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Three nights before the cotillion, Sophia has guilt-ridden dreams about leaving Erin behind. In the morning, she tells Constance that she wants to check on Erin. Constance points out that Erin’s situation is obvious and that it would be too dangerous to check on her. Sophia wants to go anyway.
Sophia dresses as a man and heads into town but then realizes she doesn’t know where Erin lives anymore. She decides to go to Liv’s parents’ house to see if they know. Mr. Preston rushes Sophia inside, where Mrs. Preston embraces her, thrilled she’s alive. Sophia shares her condolences about Liv. Mrs. Preston still believes they did something wrong in failing to earn a fairy godmother’s favor. Sophia says they did nothing wrong. Mr. Preston is thrilled that Sophia escaped, as he has been concerned about his two younger daughters, ages 11 and 13, who he’ll soon be forced to send to the ball as well. Mrs. Preston shares that Erin and Édouard are already married and will soon be living in Eastern Lille, but the house isn’t paid off yet, so they’re temporarily living near the orchard. She acknowledges that Erin doesn’t want to be married to a man but wants to make her parents proud.
Sophia goes to Erin and Édouard’s temporary residence, where Erin comes outside and speaks to her because her husband isn’t around. She seems annoyed that Sophia is here and doesn’t want her pity. She is mad that Sophia “left her” alone, as Liv is dead and now she has no friends. Sophia thinks about how hard she tried to be present for Erin and convince her to escape. However, when she once again tells Erin that there’s another way of life for her, Erin doesn’t care and calls Sophia foolish.
Sophia returns to Constance and explains that Erin still refuses to listen or understand. She reassures Constance that she wasn’t trying to get back together with Erin—she has chosen Constance with her whole heart.
The morning of the cotillion, Amina uses a magical tree to produce a ball gown for Sophia. Amina also gives her Cinderella’s dagger, the one she was meant to use to kill Prince Charming. Sophia feels conflicted about her affection for Amina, who reminds her of her own grandmother but also helped Prince Charming ascend the throne, thereby ruining countless lives.
Amina produces two horses and a carriage and then transforms herself into a younger man to drive the carriage. Sophia will be entering the cotillion as a guest (using an invitation Amina stole, with a different name on it), whereas Constance will sneak in and try to free the prisoners Sophia heard in the passageway under the palace.
Amina drops Sophia off at the palace, explaining that she’ll meet up with Constance once she arrives. Sophia’s fake invitation works, and she enters the palace. She realizes the invitation’s actual recipient could be in danger for not attending the ball, which is an additional reason she needs to succeed at killing King Manford. At the cotillion, everyone is confused, as many of the girls there were already chosen at the ball, and people wonder if another choosing ceremony will occur.
King Manford addresses the audience, explaining that henceforth, an annual winter cotillion will be required in addition to the regular annual ball and that anyone not chosen immediately will be forfeited. He instructs the girls who were already chosen to leave, and the remaining girls will have another chance to be chosen tonight. The music starts, and the crowd mingles.
King Manford appears in front of Sophia, saying she is either brave or foolish to return. She says she knows what he is; he leaves her and then orders everyone into the courtyard. The king returns and invites Sophia to see the rest of the palace. They continue talking, and she grates his nerves by saying Cinderella didn’t love him and that he felt rejected and thus took out his anger on other women. Manford says he’ll make Sophia the wicked subject of her own story, using her as a cautionary example for other girls and women. Sophia stabs him in the neck with her dagger like Constance showed her, but he doesn’t bleed or seem bothered by it. Instead, he laughs.
King Manford has palace guards take Sophia to a cell in the dungeon. It’s 11 o’ clock, and he says he’ll be back for her at midnight. Sophia reflects that, if Manford can’t be killed by normal means, she doesn’t know how to stop him or if he can be stopped at all. She uses sharp rocks to saw the restraints off her hands.
Sophia then speaks to the same voice she heard during her original escape, who turns out to be Emile, a friend of Constance’s. Emile has been imprisoned for weeks and already knows daggers won’t kill King Manford. People have stabbed, poisoned, and tried to strangle him, to no avail. More curse than human, Manford “drains” his prisoners to restore himself: He wraps them up, produces a mysterious light, and drains something out of them, which feels like dying. This is how he keeps himself young and why Cinderella’s and Liv’s corpses were gray. Emile reveals that the ball is a reaping, its purpose being to control and draw people to the palace for Manford to feast on. The same is true for forfeits.
Sophia uses a hairpin to pick the lock of her own cell. However, it breaks, so she can’t free the other prisoners. She says she’ll come back for them later. It’s now 11:30pm, and Sophia makes her way to a different room, which turns out to be Cinderella’s bedroom from when she lived in the palace. It looks like no one has been inside for a long time.
Sophia searches Cinderella’s bedroom for her diary, hoping to find out what she was trying to tell her stepsister Gabrielle about the land’s supposed curse. She finds the diary behind a table and discovers that Prince Charming was slowly draining Cinderella to punish her for not loving him. Cinderella was still planning to use the special dagger to kill him after the love potion wore off. A guard comes into the room, so Sophia smashes a candlestick on his head to knock him out and then runs off.
In a different dungeon, she passes an old man trying to purchase a child prisoner, but he doesn’t have enough money. King Manford sells some of his prisoners in addition to feeding on them himself. She finds Luke imprisoned there as well, with many others. She knocks out the guard, takes his keys, frees the prisoners in this area, and instructs them to escape the palace. There are at least 40 girls and six boys, some of whom are only 11 or 12 years old.
Sophia returns to the other dungeon to save Emile and the others but is intercepted by King Manford. She again taunts him for trying to fill the void Cinderella left in his heart and says he can’t rule her. He wraps her up and opens his mouth, beginning to drain her. Then, another person comes into the room.
Constance interrupts the draining, and King Manford reminds her that her dagger won’t kill him. Amina enters as well and confesses that she is Manford’s mother—which Constance was partially suspicious about. As per necromancy spells, a conjurer is bound to their chosen corpse until death. Amina resurrected Prince Charming, and he saved her from being burned for necromancy. However, Amina’s spell couldn’t sustain Charming forever, so he began draining people—which Amina genuinely wasn’t aware of.
Amina lunges toward Sophia, holding Cinderella’s dagger. She says this scene is what she saw in her vision and asks Sophia for forgiveness. She then plunges the handle of Cinderella’s dagger into Sophia’s hand as Constance stabs Amina with her own dagger. King Manford shrieks, and Sophia runs off, holding Cinderella’s dagger.
Amina, King Manford’s conjurer, is dead, so Sophia hopes he will be vulnerable. He follows her, now a rotting, moving corpse. He wraps her in his grip, intending to take Sophia with him. Manford starts to drain her, but when she grips Cinderella’s dagger, it glows and severs the connection between them. He is engulfed in light and flame and then crumbles to ash.
However, the flames spread and start to engulf the palace, so Sophia flees to the dungeon where Emile and others are still locked up. She uses the keys she stole to free them and explains that King Manford is dead. As she’s opening the last cell door, Sophia can’t move or breathe because of the smoke. She is about to pass out and takes solace that she will die for a purpose.
Sophia wakes up outside, as Constance saved her. She saw girls coming out of the palace and knew because of her own vision via divination that someone was still lying on the floor inside. The palace is ablaze in the distance.
A crowd gathers, with people asking what’s going on and where King Manford is. Sophia announces that he’s dead and that Cinderella’s story is a lie. Immediately, one man walks up to Sophia, but Constance threatens him with her dagger. Constance, Emile, and others try to corroborate Sophia’s words; they reiterate the dangers of the ball, and people in the crowd nod along.
However, a separate group begins talking amongst themselves, many of them palace guards. They want to know who the rightful successor is and why they should listen to Sophia, who is a girl. Sophia tells the man speaking that she just saw him try to purchase a young prisoner from King Manford. The men retreat because of Constance and Emile’s weapons and strength, but say they’ll be back.
Sophia’s parents arrive, and, finally, her father exhibits sadness instead of anger and relief that she’s alive. Sophia and Constance embrace, and Sophia’s mother smiles. Sophia thinks the future is uncertain, but it’s bright for the first time.
This chapter is “The True Story of Cinderella: People’s Approved Text” (383), authored by Sophia Grimmins. Presumably, this story replaces the old palace-approved version.
Long ago, there lived three sisters who loved and cared for each other: Cinderella, Gabrielle, and Isla. The sisters’ father had been in line to inherit the throne, but Prince Charming took control instead. Prince Charming was a brutal tyrant who had been cursed by black magic.
Prince Charming, in his many disguises, ruled Mersailles for 200 years, until the people stood up for themselves and broke the curse. A new ruler emerged: Constance, the only living kin to Cinderella and the rightful heir to the throne. Constance led Mersailles with a council of six others. They abolished the old laws and made the same privileges available to everyone, regardless of gender.
The angry townspeople and old palace guards rebelled, but Emile led an effort to push them back, driving them to the Forbidden Lands.
Sophia speaks directly to the readers to tell them not to accept oppression or be silent but to let their voices be heard and to “be a light in the dark” (385).
In this section, Sophia finally defeats King Manford and brings justice to the kingdom of Mersailles with the help of Constance, Amina, and others she encounters. She is able to do this because she believes it’s possible, is willing to trust and work with others, and will stop at nothing to ensure she and the people of Mersailles can have a chance at freedom and happiness.
Sophia also has to acknowledge that she has power and seize it. She tells King Manford, after he tries to belittle her, “And yet you’ve taken me aside, planned this grand event to lure me in. You can barely control yourself in my presence, so really, who has power over whom?” (331). She taunts him by voicing the truth: Cinderella didn’t love him, and he felt rejected since he believed he was entitled to her love. Therefore, he spent two centuries torturing other people, women in particular, to assuage his own ego. Sophia reasons that even Manford is entitled to the truth because living a lie is pointless, so she tells him Cinderella planned to kill him. This courage to speak up and later kill Manford stems from lessons learned alongside two strong women (Constance and Amina), who also learn to assert themselves (whether through dagger or sacrifice). Throughout her life, Sophia has been taught that women are lesser, but she acknowledges her right to agency, freedom, and love and recognizes Manford’s own twisted version of it.
The depth of Amina’s conflict is finally explained in this section: She couldn’t kill Prince Charming years ago because he is her child. Due to having resurrected Charming through necromancy, Amina would have to allow herself to be killed as well. While she is willing to sacrifice herself, she struggles to allow her own child to be killed, especially after he saved her life. This conflict explains why she retreated to the woods for so long: She’s actively avoided learning what the kingdom is truly like, and what her son and those suffering under his rule are like, to suppress her guilt. She was able to ignore her past until Sophia and Constance arrived at her house and Sophia convinced her to help. Throughout the novel, Amina appears to be playing both sides, but she ultimately asks Sophia for forgiveness and gives her the weapon necessary to kill Charming, in addition to letting Constance kill her. All of this suggests she was on the girls’ side but needed to keep the full truth to herself until the perfect moment in order to ensure their success.
There are some important differences between how Constance seizes power and how Prince Charming seized power, which highlight the girls’ commitment to freedom and justice. Charming came to power by creating a foundation of lies—Amina’s drought and famine and the palace-sanctioned Cinderella story among them. He instituted new laws slowly, becoming more restrictive after gaining people’s trust. He does not allow eligible girls to leave Mersailles and executes those who try; those who speak out against him are killed. However, Cinderella’s family was not exiled; they escaped, but he claimed they were exiled to save face.
In contrast, Constance rules with a council, demonstrating her commitment to other perspectives. Although the council considers making changes slowly to discourage rebellions, they decide the safety of citizens is more important and make changes quickly. When rebellions erupt, Emile chases the rebels beyond the Forbidden Lands. While a form of exile, this decision is far more humane than King Manford’s tendency to force people to stay and abide by rules they hate. However, most people are happy to adapt to Constance’s changes, which is evident as soon as the palace burns. This is heartening for Sophia, who expected resistance. This shows that most people were following and reinforcing the king’s ideals out of fear; most are willing to pursue a new way of life once the king is dead. Again, this collective reaction highlights just how remarkable Sophia, Constance, and Emile are as vulnerable young women willing to put their lives on the line, without putting down girls like Erin, who understandably put survival above all else.
Throughout the novel, Sophia compares her life to a “story” that has already been written for her due to her gender. The same fate befell Cinderella in a literal sense: Prince Charming took over her life and then wrote a fake story about her to ruin other peoples’ lives. To remedy this tragedy, Sophia records Cinderella’s true story and labels it the “people’s-approved” version, highlighting how she sought the truth from multiple people—including Cinderella herself. By learning the truth, Sophia is able to create a society that allows each person to write their own story rather than living in a prescribed way. Like fairy tale writers before her, she spells out the moral of the story at the end, which is to resist oppression by spreading knowledge, using one’s voice, and being a “light” of hope and wisdom in the “dark.”
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