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55 pages 1 hour read

Esmeralda Santiago

Almost a Woman

Nonfiction | Autobiography / Memoir | Adult | Published in 1998

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Key Figures

Esmeralda Santiago

At the beginning of the memoir, Esmeralda is a 13-year-old girl who has just moved to Brooklyn from Puerto Rico. Esmeralda feels out of place, overwhelmed by the differences between her home and this new city, the language and cultural boundaries she encounters at school and with friends, and the dangers that her mother warns her about that will be lurking at every turn. Esmeralda is also in that awkward place in between being a little girl and a woman, and though her body begins maturing and she has to take on extra responsibility around the household, Mami still treats Esmeralda like one of the younger children, unable to do anything without permission.

Over time, Esmeralda slowly begins to adjust to life in New York, though she still longs for home and her friends and family still back in Puerto Rico, especially Papi. Esmeralda worries about becoming too Americanized, a fear heightened by Mami and other relatives gossiping about cousins who wear too much makeup and are too loose with boys. Esmeralda worries that she will let a man walk all over her and wants to fulfill Mami’s dream of getting married in a church. At first, Esmeralda is placed in remedial classes at school because she can’t speak English, so she teaches herself and proves to be such an excellent student that her teachers recommend her for the Performing Arts High School. There, Esmeralda begins to embrace American culture more, though she still feels like an outsider because of her skin tone and heritage. Still, studying acting and dance allows Esmeralda to dream bigger than she has before, of a life beyond Brooklyn, and a situation very different from her current family life.

However, life as a performer proves more difficult than Esmeralda anticipated. Though she likes the idea of being a starving artist, working for her dream, Esmeralda knows her situation won’t allow her to do so. Esmeralda comes from a poor family who depends on her income, so Esmeralda shelves her performance dreams and begins earning a paycheck. No longer a teenager, Esmeralda begins to resent Mami’s strict rules and contradicting advice, and she begins to become bolder and more daring in exploring the world around her. Once afraid of everything because Mami warned her the city was full of dangers, Esmeralda dates strangers, stays out late at night, and even falls in love with Ulvi, a man as old as her mother. Esmeralda still loves her mother desperately, but she is no longer a girl and needs to venture out on her own, away from Mami’s protection, to find her own feet.

Mami

Mami is Esmeralda’s mother, and the two share a complicated but close bond. Mami had Esmeralda when she was a teenager, and she has always impressed on Esmeralda that she needs to make better choices and live a better life than Mami has lived. Mami feels that she has been used by the men in her life and warns Esmeralda away from romantic entanglements outside of marriage, though Mami herself has never been married and continues to bring home boyfriends her own mother doesn’t approve of. As the memoir begins, Mami is young, energetic, charismatic, and beautiful, though over time, the wear and tear of having so many children, working at factories, and having the men she loves abandon her pays its toll. By the end of the memoir, Mami looks like an old woman and has lost much of her spirit. Mami once was very strict with Esmeralda and made many of her choices for her, but with age and time, Mami loses her fight and lets Esmeralda get away with more and more. Mami still loves Esmeralda fiercely, and Esmeralda considers her to be the most important relationship she has, but Mami can no longer be the center of Esmeralda’s world.

Ulvi

Ulvi is a Turkish filmmaker who spots Esmeralda on the street and wants to make her his lover, though he pretends to cast her in a film to get her back to his apartment. The two bond over both being outsiders in America, with different cultures, customs, and languages that forever set them apart. An older, worldly man, Ulvi sees a naivete in Esmeralda that he wants to control. Ulvi wishes for Esmeralda to be a certain way and gives her instructions on what to wear, how to speak, how to move, attempting to mold her into the woman he wants her to be. Ulvi also wants to keep Esmeralda to himself, encouraging her to spend less and less time with her family until he asks her to move with him to Florida. Knowing that Mami is the other key figure in Esmeralda’s life, Ulvi forces Esmeralda to choose, wanting her to prove her loyalty and devotion to him. 

Shoshana

Shoshana is Esmeralda’s best friend whom she meets at community college. A first-generation immigrant from Israel, Shoshana bonds with Esmeralda over their strict mothers and the many rules that govern their lives. Shoshana is beautiful, bold, and adventurous, and she encourages Esmeralda to get outside of her shell, especially with dating. Shoshana juggles multiple boyfriends and has an affair with a married man, though she seems to have conservative ideas, claiming she needs to marry a Jewish boy to promote the future of Israel. At the end of the memoir, Shoshana leaves to fulfill her mandatory service to the Israeli military, and though she promises to keep in touch, Esmeralda doubts this will be the case. Shoshana and Esmeralda have shared a special bond together, but life takes them on different paths.

Tata

Tata is Esmeralda’s grandmother and Mami’s mother. As the family moves to different apartments and houses, Tata always lives with or near them and helps with the younger children when Mami goes to work. Tata acts as another parental figure for Esmeralda, though like Mami, Tata often gives Esmeralda rules that Tata does not follow. Tata warns Esmeralda against having sex outside of marriage (which she does) and drinking and smoking (both of which she does heavily). Also like Mami, Tata seems to hope that Esmeralda will have a better life than she did, which is why she gives such contradictory messages. 

Papi

Papi is Esmeralda’s father, and is more of an idea than a fully fleshed presence in the memoir because he never comes to visit Esmeralda during the book. Esmeralda alternates between treasuring memories of him and resenting him for abandoning her. Papi and Esmeralda were once very close back in Puerto Rico, but after so much time apart, she struggles to remember what he’s like, and she feels hurt and betrayed that he would choose to marry and start a new family.

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