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74 pages 2 hours read

Kamila Shamsie

Burnt Shadows

Fiction | Novel | Adult | Published in 2009

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Part 2, Chapters 8-12Chapter Summaries & Analyses

Part 2: “Veiled Birds”

Part 2, Chapter 8 Summary

About two months later, Elizabeth looks out over the gardens of the Burtons’ summer home in Mussoorie, India, where she, James, and Hiroko are currently staying. Elizabeth is embarrassed about having assumed the worst of Sajjad when she discovered him with Hiroko. Although Hiroko cleared up the misunderstanding, James fired Sajjad, with generous severance pay and the promise of a good recommendation. Elizabeth joins Hiroko sitting in a tree. Hiroko wonders about the Japanese names for the local plant life, which resembles that of Nagasaki. Hiroko has also developed a friendship with Kamran Ali, in the cottage next door.

Elizabeth tells Hiroko that Sajjad’s firing was in her best interest, as marrying Sajjad is impossible because of his family traditions. Hiroko counters that Elizabeth’s own unsuccessful marriage to James has made her bitter. Elizabeth doesn’t deny it and admits to being jealous that Sajjad never liked her. The two women reconcile, though Hiroko notes that she doesn’t belong in the Burtons’ world either. Hiroko tells Elizabeth about seeing her wounded father after the bombing in Nagasaki and says that she is dumbfounded that the Americans dropped a second nuclear bomb after seeing the effects of the first. Hiroko tells Elizabeth that she hates feeling like a foreigner, but she also doesn’t want to return to Nagasaki and be just another hibakusha, reduced to her experience with the bomb. Elizabeth asks Hiroko what she does want if Hiroko will not go to London with the Burtons, and Hiroko answers, “I don’t know. Maybe…Sajjad” (102). Again, Elizabeth tells Hiroko to let him go, as Sajjad’s family will never accept her. 

Part 2, Chapter 9 Summary

Chapter 9 opens just after Sajjad and his brothers bury their mother, Khadija. Khadija’s last words to Sajjad were, “Keep on living” (103), a ritual Muslim salutation, but one that takes on extra meaning for Sajjad, struggling with being fired and the upheaval of Partition.

Sajjad’s brothers argue over their futures: Altamash, the oldest, wants to move to the new Pakistan; Iqbal, who is having an affair, wants permission to take a second wife or get divorced. As the argument worsens, Sajjad reflects on his “unexpected pain and resentment” over being fired by James (106), in particular the Burtons’ failure to apologize for assuming he assaulted Hiroko. Sajjad has difficulty imagining his future in the midst of political and social unrest. Sajjad announces to the group that he is going to propose marriage to Hiroko and that they will live in New Delhi (as Delhi will be called after the Partition). Sajjad declares that he will not go anywhere that Hiroko isn’t welcomed. Sajjad begins to run away but stops, overwhelmed by the sense he is betraying Khadija and worried that he and Hiroko might grow apart as Elizabeth and James did. Altamash catches up to Sajjad and convinces Sajjad to return home.

Part 2, Chapter 10 Summary

Back in Mussoorie, James Burton is about to join Hiroko and Ilse in the family room when he overhears the women talking in German about Sajjad. James heads outside instead, reflecting on the approaching departure from India. James assumes that Hiroko will join him and Elizabeth in London and is grateful that Elizabeth will have a friend. James feels lonely after firing Sajjad but also feels that Sajjad “brought it on himself, of course” (111), and he is uncomfortable with the thought that he genuinely misses the company of his former servant.

Sajjad arrives unexpectedly, and James attempts to resume their friendship, but Sajjad rebukes him for failing to apologize. James tries to justify his actions, saying that social propriety made it impossible to hire Sajjad back or make a meaningful apology, but Sajjad refuses his excuses, saying, “It’s not a question of nation. It’s one of class. You would have apologized if I’d been to Oxford” (113). James, frustrated, strikes a brick wall and hurts his hand. Sajjad asks to see Hiroko, but Hiroko and Elizabeth are already there and overheard most of Sajjad and James’s argument. Elizabeth takes James to tend to his hand, leaving Sajjad and Hiroko alone in the garden.

Sajjad tells Hiroko that his mother died and apologizes for how their last conversation ended. Hiroko forgives him but asks if he has come for “the first available woman” since his mother’s death has interrupted his arranged marriage plans (114). Sajjad asks Hiroko to consider that their relationship would be a betrayal of tradition for him and that neither Hiroko nor Sajjad have seen each other in their “true world.” Sajjad hints at marriage, but Hiroko says that she will never live in a joint-family home, as is Sajjad’s tradition. Sajjad tells Hiroko that he plans to buy his own house in New Delhi and teases marriage again. Hiroko tells Sajjad that she cannot marry him because the long-term effects of the nuclear bomb make both her lifespan and her ability to have children uncertain. Sajjad tells Hiroko that he doesn’t care. Hiroko asks Sajjad if he knows how to kiss a woman and teases that her decision may rest on his answer. 

Part 2, Chapter 11 Summary

James and Elizabeth wait in the cottage, wondering where Hiroko and Sajjad are. Elizabeth hints that Sajjad and Hiroko are off making love, which embarrasses James. Elizabeth observes that James is anxious about the social dynamic of a marriage between Sajjad, whom he feels is beneath the Burtons, and Hiroko, whom he sees more as an equal. At James’s insistence, Elizabeth acknowledges her own misgivings about Hiroko and Sajjad’s relationship but notes, “Good men don’t necessarily mean good marriages” (118). James asks Elizabeth for a new start to their marriage when they return to London, and she consoles him. However, Elizabeth secretly plans to leave James after they return to England and to go live with her cousin Willie in New York City.

Hiroko and Sajjad borrow the neighbor Kamran Ali’s car and sneak away from the cottage to find a mosque and get married. Hiroko wants to convert to Islam, not as a true believer but to make things easier with Sajjad’s family by having an Islamic rather than a civil wedding ceremony. Sajjad, admiring her practicality, explains that Hiroko can become a Muslim by repeating the Kalma, a declaration of faith, three times.

Hiroko and Sajjad are married at a local mosque and head into nearby woods to consummate the marriage. Sajjad helps to guide Hiroko through her first sexual encounter, and the couple sees a silver fox at the moment of Sajjad’s climax. Hiroko tells Sajjad that foxes, called kitsune in Japanese, are prominent figures in myth, and that the wisest kitsune are the nine-tailed kyubi. Hiroko tells Sajjad that the fox they saw is a blessing of their marriage. Sajjad performs oral sex on Hiroko, and the couple leave the woods blissfully. 

Part 2, Chapter 12 Summary

A few months later, Sajjad stands looking out over the Bosporus River in Istanbul, where he and Hiroko are honeymooning. James counseled Sajjad to take Hiroko away from India until the violence surrounding Partition settled down to avoid putting Hiroko through any more suffering. Sajjad agreed, reluctantly, and Elizabeth arranged for Sajjad and Hiroko to say in Istanbul, at the unoccupied vacation home of a friend.

Hiroko waits for Sajjad at their home in Istanbul, which is in surprising disrepair. Hiroko examines Elizabeth’s wedding gift, a diamond necklace and earrings set that Elizabeth claims belonged to Konrad. In truth, the diamond set was a gift to Elizabeth from James. Hiroko and Sajjad plan to sell the diamonds to buy their future house in New Delhi, where they plan to move when the city is less dangerous for Muslims.

Sajjad arrives home, visibly upset. Sajjad tells Hiroko that they are not allowed to return to Delhi because they left India during Partition. According to the new Indian government, Sajjad is a Muslim who chose to leave and is therefore no longer an Indian citizen. Hiroko tries to soothe her distraught husband in English, Urdu, and Japanese, but Sajjad hears only the sounds of the pigeons of Delhi. 

Part 2, Chapters 8-12 Analysis

Shamsie completes the narrative arc of Part 2, presenting the final coalescing of Hiroko and Sajjad’s marriage against the final rupture of Elizabeth and James’s marriage and investigating the capabilities of these four people to understand and support one another. Her use of omniscient narration is especially potent in this section, as her reader is made explicitly aware of where the misunderstandings are taking place between characters.

The death of Sajjad’s mother is the rare case in Burnt Shadows where the intersection of the personal and the political facilitates rather than hinders a character’s goals. Sajjad, freed from his mother’s expectations of an arranged marriage, is finally able to consider a relationship with Hiroko. Sajjad’s response to unexpected personal and geopolitical events is to focus on what he can control and to take the uncertainty of the historic moment as an opportunity to follow his heart.

Still, Sajjad’s misfortunes are great, and after the death of his mother and the loss of his ancestral home, Sajjad is forced to reconceive his ideas of self and home. Throughout Part 2, Sajjad has struggled to remain separate from the events around him, but by the end of Part 2 Sajjad has fully realized that the effects of Partition are inescapable, even following him to Istanbul. Like Sajjad, Elizabeth and Hiroko also struggle to redefine themselves after significant loss. Shamsie examines the relationship between loss and identity, even having Hiroko note that she “[wants] all those things that never meant anything, that still wouldn’t mean anything if she hadn’t lost them” (101). Through Hiroko’s ambivalent attitude toward her traumatic experience—she both refuses to be defined by the bombing and acknowledges that the bombing has fundamentally changed her—Shamsie explores how trauma  reshapes identity and how identity plays a crucial role in feelings of belonging. For Elizabeth, her failed marriage and separation from her son have likewise created a crisis of identity; she moves to New York to reclaim her sense of self in an environment that will support her self-determination.

Shamsie celebrates the success of Hiroko and Sajjad’s cross-cultural love story by framing their newly forged intimacy against Elizabeth and James’s failed relationship. Chapter 11 cuts back and forth between the two couples, matching the arc of Elizabeth and James’s first open acknowledgement of their troubled marriage with Hiroko and Sajjad’s first sexually intimate act. During intercourse, Sajjad touches Hiroko’s bird-shaped scars, indicating his acceptance of her full self as well as Hiroko’s willingness to be vulnerable with her new husband. By contrast, Elizabeth knows for certain that her marriage is over when James hides his tears from her while they discuss a new start in London.

Through James, Shamsie explores how nationalistic and imperialist attitudes limit human connection. James can only express his affection through paternalism, attempting to control Elizabeth’s social life or instruct Sajjad on how best to care for his new wife. James speaks kindly but condescendingly to Sajjad, saying, “after all Hiroko has had to endure, do you want to add to her suffering?” (123). Shamsie indicates that the racist attitudes of colonization—in this case that British norms are superior to Indian norms—is recreated on the interpersonal level, with James certain that his social status, wealth, and British ancestry qualify him to instruct Sajjad on how to best live his life. The consequence—that Sajjad loses his Indian citizenship—points to James’s inability to consider Sajjad’s values when advising the younger man. Shamsie cautions her reader against assumptions of authority and insists upon cosmopolitanism as the antidote to nationalism, as a culturally relative approach allows people to consider other perspectives without value judgments.

Shamsie closes Part 2 with one more comparison of approaches to cross-cultural and cross-class friendships: Where James attempts to advise Sajjad on the basis of his own perceived superiority, Elizabeth makes a legitimately useful gift in the form of the diamond necklace set. Shamsie transforms a status symbol of the Burton marriage into a material improvement in the lives of Hiroko and Sajjad, while maintaining Hiroko and Sajjad’s agency in decision making. James’s advice leaves little room for Sajjad to consider the bigger picture, but Elizabeth’s gift helps Hiroko and Sajjad to determine how best to build their future together. 

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