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45 pages 1 hour read

William Butler Yeats

A Vision: An Explanation of Life Founded upon the Writings of Giraldus and upon Certain Doctrines Attributed to Kusta Ben Luka

Nonfiction | Book | Adult | Published in 1925

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Themes

Cyclical Patterns in Dialogue With Modernism and Ancient Traditions

Throughout A Vision, Yeats draws from diverse philosophical traditions, from the Eastern notion of the wheel of Samsara, emphasizing rebirth and cyclicality, to the Platonic year in Western thought, which underscores the universe’s cyclical return to a starting point. Hindu and Buddhist cycles of death and rebirth were particularly influential on the early 20th-century occult movements Yeats participated in, such as Theosophy, which influenced the beliefs that Yeats lays out in A Vision.

The motifs of cycles, gyres, and recurring patterns also connect deeply with Irish mythology. The Celtic calendar, with its wheel of the year, consists of festivals marking the changing seasons, each serving a dual purpose as celebrations of nature’s rhythm and reminders of the cyclical nature of life. For instance, the festival of Samhain, which marks the end of the harvest season, also serves as a reminder of the cyclical dance of life and death. Similarly, Beltane, taking place in early May, celebrates fertility and the blossoming of life, symbolizing another point in life’s eternal cycle.

Moreover, many Celtic myths are themselves cyclical. Stories of gods, goddesses, and heroes often involve themes of death and rebirth, of battles fought in repetitive patterns, and of prophecies that point to the recurring nature of events. The ever-revolving dance of the Celtic deities, their relationships, betrayals, and reconciliations, all signify a universe in constant motion, where endings give rise to beginnings. In A Vision, Yeats adapts the ancient Celtic understanding of the world to modern theories of history, personal destiny, and the cosmos.

The Modernist movement offers important context to the dialogue between the ancient and the modern. The late 19th and early 20th centuries were marked by recurring disjunctions: the tensions between urbanization and the loss of a rural past, between technological progress and the unprecedented devastation of World War I, and between the promises of science and the depths of existential crisis. Yeats’s cyclical understanding of existence offers a counter-narrative to the Enlightenment’s linear view of history, in which progress always moved forward. Yeats’s cyclical vision, encapsulated in the gyres and interlocking cycles of history and personal fate, provided a framework to understand the inherent rhythms of life, suggesting that history is recursive rather than linear. This cyclical perspective offers a more complicated understanding of progress. Instead of the Enlightenment’s view that each step is an unequivocal move forward, Yeats’s cycles suggest that progress is a dance of two steps forward, and one step back. This understanding allows for growth and evolution but also acknowledges regression, decay, and rebirth as intrinsic parts of the process.

Yeats’s engagement with cyclical patterns creates an interplay between ancient wisdom and contemporary insight. While his work draws from traditions that see life and history in cycles, Modernism adds essential context, helping to reveal how his metaphysical beliefs resonate with the uncertainties and complexities of the modern world.

The Interplay of Duality and Unity

A central concern of A Vision is the interplay between opposing forces. One example of this is the relationship between man and his “Daimon.” This duality, which juxtaposes the Daimon, which signifies shadow, destiny, and the subconscious, against man, who signifies consciousness, light, autonomy, and free will, provides a window into the potential for harmony between conflicting forces within an individual. Furthermore, the duality of light and shadow, the interplay between opposing forces, and the quest for a “Unity of Being” are themes that have been explored in many cultures. From Taoism’s Yin and Yang to the Hindu philosophy’s concepts of duality and non-duality to the ancient Greek notions of fate and free will, Yeats taps into these archetypal themes, reinterpreting them in the context of his contemporary world.

Yeats’s use of solar and lunar symbolism serves as an emblem of the cyclical nature of existence and the oscillation between opposites. Through this symbolic program, he encapsulates the rhythmic balance between light and dark, clarity and ambiguity, and action and passivity. Such representations are neither definitive nor prescriptive but provide a perspective on the complexities of life. The solar phase symbolizes moments of objective understanding, clear vision, and active participation in the world. It is a time of growth, outward movement, and unambiguous assertion. This phase is akin to midday, where the sun is at its zenith, casting the least amount of shadow.

In contrast, the lunar phase, associated with the moon, represents introspection, ambiguity, reflection, and passivity. Lunar periods are times of ebbing, retreat, or introspective searching. In the context of a person’s life or a historical epoch, this would be a period characterized by uncertainty, questioning, and internal growth. The moon, with its changing phases, from crescent to full, reflects this waxing and waning of energies and clarity.

For Yeats, these phases are not merely sequential; they interpenetrate each other. As one phase waxes, the other wanes, leading to a dynamic system in which opposites continually interact, and one gives way to the other in an eternal dance. By presenting these phases as intertwined, Yeats suggests that objective understanding and introspective reflection are not opposing forces but complementary aspects of human experience. His main point in discussing these symbols is to present a system of understanding that recognizes and integrates these dualities, suggesting that one can only truly understand existence by acknowledging and navigating both its solar and lunar aspects.

Another example of opposites is the Tinctures, which represent the twin forces of objectivity (Primary Tincture) and subjectivity (Antithetical Tincture). The Primary Tincture, representing objectivity, symbolizes external realities, collective truths, and a more grounded, pragmatic approach to understanding the world. It embodies the shared experiences and tangible realities that largely shape collective human understanding. This perspective aligns with the more traditional, empirical methods of interpreting the world, akin to the Enlightenment era’s emphasis on reason and external observation. On the other hand, the Antithetical Tincture, embodying subjectivity, ventures into the realm of personal experiences, emotions, and individual interpretations of reality. This is the realm of the poet, the dreamer, and the visionary, where personal truths are as valid and essential as collective ones. It resonates with the more introspective, perhaps even mystic, approaches to understanding existence, emphasizing the significance of internal landscapes in shaping one’s perception of the world.

The Tinctures reflect Yeats’s understanding that neither objectivity nor subjectivity can stand alone as the sole lens through which to view life. Instead, he suggests that these forces each inform and are informed by the other. Yeats considers the dynamic balance between the Tinctures a lived reality. Individuals constantly navigate between their personal experiences and the external world’s demands. Just as the relationship between man and his Daimon reflects the balance between autonomy and destiny, the Tinctures highlight the perpetual tension and potential synthesis between personal perceptions and universal truths. He suggests that a truly enriching life and understanding come not from favoring one aspect over the other but from harmonizing both, recognizing the insights that arise when personal subjectivities converse with objective realities.

Amid these oppositions, Yeats emphasizes a need for balance. Balance, for him, is not about a static midpoint between two opposing forces, but rather an active harmonization of them. Yeats aspires to “Unity of Being,” “to bring all that happens, as well as all that they desire, into an emotional or intellectual synthesis” (26). Rather than suggesting a dominance of one force over another, the “Unity of Being” highlights a state where oppositions can coexist and merge. It is an exploration of equilibrium amid life’s inherent dualities and challenges.

Throughout A Vision, Yeats points to the potential richness that comes from integrating the wisdom of the past with the possibilities of the future. Traditions offer common ground and values, while innovation brings fresh perspectives and adaptability. Together, they weave a tapestry of continuity and change, allowing society and individuals to evolve without losing their roots. The “Unity of Being” encapsulates this idea of harmonization. Achieving such a balance cannot be done passively; it requires active engagement, negotiation, and continual rebalancing as circumstances and perspectives shift.

The Nature of Art and the Role of the Artist

A Vision explores the artist’s place within the cycles of life and history. In “Desert Geometry or the Gift of Harun Al-Raschid,” the woman with the supernatural voice symbolizes the essence of art: to convey truths that are eternal and transcend temporal reality. Art, in this sense, is not just about capturing beauty or external form but uncovering the deeper wisdom underneath. This perspective elevates the role of the artist from a mere observer to a conduit of ageless wisdom and knowledge. The artist also helps reclaim humanity’s power and importance in a world where “man has been taught that he is nothing” (155). In a world where traditional wisdom and spiritual insights are eclipsed by cold, hard realism, the artist serves as a beacon in the darkness, offering insight, vision, and connection to deeper truths that might otherwise be forgotten or overlooked.

Yeats uses geometry and cycles as metaphors to explain the progression of art and the role of the artist throughout history. Themes and motifs recur in the world of art, particularly around shared human experiences like love, war, birth, death, time, and destiny. Botticelli’s artwork and the Cave of Mithra at Capri serve as key examples that, irrespective of cultural or temporal differences, artists connect with these enduring motifs. Artists play a dual role here. On one hand, they act as preservers, echoing themes, motifs, and styles from the past, ensuring that the tapestry of human history remains intact and accessible for future generations. On the other hand, they are innovators, constantly pushing boundaries, experimenting with new techniques, and offering fresh perspectives on age-old themes. This duality ensures that art remains both a bridge to our past and a beacon for the future. They are participants in the “Dance of the Four Royal Persons” (109), contributing to the continuous dance of Energy and Destiny, Mind and Fate. By aligning artistic movements with historical and astrological cycles, Yeats underscores the significance of art as a mirror of societal transformations. In this schema, the artist engages with and even channels the cyclical rhythms of the universe. The “dance” then becomes a metaphor for the balance that artists strike between their internal drives and external influences. Artists do not exist in a vacuum; they respond to and are shaped by the world around them, all while leaving their distinct mark on it.

In the Celtic tradition, bards were revered poets and performers. More than mere entertainers, they served as custodians of history, lore, and wisdom. They functioned as living cultural archives, preserving the collective stories, values, and beliefs of their society. Yeats’s understanding of the artist’s role seems to mirror this sense of purpose and duty. For him, the artist is not someone who creates for the sake of creating. The artist, like the bard, has a higher calling: to mirror society, challenge its norms, and offer reflections that could spur introspection and transformation. The artist is tasked with discerning the intangible––the emotional, spiritual, and cultural undercurrents––and rendering them into tangible forms, be it poetry, prose, or any other medium. Like the bard, the artist also creates a bulwark against time and decay. Civilizations rise and fall, personal memories fade, and buildings and monuments crumble. In contrast to the impermanence of life, art endures. When Yeats speaks of “faithful love” (181), he alludes to the unwavering and steadfast nature of emotions and experiences that stand the test of time. In the same vein, art remains faithful to human experiences. Even as empires crumble and eras change, art provides a continuous narrative, capturing the myriad emotions, challenges, triumphs, and tragedies of humanity.

As presented in A Vision, art captures the essence of humanity. A Vision posits that beneath the unique details of each cultural expression or historical moment, there are fundamental patterns and symbols that bind humanity together. Through art, these archetypal patterns are continually revisited, reimagined, and reintroduced, ensuring that the collective wisdom and experiences of humanity are never lost but continue in dialogue across time, cultures, and individual perspectives. For Yeats, art is not a passive reflection of reality but an active engagement with the supernatural, historical, and cyclical patterns of existence. The artist, therefore, stands as a bridge between the temporal and the eternal, acting as a vessel through which deeper truths are continually conveyed and understood.

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