80 pages • 2 hours read
Kwame AlexanderA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of death and racism, including enslavement and racist violence.
“[B]ecause his brother always ate three,
and then he gets quiet,
his eyes all glassy,
his big, wide grin
showing off his white teeth
like he’s laughing
to keep from crying.”
This simile about the line between laughter and tears is an example of Nana Kofi’s emotionality. His reaction foreshadows that his brother died at a young age, a fact that Charley will learn later. His “glassy” eyes emphasize the sadness he experiences, while his “big, wide grin, showing off his white teeth,” shows how he is projecting an image of happiness amid pain to his granddaughter—something that Charley notices here.
“He’s not a girl, though.
Maybe I’ll be the first girl pitcher to play professional.
Keep dreaming, Charley.
I will, Willie.”
This quote directly supports the theme of Dreams and Determination and female empowerment. Through her dialogue, it is clear that Charley refuses to give up on her idealistic goals, no matter the odds. The statement “I will, Willie” is declarative; this shows her characteristic assuredness, in contrast to Willie’s skepticism.
“[H]e didn’t
have to be
that insulted
when Cecil called me
his gal-friend.”
Willie is offended when Cecil implies that Charley is his “gal-friend.” While the two are close friends, Willie takes insult to her being anything more. This quote emphasizes Charley’s annoyance, as she feels upset at Willie’s rejection—evidenced by her emphasis on “that insulted.”
“I LOVE SUNDAY DINNER
because after church everyone comes to our home
because of the heavenly smell of Momma’s cooking
because music and melody fill the house
because of Uncle Albert’s booming voice
[…]
because I feel whole.”
The repetition of the word “because” creates anaphora that establishes all the reasons Charley enjoys Sunday dinner. The sensory detail adds immersive aspects to the scene, such as what Charley sees, hears, tastes, and feels. The last line also displays Charley’s comfort and deep family connection, as Momma’s cooking, Uncle Albert’s voice, and everyone around make her feel “whole.”
“Y’all think if you don’t tell her about evil, then it does not exist?”
Nana’s dialogue demonstrates the racism and violence against Black people that he and others in the community experience—something that other members of his family want to shield Charley from. However, his rhetorical question emphasizes its impossibility, as evil still exists in the world. He’s referring to George’s lynching here, and his words foreshadow that he will be honest with Charley about society’s racist violence and systemic oppression.
“But, Nana, I’ve played with them before, and they couldn’t hit water if they fell out of a boat.”
This quote employs hyperbole to emphasize Charley’s belief that her nieces and nephews are not athletically capable. The exaggerated comparison—“couldn’t hit water if they fell out of a boat”—creates a concrete image of a person failing at even the simplest task. Here, Charley’s tone is humorous and teasing, which adds some lightness to the novel.
“Yes, sir, I’m okay. It was just a bad dream.
No such thing as a bad dream, just one that you ain’t figured out the good in yet.”
Dreams are a key symbol in the novel. While Charley believes that her dream was simply a “bad” one, Nana says otherwise. Specifically, here, Nana’s speech clarifies that Charley will later understand the depth of dreams, seeing “the good” in a “bad dream.” She needs to grow as a character to understand what is profound about her repeated dreams.
“The wonderfuls have a lot of ways and rules they expect us to follow.
Like laws?
That’s what they call ’em.
So we have to follow them.
Except when those rules and laws try to make you believe you less than you are.”
Nana advises Charley to fight back against the racist systems of power in place. His words highlight Courage Against Racial Violence, as he says that racist laws attempt to make Black people “believe [they] less than [they] are.” His words underscore that Charley must stay resolute in the fight for equality, as the rules she is expected to follow are unjust.
“Ain’t no greater power on this here earth than when you got faith and work.”
Nana’s many adages fill the book with meaningful “riddles” for Charley to interpret. This quote emphasizes that belief alone is not enough—effort is also required to reach one’s goals. The phrase “ain’t no great power” stresses the importance of the combined force of faith and work. Deciphering words like this allows Charley to grow and apply the lessons that Nana teaches her directly to her life.
“[W]ithout seeing
we can have no imagination
and without imagination
there is no possibility.”
Again, Nana gives Charley advice that inspires her. His character embodies Generational History and Self-Discovery Through Family Legacy, as he often gives her advice and stories that inspire her to pursue her dreams and believe in life’s possibilities.
“Them boys are hopeless.”
Though she often corrects others’ grammar, Charley uses “improper” grammar here when describing her nephews. Emulating the casual vernacular of those around her, Charley matter-of-factly emphasizes their abilities—or lack thereof, as she perceives here.
“[A]nd Willie Green and I
just look at each other
with our own special prayer.
Please let us beat Cecil the Third.
Amen.”
Religion is an important source of support in the novel, as Charley and her family attend church and pray often. Here, Willie and Charley turn to their faith as a source of strength and motivation. The phrase “our own special prayer” emphasizes the close bond and sense of community that the friends have with each other. “Please let us beat Cecil the Third” emphasizes how the children are turning to a higher power to positively influence the outcome of a casual baseball game, a serious matter to them.
“Nana napping
neighbors calling
skeeters buzzing
cousins wrestling
brothers bossing
sisters chasing
babies falling
doors slamming
daddies laughing
mommas fussing
music playing.”
The repeated use of “ing” words to end each line creates a strong rhythm. The author’s use of sound and steady cadence makes the poem flow, setting the scene through active “ing” verbs. Verbs such as “slamming,” “buzzing,” “chasing,” and “laughing” detail the sound and action of the space, making it come to life.
“[S]tare out the window
at the stars
escorting the night
away.”
This quote personifies the stars as living beings. They are “escorting the night away” into non-existence. This underscores that even in the darkest times, people can find the positive
“[Y]ou must have the courage and tenacity of your forebears who survived the brutal lash of slavery and fulfill your destiny, whatever that is.”
In this quote, Mary Bethune alludes to the brutal, traumatic nature of enslavement and its intergenerational impact on Black Americans. Mary highlights generational history and self-discovery through family legacy as she encourages listeners like Charley to embody the strength of their forebearers to fulfill their destinies. This quote also highlights dreams and determination, as Mary believes that people should aspire to whatever their unique destiny entails.
“What you call magic, the healers know as spirit. It is the ancestors guiding us. That is the way of our people.
[…]
An army of sheep led by a lion can defeat an army of lions led by sheep.”
Through Nana’s storytelling, he teaches Charley about ancestors guiding the way. Nana’s adage about lions is another riddle that invites Charley to reflect on the deeper meaning of leadership. In particular, it shows that strong leadership can defy the odds, as symbolized by the army of sheep led by a lion defeating an army of lions, who are typically seen as more powerful. Through this lesson, Nana conveys that the true strength of a community lies in its guidance and actions. This offers Charley a model of resilience on her journey.
“Families and friends split
like a tree
hit by lightning.”
This simile describes the quickness of people moving apart, akin to lightning striking and splitting a tree in two. Like the segregation of Black and white people, division is shown on a micro-level here when the two Black churches part ways.
“[T]o make my dreams bloom
like the purple and yellow wildflowers
swaying in that breeze
on the other side
of the park.”
“You better smack this ball
so far into the heavens,
the angels gonna clap
for the Black Stars.”
In this quote, Charley shows that she believes in heaven and angels, furthering the role religion plays in the novel. She encourages Henry to smack the ball “so far into the heavens” that the angels clap. This hyperbolic, descriptive speech emphasizes a powerful hit so monumental that it reaches the divine realm.
“A miss is as much as a mile, I hear Nana Kofi saying
in my head,
which makes me smile.”
This quote employs a rhyme sequence between “mile” and “smile,” adding a sense of musicality to Charley’s speech. Charley uses one of Nana’s many maxims—“A miss is as much as a mile”—here to depict the baseball game’s details. Charley’s pitch makes his words come to life, matching the batter’s action of almost hitting her pitch. However, almost is not enough, which causes her to grin.
“Those who are absent do not have to be wrong.
What do you mean?
[Cecil] had to leave because he could not take losing.
[…]
Nana, why do you always speak like that?
Because when we water our words, they grow our minds.”
In this exchange, Nana’s response—“Because when we water our words, they grow our minds”—employs a metaphor, likening words to seeds that need careful nurturing to foster growth. The phrase “water our words” depicts the impact of deliberate, thoughtful communication, emphasizing the power of language to shape one's perspective. Charley’s question— “What do you mean?”—reflects her inquisitive nature and contrasts the wisdom that Nana possesses with her quest for understanding as a young person.
“My eyes are a lagoon.
My wail louder than the sea
striking the shore and I can barely hear
I love you, Charley,
as [Daddy] turns
to walk back.”
Here, Alexander uses metaphors comparing Charley’s eyes to a lagoon and saying that her wails are louder than ocean waves to express her extreme emotional turmoil. Barely hearing “I love you, Charley” further highlights her upset, as Daddy must stay behind. The image of Daddy walking away shows Charley’s feelings of loss as she is physically separated from him.
“But [Willie] doesn’t respond
just stares at me
with an empty look
like his soul has been severed
like he has no answers.”
This quote uses simile and vivid imagery to convey Willie’s emotional emptiness and turmoil when directly faced with the Ku Klux Klan’s violence. The comparison “like his soul has been severed” while he stares at Charley with an “empty look” underscores his feelings of being disconnected from himself; this shows that he is emotionally fractured by the experience. The phrase “like he has no answers” further highlights his helplessness in the situation.
“When your house becomes a cage, it is better to fly away and find another home.
Why didn’t Daddy come with us?
If you don’t stand up for your family, for what you believe in, you’ll lose yourself.”
Again, Nana’s words offer Charley wisdom. Her family cannot stay in their home after being the target of life-threatening, racist violence. The phrase “When your house becomes a cage” metaphorically represents the oppressive environment, underscoring that staying in such a place is difficult due to the racist terror that makes it increasingly inhospitable. Additionally, the idea of flying away symbolizes their family’s need for liberation. Charley’s question, however, highlights her inability to understand why her father must stay. Nana’s response highlights that Daddy must stand up for his family’s right to belong, cementing the theme of Courage Against Racial Injustice.
By Kwame Alexander