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56 pages 1 hour read

William Shakespeare

As You Like It

Fiction | Play | Adult | Published in 1599

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Acts I-IIChapter Summaries & Analyses

Act I, Scene 1 Summary

As the play opens in a duchy in France, Orlando complains to his servant Adam about how his older brother Oliver has treated him since their father’s death. Oliver appears and the two almost come to blows. As Orlando grabs him, Oliver says, “Wilt thou lay hands on me, villain?” (I.1.55). Charles, Duke Frederick’s wrestler, then visits Oliver to tell him that Duke Frederick has usurped Duke Senior. Duke Frederick has allowed Rosalind, Duke Senior’s daughter, to remain in court because she is a great friend to Celia, Duke Frederick’s daughter. Charles explains how close the two ladies are, saying, “never two ladies loved as they do” (I.1.111).

Charles also tells Oliver that Orlando will be in court the next day to face Charles in a wrestling match. However, Charles suggests that this might disgrace Orlando. Oliver says that he has tried to dissuade Orlando from the match, but Orlando is too stubborn. Oliver warns Charles that Orlando might be treacherous during the fight. After Charles leaves, Oliver delivers a soliloquy about how jealous he is of Orlando’s natural talents.

Act I, Scene 2 Summary

Rosalind and Celia enter. Celia attempts to cheer up Rosalind, who is unhappy at her father’s banishment. She also warns Rosalind about the possible dangers of love. They go on to make jokes about Fortune, with Celia saying, “Let us sit and mock the good housewife Fortune / from her wheel, that her gifts may henceforth be / bestowed equally” (I.2.31-33). The fool Touchstone enters and adds a few jokes about honor, telling the tale of a knight who swore on his honor about silly things like pancakes and mustard. Then Le Beau, one of Duke Frederick’s courtiers, enters to announce that the wrestling match has begun.

Rosalind and Celia stay to watch the remainder of the match. They try to persuade Orlando to give up the match for his own safety. Orlando refuses, however, and ultimately wins. When he introduces himself to the court, Duke Frederick is displeased to hear that he is the son of the deceased Sir Rowland de Boys, one of Duke Frederick’s enemies. Sir Rowland de Boys was a good friend of Rosalind’s father, however, and Rosalind gives her neck chain to Orlando as a token of her affection. The two fall in love, and once Rosalind leaves, Orlando says, “What passion hangs these weights upon my tongue?” (I.2.258).

After the ladies leave, Le Beau counsels Orlando to leave court soon. Le Beau explains Rosalind and Celia’s identities to Orlando, adding that lately Duke Frederick has been displeased with Rosalind’s presence.

Act I, Scene 3 Summary

Rosalind and Celia continue trying to cheer each other up, discussing Rosalind’s sudden affection for Orlando. Duke Frederick enters with his attendants and suddenly banishes Rosalind from court. Rosalind is confused, and Duke Frederick explains that he does not trust her. Despite Celia’s claims of Rosalind’s loyalty, Duke Frederick’s banishments holds.

Celia declares that she cannot live without her dearest friend, saying, “Say what though canst, I’ll go along with thee” (I.3.111). She decides to go into exile with Rosalind, suggesting that they find the banished Duke Senior in the Forest of Arden. The ladies leave in disguise for their own safety. Rosalind will disguise herself as a man named Ganymede, and Celia will disguise herself as a peasant woman named Aliena. Celia then leaves to convince the fool Touchstone to accompany them.

Act II, Scene 1 Summary

In the Forest of Arden, Duke Senior and his attendants enter. Duke Senior tells his attendants how forest life is far superior to the trappings of court life. Amiens, an attendant, agrees. Duke Senior proposes that they go deer hunting, although it is a somewhat sad sport. He says, “And yet it irks me the poor dappled fools, / being native burghers of this desert city, / should in their own confines with forked heads / have their round haunches gored” (II.1.22-25). According to one of the attending lords, their deer hunting has upset their friend Jaques, who also does not like to kill these natives of the forest.

Act II, Scene 2 Summary

Back at Duke Frederick’s court, Duke Frederick and his lords realize that Rosalind, Celia, and Touchstone are missing. One of Celia’s handmaids confesses to overhearing the two ladies discuss their admiration for Orlando. The lords now suspect that Orlando is with the ladies. Duke Frederick wants to save the ladies from Orlando, whom he dislikes. He demands that someone return Orlando to court or, barring that, summon Orlando’s brother Oliver to get him back.

Act II, Scene 3 Summary

Orlando and his servant Adam enter. Adam praises Orlando’s virtues, saying, among other praises, “wherefore are you gentle, strong, and valiant?” (II.3.6). Still, Adam admits that Orlando was foolish to beat Duke Frederick’s wrestler. Now Orlando’s enemy, his hated brother Oliver is coming to kill Orlando. Adam says, “Your brother—no, no brother—yet the son—/yet not the son, I will not call him son—of him that I was about to call his father, / hath heard your praises, and this night he means / to burn the lodgings where you use to life, / and you within it” (II.3.20-25). For their safety, Orlando and Adam then decide to leave court and live elsewhere.

Act II, Scene 4 Summary

Rosalind, Celia, and Touchstone—all in disguise—enter and discuss how tired they are from traveling. Now in the Forest of Arden, they eavesdrop on some nearby shepherds named Silvius and Corin. Silvius and Corin discuss aging and love. Silvius is in love with someone named Phoebe. Silvius does not think Corin can relate to his predicament because Corin is so old. Touchstone, Rosalind, and Celia then approach the shepherds to arrange for food and shelter.

Act II, Scene 5 Summary

Amiens and Jaques enter with unnamed attendants. Amiens sings a song praising the country life. Amiens concludes the song by singing, “No enemy / but winter and rough weather” (II.5.7-8). Although he likes the song, this saddens Jaques. Everyone continues the song together, and then Jaques sings his own version mocking Amiens’. He calls those who come to the forest fools, singing, “any man turn ass, / leaving his wealth and ease” (II.5.49-50).

Act II, Scene 6 Summary

Orlando and Adam enter in the forest of Arden. The two are starving from their journey, and Orlando leaves to find food.

Act II, Scene 7 Summary

Duke Senior and his attendants enter discussing Jaques, who follows them on stage. Jaques announces that he has met a fool from some court, adding that the man “railed on Lady Fortune in good terms, / in good set terms, and yet a motley fool” (II.7.16-17). Jaques wishes for that same freedom of speech, though Duke Senior thinks that Jaques has been too sinful to deserve it. Orlando enters, starving and hostile, and the Duke invites him to their table. This surprises Orlando, who says, “Pardon me, I pray you. / I thought that all things had been savage here, / and therefore put I on the countenance” (II.7.111-113). Orlando leaves briefly to find Adam.

While Orlando is gone, Jaques begins a lengthy comparison between human life and the theatrical stage, beginning with “All the world’s a stage” (2.7.145). Orlando returns with Adam, and they join the Duke’s table. Duke Senior realizes Orlando’s identity, and he is pleased to encounter the son of his good friend Sir Rowland de Boys.

Acts I-II Analysis

In the first two acts of the play, the strengths of rivalries and bonds pervade As You Like It. Family ties, though important for the issue of inheritance, do not equal friendship. Primogeniture, the custom by which the first son (Oliver) inherits the father’s entire estate, divides the brothers Oliver and Orlando. The rivalry between Duke Frederick and Duke Senior, on the other hand, is even more volatile. It is so strong that the younger brother, Duke Frederick, has usurped his older brother’s estate, banishing Duke Senior to the Forest of Arden. Despite their fathers’ animosity, however, the two Dukes’ daughters Rosalind and Celia possess one of the strongest and most lasting bonds in the play. The two ladies choose to remain with each other even through the banishment of Rosalind’s father Duke Senior and Rosalind’s own banishment.

The two families in question—that of Oliver and Orlando and that of the two dukes—come together when Rosalind and Orlando fall in love at first sight. This love is, like Rosalind and Celia’s bond, a powerful force driving the play’s plot. Shakespeare’s twist, however, begins at the end of Act I when Rosalind and Celia decide to go into exile, with Rosalind dressed as a man.

Shakespeare continues his themes of conflict and love in Act II. Prior conflicts, between the dukes and between Orlando and Oliver, grow larger after the disappearance of Rosalind and Celia. Rosalind and Celia discover the lengths of Orlando’s love for Rosalind as he joins them in the Forest of Arden. The conversation between the shepherds Corin and Silvius also bolsters the play’s belief in the power of love. Silvius believes love has such a strong power that it can make a fool out of the man in its grasp. He says, “If though rememb’rest not the slightest folly / that ever love did make thee run into, / thou hast not loved” (II.4.33-35). On the other hand, Amiens, an attendant of Duke Senior, later sings, “Most friendship is feigning, most loving mere folly” (II.7.189). This expresses an alternate view of love and friendship, one that considers these desires foolish and negative.

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