it” (144).
In “Crimson Tide,” Gawande builds one of the more detailed profiles of a patient who suffers from blushing. He spends time on the details of Drury’s experience to properly illuminate how a seemingly unobtrusive condition interferes with her self-esteem, quality of life, and career. Gawande includes quotes and other details to get inside Drury’s emotional state, rendering her post-surgery experience not just medically interesting but also poignant. This emotional layer to Drury’s story represents a deepening of the storytelling structure Gawande employs throughout the book.
The component of mystery continues in this essay, too, as blushing seems to be both psychological and physiological. Gawande digs into this mystery by discussing a case in which a patient successfully rids herself of her symptoms but still seems to be emotionally and mentally affected by her disorder, long after it’s gone. Fallibility also emerges as an unspoken theme as the patients themselves are error-prone and full of contradiction. A neuroscientist can’t conquer his own blushing, and a woman who struggles with blushing determinedly pursues a career on camera.
“The Man Who Couldn’t Stop Eating” examines another mystery in medicine—the mystery of appetite and satiety—but this time, the essay focuses around a seemingly successful treatment, rather than the absence of one. The mystery here is what causes some people to need more food to feel full than others, and why people can easily lose weight but almost never keep it off. Mystery lies, too, in the long-term effects of gastric-bypass surgery, how it seems to have psychological effects by finally being able to curb appetite in patients who never felt that feeling before, and why that change occurs in some people but not others.
Gawande takes a humanistic approach to this essay, drawing the key figures’ lives in sharp, empathetic detail—a radical way to talk about obesity, which is often, as he says, stigmatized by even the medical culture as a lack of willpower or self-care. Gawande’s multi-faceted depiction of Vincent Caselli works to contradict those stereotypical assumptions and, with biases out of the way, elevates the mysteries of appetite and eating.
By Atul Gawande