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E. M. ForsterA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Some months later, Lucy and Charlotte have returned to England. They reside at Windy Corner, the Honeychurch family home, in a small rural parish named Summer Street. Mrs. Honeychurch is Lucy's mother. She speaks to Lucy's brother, Freddy, while eagerly awaiting news from Lucy, as something is "coming to a head" (90). In Rome, Lucy met Cecil Vyse; she and Charlotte stayed with the Vyse family. There, Cecil twice proposed to Lucy, but she turned him down each time. Now, he is proposing for a third time.
Cecil is a wealthy upper-middle-class man who looks down on the rural community. Freddy harbors a "dim mistrust" (92) toward the arrogant, snobbish Cecil, while Mrs. Honeychurch is pleased that her daughter might make such a good marriage. Lucy agrees to marry Cecil, then calmly tells her mother and brother about her decision.
Cecil writes to his mother about his new engagement. He describes how Lucy seemed uninterested in him when they first met in Rome, but how he eventually wore down her resistance with his cryptic comments about art and culture. Cecil believes that Lucy is beneath him in terms of social class but believes that she has the potential to be a respectable young woman. Unlike her family, she is "of another clay" (97). Already, he has plans to elevate her social status, particularly by encouraging her to leave Windy Corner and live with him in London.
Mr. Beebe has recently been appointed as priest in Summer Street. He visits the Honeychurch home. There, he talks to Cecil. He recalls seeing Lucy play piano "wonderfully" (99) in Florence and hopes that she will be as happy in the future as she was in that moment. He congratulates Cecil on the engagement, but he is slightly surprised and even disappointed to hear the news. Together, the family, Cecil, and Beebe sit down to tea as a way of celebrating the engagement
Lucy, Cecil, and Mrs. Honeychurch host "a little garden-party in the neighborhood" (103). Cecil is bored and, after they leave the "perfectly appalling" (104) event, they talk about the other guests. Lucy loudly declares her dislike for Mr. Eager, explaining how he baselessly accused Mr. Emerson of murder. However, she withholds Emerson's real name.
As they drive through Summer Street, they notice the way in which two garish houses disrupt the calm beauty of the parish. The ugly homes are owned by Sir Harry Otway, who has named them Albert and Cissie. They spot Sir Harry as they pass. He greets them, mentioning that the house named Cissie is currently empty. He asks whether they know any suitable tenants, as he is concerned about renting to the "wrong type of people" (110). Cecil mocks Sir Harry, much to Lucy's annoyance. She interjects to suggest that Catherine and Theresa Alan may be looking for a house. Mrs. Honeychurch and Cecil both dismiss this idea, though for different reasons.
Cecil walks Lucy home through the nearby forest, which he refers to as "the real country" (113). They approach a pond that Lucy's family jokingly refers to as the Sacred Lake. Cecil asks Lucy meandering questions about her imagination, wondering whether—when she pictures him in his mind—she sees him indoors or outdoors. When he pictures her, he explains, he always does so with "a certain type of view" (113). Lucy says that she imagines him indoors, to Cecil's displeasure.
The conversation dies as they pass by the Sacred Lake. As children, Lucy and her brother played in the Sacred Lake. Now that they are alone together in a secluded place, Cecil asks if he may kiss Lucy. The question is awkward, but Lucy agrees. The kiss is also awkward and lacking in passion, so they leave "in silence" (115). Afterward, Lucy admits to Cecil that she lied about Emerson. She shares his real name and thinks privately how this is "the most intimate conversation" (116) they have ever had.
At Windy Corner, Lucy plays a game with Mr. Beebe's niece, Minnie. Mrs. Honeychurch and Freddy watch, while Cecil lingers inside the house. He does not like the youthful games. The narrator explains that the Honeychurch family was originally from London but rose in society when they moved to the countryside.
Lucy enjoys life in Summer Street, but she is happy that she was able to broaden her cultural experiences in Florence and Rome. These experiences have shown her the limitations of her neighbors and also taught her to value people from all social classes. Cecil has had a very different reaction. He dislikes people from lower social classes, especially the lower-middle-class residents of Lucy's town.
When Beebe announces that the Miss Alans have made arrangements to move into the empty Cissie house, Freddy corrects him. He has heard that the Miss Alans will not be moving in. In fact, the new tenants are named the Emersons. Lucy, hoping that Emerson is a "common enough name" (121), is annoyed. She spent a long time inviting the Miss Alans to move into the house. She is cross about this change in plans, so she confronts Cecil. He reveals that he met the "absolute strangers" (124) in a London art gallery and told them about the house as a way to spite Sir Harry. Lucy is angry at her fiancé. She is concerned that the Emersons are the very same people she met in Florence and that she may have to see George again.
Lucy visits Mrs. Vyse, Cecil's mother. During this time, the Emersons arrive in Summer Street and take up residence in the Cissie house. Charlotte writes to Lucy; since returning from Italy, there has been a "coolness" (127) between the two cousins. Charlotte's letter reveals that Miss Lavish has also visited Summer Street and that she has seen George. In Charlotte's opinion, Lucy should be frank and honest about what happened in Italy. She should tell her family that George kissed her. Lucy responds, reminding her cousin of the promise she made that she would never discuss the matter. Despite her stern attitude toward her cousin, Lucy privately begins to have doubts. When she tries to tell Cecil about what happened between her and George, she cannot bring herself to do so.
Mrs. Vyse hosts a dinner party. She invites the "grandchildren of famous people" (129). On meeting these famous scions, Lucy notes how different they seem from her usual social circle. The prospect of moving to London and socializing with such people worries her. She fears that she may become a different person and become estranged from her friends and loved ones.
Sitting down at the piano, she plays somber songs, despite Cecil's suggestion that she play something upbeat. By the end of the party, Cecil’s mother tells him to make Lucy "one of us" (131). Cecil assures her that he is working on purging her Honeychurch traits from her character.
In Part 2 of A Room with a View, the narrative returns to England. In the opening chapter, Lucy seems to have put her experiences with the Emersons behind her. She accepts a marriage proposal from Cecil Vyse after declining two earlier proposals. Unlike George Emerson, Cecil is ostensibly of the same social class as Lucy. They are both middle-class English people, while George is working class.
Even within these broad categories, however, Cecil's introduction reveals the nuances and scope of the Edwardian class system. While Cecil and Lucy are both middle class, he is far wealthier than anyone in Summer Street. He is also from London, meaning that his trips out to Summer Street reveal a different perspective on the community. To Cecil, Summer Street seems amusingly provincial. Compared to London, the town seems like a backwater filled with absurd and irrelevant people. Cecil looks down on the middle-class inhabitants on Summer Street, just as the middle-class guests at the Bertolini looked down on the Emersons.
Among this rural setting, however, Cecil falls in love with Lucy. He sees potential in her—a patronizing kind of affection that reveals his objectification of Lucy. He sees her as something that he can own and cultivate, something that he can pluck from rural existence and polish up for display in the city. Cecil does not love Lucy, only the version of Lucy that he believes he can nurture.
Cecil kisses Lucy during their walk past the Sacred Lake. The kiss creates a clear juxtaposition with Lucy's earlier encounter with George. When George kissed Lucy, it was a spontaneous and mutual moment of attraction between them. He simply kissed her, expressing his emotions in an honest fashion. Cecil awkwardly asks Lucy for permission to kiss her and, afterward, she is left unsatisfied and unemotional. Their conversation deepens the contrast between the two men. Lucy admits that she considers Cecil to be an indoors person, while her most significant moments with George always occur in open spaces.
On a deeper level, the juxtaposition between George and Cecil demonstrates the way in which the two men operate as clear symbolic choices for Lucy to make about her future. She must choose between the unbridled, uncontrollable passion of George, which symbolizes a rebuke to the society that she is increasingly starting to view as a prison, or the reserved, snobby, and dull refinement of Cecil, who embodies the middle-class status quo that leaves her feeling so disillusioned. The more time Lucy spends with Cecil, the more she realizes how much he operates as George's symbolic opposite.
Lucy's engagement to Cecil leads to her spending more time with him and to him spending more time in Summer Street. This time helps to clarify Cecil's character, in particular his persistent hypocrisy. During one trip to Summer Street, he meets Sir Harry. Cecil does not like Sir Harry, claiming that Harry is a "snob" (125). As a way of playing a prank on Sir Harry, Cecil arranges for two working-class men to move into one of the empty houses in the parish. His prank is an example of hypocrisy, in which Cecil seeks to punish perceived snobbishness with snobbishness of his own. Lucy criticizes him for doing this, particularly as it scuppers her plans for the Miss Alans to move into the house.
Lucy is beginning to realize that, in addition to being a hypocrite, Cecil is simply not a nice person. Ultimately, however, Cecil is suitably punished for his hypocrisy. By inviting the Emersons to Summer Street, he is bringing back the man who will eventually cause the end of his engagement. Cecil's downfall is brought about by his desire to hypocritically mock another person, using other people as pawns in his malicious games.
By E. M. Forster
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