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73 pages 2 hours read

Gene Luen Yang

American Born Chinese

Fiction | Graphic Novel/Book | Middle Grade | Published in 2006

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Sections 1-3Chapter Summaries & Analyses

Section 1 Summary

The illustrations at the start of the section depict a dinner party in the spiritual realm. In attendance are gods, goddesses, demons, and spirits. The guests banter as the sounds and smells of the party drift down to Flower-Fruit Mountain, where a group of monkeys and their king are playing. The Monkey King is a deity, and a series of illustrations show his birth from a rock and the progression of his life.

Several panels show the Monkey King’s history as a ruler. Before the Monkey King and his followers settle on Flower-Fruit Mountain, the Monkey King rids the mountain of the tiger-spirit that haunted it for hundreds of years. The Monkey King is gentle with his followers, and his studies of kung-fu enable him to master four “major heavenly disciplines” (10): he has the power of lightning behind his punches, the power of thunder in his kicks, uncannily sensitive senses, and the ability to travel quickly on clouds.

When the Monkey King’s extraordinary sense of smell tells him that a dinner party is underway, he travels on a cloud to attend the party himself. As he stands in line patiently, anticipating the party with great excitement, a guard announces the arrival of Ao-Jun the Dragon King of the Western Sea. The Monkey King tells the guard that he can now announce the Monkey King’s arrival, and the guard laughs at him, denying the Monkey King entry because he is not wearing shoes. The Monkey King argues with the guard, listing his many accomplishments and titles, but the guard is immovable. Finally, the guard tells the Monkey King that no matter his status as a king and deity, “you are still a monkey” (15). Everyone within earshot laughs at the Monkey King. His embarrassment turns to murderous rage, and several large panels illustrate the Monkey King’s killing spree as he takes down the dinner party guests who laughed at him. He returns to Flower-Fruit Mountain, noticing for the first time that his chambers smell like monkey fur. He stays awake thinking about how to rid his chambers of the smell.

Section 2 Summary

This section of the novel is narrated by Jin Wang, a Chinese-American boy whose family moves from a Chinatown apartment in San Francisco to a house in a new neighborhood. Jin describes his parents’ background: His mother and father arrived in America at the same airport within a week of each other, but they did not meet until 18 months later, when they were both graduate students at San Francisco State University. Both of Jin’s parents worked menial jobs to pay for their education. Eventually, Jin’s father became an engineer and his mother a librarian. Jin and his parents lived in the Chinatown apartment for nine years, where Jin’s friends were boys who lived in the same apartment complex.

Jin describes a memory of a visit to the Chinese herbalist that his mother consulted weekly for allergy treatments. During this visit, depicted in a series of illustrations dominated by Jin’s transformer toy, the herbalist asks Jin what he wants to be when he grows up. Jin tells the herbalist he wants to be a transformer like his toy and wear disguises to mask his true self. The herbalist takes Jin’s confession seriously, assuring him that his desire is not silly; in fact, if Jin is willing to “forfeit [his] soul” (29), he can turn himself into anything he wants. A drawing of Jin emphasizes his shocked facial expression.

The next illustrations introduce a new scene: Jin’s new third-grade classroom at Mayflower Elementary. His teacher, Mrs. Greeder, welcomes Jin to the rest of the students, but she gets his name wrong. Jin corrects her. She tells the students that Jin moved from China, and again Jin corrects her. When a student named Timmy raises his hand to say that his mother says that “Chinese people eat dogs” (31), Mrs. Greeder scolds Timmy and tells the class that Jin’s family likely stopped eating dogs as soon as they arrived to America.

Jin remembers one other Asian student was in his class: Suzy Nakamura. Even though Suzy is Japanese by heritage, their classmates assume that Jin and Suzy are related; once they understand that they are not related, there are rumors suggesting that Suzy and Jin are betrothed to be married when Suzy turns 13. Jin eats lunch alone, and one day some boys mock his food; one warns Jin to keep away from his pet dog until a blond boy named Greg steps in to defend Jin.

Several illustrations show Jin bullied by an older boy named Peter Garbinsky. Jin remembers thinking Peter was his “first friend” at his new school, but the drawings show Peter stealing his lunch and physically overpowering Jin. One of Peter’s games is called “Let’s be Jews” (35), which involves stealing lingerie from Peter’s mother’s dresser drawer. A drawing of Jin sitting alone at the lunch table in fifth grade is captioned with an explanation: Peter never returns from a visit to see his father in Pennsylvania, and Jin is again friendless.

Two months later, Jin’s fifth-grade teacher introduces to the classroom a boy named Wei-Chen Sun who just moved from Taiwan. The teacher tells the students that Wei-Chen moved from China, and Wei-Chen corrects him. A drawing of Jin at his desk surrounded by Caucasian students is captioned, “Something made me want to beat him up” (36).

Jin sits by himself at the lunch table as Wei-Chen approaches him, wearing enormous eyeglasses, drawstring trousers and a collared top with an image of a robot on the front. In perfect English, Wei-Chen asks Jin if he is Chinese, and Jin responds by telling him that he is in America and should speak English. Wei-Chen is confused because he did speak English, and he rephrases his question: “You, you Chinese-person?” (37), to which Jin responds in the affirmative. Wei-Chen continues to speak in broken English, asking Jin to be friends, and Jin pretends to have friends as Wei-Chen sits down with his transformer toy. Wei-Chen shows Jin how the robot can change into a robot monkey and explains that his father gave it to him before he left Taiwan. The section concludes with a large drawing of the two boys playing with the robot toy in the background as two larger Caucasian boys play football in the forefront of the illustration. A caption explains that Jin and Wei-Chen become best friends.

Section 3 Summary

This section begins with a large drawing containing the face of Chin-Kee and the misspelled phrase “Everyone Ruvs Chin-Kee” (43) in large, fancy font. Chin-Kee’s face has a yellowish tone and his eyes are so narrow, they appear shut. His two front teeth protrude, and he wears a cap over his plaited hair.

The illustrations that follow depict a study session between two Caucasian students named Danny and Melanie. Danny is distracted from his studies by his attraction to Melanie. Just as he is about to tell Melanie about his feelings for her, the voice of his mother announces that his cousin Chin-Kee is coming for a visit and that his father will be home momentarily from the airport. Danny’s face changes, and his enormous eyes and toothy frown reveal that he is horrified by the news. Melanie asks him about his cousin just as Chin-Kee arrives, dressed in traditional Chinese clothing and slippers. Danny’s father carries his luggage, which takes the form of large Chinese take-out boxes. In speech bubbles that contain misspelled English, Chin-Kee greets his cousin Danny. As Chin-Kee notices Melanie, he comments on Melanie’s “bountiful Amellican bosom” (50) and his desire to have children with Melanie. Laughing, Chin-Kee apologizes for his comments, noting that Melanie must “berong” to Danny. Danny looks nervous when Chin-Kee announces that he will be going to school with Danny the following morning.

Sections 1-3 Analysis

In these early sections of American Born Chinese, one of the major themes of the novel is introduced to the reader in vivid detail as the Monkey King and Jin both experience the emotional effects of racism and discrimination. The Monkey King responds to the insulting treatment with rage and violence against others and himself, while Jin feels a penetrating sense of inferiority and humiliation. Because Jin is a small child when he first begins to notice his otherness, he grows up feeling as if his difference is just a part of his character, instead of recognizing that it is the ignorance of others that contribute to his growing discomfort in his own skin. Jin’s perception of friendship with the racist and anti-Semitic Peter Garbinsky exemplifies his confusion and his inability to read social situations for what they are.

Jin’s experiences at school introduce another significant theme of the novel: the experience of growing up as an American adolescent. His experiences as a boy of Chinese heritage are unique in many ways; the White children in his classroom appear to be spared the humiliation of being ignored by teachers and singled out for differences. But Jin’s experience is typical of American adolescence in other ways; for example, all kids are susceptible to playground bullying and a sense of uncertainty about their social status.

The third section of the novel is rife with harsh racist stereotypes as Chin-Kee makes his entrance. The author’s choice to use phrasing and imagery that are harmful and racist is interesting because they are used to depict a character whose power exists in his ability to be offensive to mainstream White culture. Though many people who work to promote diversity and inclusion feel that repeating racist language is potentially harmful, the author’s choice to apply it in this situation is educational. If the author had used gentler language and euphemisms, readers might miss the power of language to do harm and overlook the real damage it can incur on individuals like Jin.

When Chin-Kee speaks, his speech bubbles are full of misspelled words that denote phonetically-spelled broken English. The author’s choice to write out the mispronounced syllables asks the reader to say Chin-Kee’s words out loud in order to understand what he is trying to communicate. The effect of this decision is twofold: First, the reader who has to speak the words may experience a feeling of empathy for a non-native English speaker who struggles to pronounce certain consonant and vowel combinations; and second, the reader is forced to be complicit in the use of derogatory language by having to imitate Chin-Kee’s pronunciations in order to understand him. The awkward feeling of complicity allows the reader to feel simultaneously what it feels like to mock someone and to feel the subject of mockery themselves.

Finally, the motif of animals is observable in these early sections as characters from didactic Chinese fables appear in the first storyline of the novel. Like the myths that teach lessons, this modern-day fable of American Born Chinese also contains a moral. The moral of this story is not revealed until much later in the novel, but the presence of the mythological animals foreshadows the existence of the didactic message of the overall work.

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