47 pages • 1 hour read
Kristin HannahA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The arrowhead is a symbol that represents connection and faith beyond the physical world. It begins as a promise from Bobby’s mother to find him a white arrowhead. When Bobby tells Joy, she finds one easily with the help of his mother’s voice, again highlighting the magic in the novel. When Joy has all but lost faith in the truth of her adventure, she finds the arrowhead, the only physical proof that she was ever in Rain Valley. This proof is enough to validate her time there and drive her to Washington to find Bobby and Daniel. When she was ready to sever her connection with Bobby, the arrowhead gave her faith in the truth of their connection. When she returns to Rain Valley, Bobby does not believe she is real until she offers the arrowhead as proof—she tells Bobby to hold it when he feels lost and confused and “remember how much she loved you” (232). The white arrowhead proves to Bobby that he is not “crazy”—when characters begin to lose their faith, the arrowhead reestablishes it. It represents the important aspects of life that are not physical.
God is a motif that develops the idea of the importance of faith. When the story begins, Joy’s faith is deeply buried, and Bobby’s faith is in treacherous territory. After the death of both of their mothers, Joy and Bobby have lost their faith in God. When a priest suggests Bobby pray, he explains that he won’t because, “God let her die, didn’t he?” (54). Joy, too, has not been to church since her mother’s funeral 10 years prior. Yet throughout the story, Joy thanks God constantly—after the plane crash, for keeping her safe from serious injury; at the lodge, thanking God for the computerized world that makes it possible for her to travel this spontaneously. While subtle, Joy’s faith in God is present throughout the story. She advises Bobby not to lose his connection to his church, encouraging him by saying that she will light a candle for his mother if he joins her in church. When they do attend on Christmas Eve, Joy is “giddy with happiness” (152). This is the last thing she does with Bobby and Daniel before she wakes up in Bakersfield, representing the faith she must have to believe her time there was real. The faith that Joy and Bobby maintain in each other is similar to the faith they have for God. It contains questions and perhaps even resentment, but at its core, it is a belief. It is unproven by logic, but it has a positive impact if they allow it.
Joy’s camera represents her tendency to preserve the past rather than look forward and change her life. Joy begins the story with a file cabinet full of articles and photos of places she dreams of seeing. It has been sitting untouched for years. In her first trip to Rain Valley, she spends her days taking photos, swearing that she will never forget her time there. Yet when she returns to Bakersfield, her camera contains no proof of her time in Washington—if anything, it proves that she was never there. Unable to preserve her memories with her pictures, Joy is forced to have the faith and conviction to return to Washington. Already wary of her own mind, Joy is pushed further toward a life of faith despite her fear. Yet it is this faith that allows her to find Bobby and Daniel. Through her camera, Joy relied on preserving this life she wanted but would not pursue. When she can no longer rely on her tool of preservation, she finds it in real life.
Joy’s sense of sight determines how she sees the world. In Rain Valley, Joy’s sight is obscured by mist, fog, and storms. When the light does shine, she still sees darting shadows and moving plants. Even as she believes in the reality of her own experience, Joy acknowledges that “[t]here is an otherworldliness to the forest here. I also know how easy it is to see what you want to see” (92). She goes on to say, “I will be honest with myself. I’ll keep my eyes open. I’ll see what’s there, not just what I want to see” (92). Yet she acknowledges that her vision is obscured—“I can’t see anything with perfect clarity; it is a world veiled by mist and water” (43). Joy welcomes the way the environment obscures her vision, but at the same time vows to keep her eyes open. Her sense of sight determines her level of belief in herself—in Bakersfield, in the light of day she understands the logic of her brain’s mirage, but at night, she cannot help but believe the truth of her own experience.
By Kristin Hannah
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