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64 pages 2 hours read

Ernest Hemingway

A Farewell to Arms

Fiction | Novel | Adult | Published in 1929

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Book 1, Chapters 7-9Chapter Summaries & Analyses

Book 1, Chapter 7 Summary

Frederic is at the “smistimento where the wounded and sick were sorted by their papers” (29). Frederic is waiting with his ambulance for the driver, and he sees a wounded soldier. When he offers to help, the soldier tells him that the doctors will tell him that he injured himself on purpose by losing his truss for his hernia in order to avoid the front line of battle. They will operate and then send him back to the front. When he asks Frederic what he thinks of the war, Frederic replies that it’s “rotten” (29). The soldier will do anything to avoid the front line of battle. In trying to help the soldier, who also turns out to be a fellow American, Frederic suggests that he fall in the road and hurt himself in the head to avoid the fight. When Frederic returns from the hospital, he rushes back to help the man, only to find that another group was taking him to the hospital, and most likely, back to his regiment.

When he gets back to his room, Frederic decides to write a letter home since the offensive will start in two days, and it has been a long time since he has written to the States. He crosses out sentences in his own letter, as if he is the war censor, leaving only: “I am well” (31).

He then reflects on his disgust with the war, as well as with his leaders: “I wished we had a Napoleon, but instead we had Il Generale Cadorna, fat and prosperous and Vittorio Emmanuele, the tiny man with the long thin neck and the goat beard” (31). He wishes he were with the British army and yet reflects that even an ambulance driver with the British could still get killed. He wishes for the war to end so that he can travel and then spend time making love with Catherine in hotel rooms.

He returns to the mess and is irritated by all the chatter, so he drinks until he feels like he fits in and that they are all “brothers” (32). He talks to the priest about an archbishop who was involved in some controversy, but in general, Frederic finds the conversations he is involved in and the ones all around him “dull” (33). Only the wine is not dull. More stories and jokes are told, and people are getting more drunk until someone pushes Frederic into a drinking contest with another soldier. Suddenly, he leaves in order to meet with Catherine. Rinaldi urges him to chew some coffee beans to try and sober up before meeting Catherine. Unfortunately, when he gets to Catherine’s villa, he finds out that she is sick and can’t meet him. He suddenly realizes he feels lonely and empty.

Book 1, Chapter 8 Summary

The next day he tries to meet with Catherine again. There will be an attack that night, and he must prepare the four ambulance cars, which will transport the wounded down the mountain. When she learns about the attack, she gives him a Saint Anthony medal for him to wear, even though she says she’s not Catholic.

As he drives to the bridge, the driver advises him to wear the necklace and not keep it in his pocket. He does so, and then, breaking narration and flashing forward, says that he forgot about the medal after he was wounded; he never saw it again.

The four cars create a lot of dust, just as the army did in Chapter 1. Frederic notices that being in a convoy is not bad if you are in the front, as you can cause the dust but not get it on you. The cars climb higher and higher into the mountains. From his vantage point, he can still clearly see the river and how it divides the two armies, as well as the mountain ranges that lay beyond.

Book 1, Chapter 9 Summary

Frederic arrives at the dressing stations, and the major tells him where to go once the offensive starts. While waiting for the offensive, he drinks with the major and then meets with his drivers. They ask about getting food before the fighting starts. He notices that they tend to be silent around him: “They were all mechanics and hated the war” (41).

While waiting for the food and for the attack, the drivers begin to speak more freely in Frederic’s presence, telling stories about the granatieri, soldiers who were shot because they wouldn’t attack. Passini, one of the drivers, tells Frederic that he shouldn’t let them criticize the army. Frederic reminds them that they can’t abandon the war effort because defeat is worse. Passini goes on to explain how much he "hates this war" (44), saying that nothing is worse than war and that everyone except the ruling class realizes that.

One of the drivers goes with Frederic to see if the food is ready. The major informs Frederic that the bombardment is starting and warns him not to go out. Frederic gets some food to bring back to his men, and on his way back to his men, they must run for cover when a shell explodes nearby.

Rattled, Frederic shares the food with his men: cold macaroni, dust-covered cheese, and wine that has gone bad. They have no forks, and the men wait for Frederic to eat first, using his hands. As they share the meal, they discuss the types of bombs they can hear. Passini is worried that they are not in a deep dugout. Suddenly, a shell lands nearby and Frederic thinks he is dead until he realizes he is not. Then he hears Passini screaming; his legs are severed above the knee. Frederic tries to put a tourniquet on him until he realizes it’s too late. Passini is dead. Frederic then realizes he is injured and wants to escape, but he knows he must look for his three other men. Two of them help him even though they too are injured. The fourth is at the post being bandaged. A British officer offers to drive the two ambulances, since Passini is dead and another driver is too wounded.

As he is examined, the medical captain dictates notes, adding that the wounds were “incurred in the line of duty” (51), so it’s clear these are not self-inflicted wounds. This is reminiscent of the other American soldier who Frederic urged to inflict a wound on himself to get out of fighting. As Frederic gazes at the scene around him, he notes that the doctors look like "butchers" (49) with blood all over them. In the ambulance, Frederic feels the dripping blood coming from the man lying above him, who is hemorrhaging. By the time they reach the next post, the man is dead and replaced with another stretcher.

Book 1, Chapters 7-9 Analysis

As the offensive grows closer, and as some are expressing more hatred with the war, wondering where the "crack" (31) in the war will appear, the reader can start to see a crack in Frederic’s own reserve. He has not revealed much about himself or his past. He is intent on staying focused on the present reality of war that surrounds him, but the impending offensive triggers a desire to reach out and write home. This decision to write home may also have been triggered by his failed encounter to help a fellow American. In the end, he ends up crossing out almost everything in the letter except “I am well” (31), which may also serve as commentary on Hemingway’s own style of writing. Hemingway crosses out much of the emotion and description, paring his writing to a bare style, showing only the tip of the iceberg. In this sense, many details remain submerged.

As if in response to the minimal sentence, next comes the stream of consciousness made of long sentences and long paragraphs as Frederic reveals his thoughts about the war. He wishes the war were over, and he thinks about the two men leading Italy and Austria, as usual focusing on the small emperor of Italy. His thoughts then move to his desire to travel so that he can enjoy countries without worrying about war. And then his thoughts travel to Catherine and his desire to go to a hotel and have sex with her. He says that he can pretend to be “her boy”(32), showing his awareness of how the other night, he was doing just that.

When he meets with the officers for dinner, he feels the others are “dull” (33) and he must drink in order to feel a connection to them; the wine helps him feel as if they are his "brothers" (32). They drink until Frederic suddenly wants to meet Catherine. When he finds out she is ill, he is surprised at how empty he feels without her. When he sees her the next day, receiving the Saint Anthony medal even though she has no faith in it, the text briefly flashes forward to when the medal is lost once he is wounded. Such manipulation of time sets up strong foreshadowing, especially as Frederic gets closer and closer to the front.

In the dugout with the drivers, Frederic tries to argue against their pessimism about the war, but it is Passini, one of the mechanics, who refuses to back down about the pointlessness of the war. Ironically, he is the one to die. When Frederic returns with food, the mechanics wait upon him to eat, but he insists that they all eat. He wants to be brothers with them, just as he is with the officers at the mess. Despite the cold macaroni, lack of forks, dusty cheese, and bad wine, they still break bread together, almost ritualistically. When the shell explodes, the ritual shatters, and the whole world seems to explode. Hemingway’s writing here is poignant and incredibly realistic, in sharp contrast to the detached tone used in earlier chapters.

These chapters are marked by wounds, death, and the hatred of war. Here the horror of the war bursts through, showing the terrible power of war to mark those who come close. The horrific final image of the hemorrhaging man shows not only the carnage of death, but also how the shadow of death can reach out and mark the living.

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