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Sarah J. MaasA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Feyre and Rhysand (or Rhys), High Lady and Lord of the Night Court, are the protagonists and primary romantic pairing of A Court of Frost and Starlight. Feyre is the primary protagonist of each of the previous three books in A Court of Thorns and Roses, and Rhys begins to play his role as romantic lead (rather than a secondary character) in the second book, A Court of Mist and Fury.
Rhys began his journey in the series as a self-sacrificial leader. Even when he discovered that Feyre is his destined partner, he did not burden her with the knowledge before she was ready—especially not while he believed that she was still in love with Tamlin. Feyre notes that Rhys “worked so hard and so selflessly, all without hope that [she] would ever be with him” (3). Something Rhys must learn in A Court of Frost and Starlight is to allow himself the freedom to enjoy his life without feeling guilty for it. As Cassian reminds him, “We have peace, and the true kind. Enjoy it—enjoy each other. You paid the debt before it was ever a debt” (20). Rhys uses the Winter Solstice to begin this journey toward accepting his happiness; he also uses it to try to create rest and happiness for his friends and family since he is determined to make everyone he loves safe and happy. Feyre’s gift to him at the end of the novel—that they will try to have children—rounds out his journey and provides him with the life of happiness that he has put off for so long in the name of protecting his family, his court, and all fae and humans.
Feyre began her journey in poverty, and she carried the burden of her family since her sisters and father did not support themselves. In this way, Feyre is like Rhys, sacrificing her own wants and needs to protect those she loves. She has learned to open up to others over the course of her journey in A Court of Thorns and Roses, but in this novel, she must finally face not only the emotional wounds she endured during the war but also the emotional wounds of her adolescent human life. She learns how to accept her newfound wealth and the idea of spending it for good reasons, and she realizes that she has found a place where she is accepted not only for her role as High Lady but also for herself. When Ressina tells Feyre that every door in the artists’ quarter is open to her since she is “one of [them],” Feyre feels “[t]he words settle[] in, strange and yet like a piece [she] had not known was missing. An offered hand [she] had not realized how badly [she] wanted to grasp” (36). Feyre is no longer isolated, as she was in her father’s home and then in Tamlin’s after the horrors of Amarantha’s court. She also finally receives recognition for who she is and what she has achieved, not only from her Night Court friends but also from Elain, who has Feyre’s birthday cake decorated to represent how Feyre is “the foundation, the one who lifts [them]. [She] always ha[s] been” (175). Feyre finds happiness and contentment with her life, which allows her to move forward in happiness and peace with Rhys.
Elain and Nesta are Feyre’s sisters. As teens living with Feyre and their father, they did very little to support their family, relying on Feyre’s hunting. At the end of A Court of Mist and Fury, the King of Hybern used the Cauldron (the source of fae magic and of all creation in their land) to transform both human sisters into High Fae, using them to test whether the human queens, Hybern’s allies, could become fae themselves.
Elain spent most of A Court of Wings and Ruin wasting away, both from the pain of their experience and from sorrow at the loss of her human betrothed, who hates fae. Her newfound powers—seeing visions of the future—also haunt her, making her despair worse and worrying her friends. By the time of A Court of Frost and Starlight, the efforts of Feyre and her friends to help Elain have begun to see fruit. Elain speaks as she used to and seems happier, even if she is still quiet. Azriel’s kindness in particular helped her, and he helped her recover her interest in gardening. Two of Rhys’s servants, Nuala and Cerridwen, “lesser” types of fae, also help Elain, bringing her into their kitchen and helping her use the activity of cooking and baking to keep busy and find peace. Nonetheless, Elain still grieves her human fiancé and pushes away Lucien, who discovered upon Elain’s transformation that she is his destined partner. Her resentment toward Lucien and her sorrow over Nesta’s attempts to abandon both her and Feyre create lingering difficulties, which are not resolved in A Court of Frost and Starlight but are instead set up as continuing conflicts for the next novel.
In A Court of Frost and Starlight, Nesta falls into a downward spiral emotionally. Each sister has had a period of despair as a result of emotional duress that concerns those around them. For Feyre, it came after her time in Amarantha’s court, and Tamlin’s treatment of her in the aftermath made things worse. Even when Feyre decided not to return to Tamlin’s court and to instead remain in Velaris with Rhys, she struggled for a time to return to herself. Elain similarly withdrew into herself after her transformation into High Fae. Nesta kept herself together during this time, focusing primarily on Elain’s well-being and relying on her protective sisterly instincts to get her through her own experience. Her emotional duress—and the months of ignoring it—have caught up to her by the time of this novel. Feyre and Elain are hurt and angry, but Feyre notices at the Winter Solstice celebration that Nesta “look[s] at [them] through some sort of window. As if she were still standing out in the front yard, watching [them] in the house” (187). When Nesta gets home that evening, her thoughts reveal that she hasn’t felt any emotions except anger in months. She spends much of her time drinking alcohol and having sex. Even before the emotional wounds of the war, Nesta had a much colder personality and did not usually confide in others; in her despair, these traits are amplified. A Court of Frost and Starlight sets up her inner conflict as the primary character of the next novel, A Court of Silver Flames.
Cassian and Azriel are Rhys’s closest friends and highest-ranking soldiers. Both are from the Illyrian tribe, which is composed of faeries with large black wings, known for their fighting abilities. Both are also outcasts in that society because of their status as fatherless sons of women servants. Both were rejected and mistreated for many years and only begrudgingly accepted as warriors because of their unprecedented powers; both are exceptional warriors with more magical power than any other Illyrian, and Azriel has rare shadowsinger gifts, which allow him to wield and control shadows. Cassian describes himself and Azriel as “the most powerful Illyrians in their long, bloody history. […] It [i]s a gift and a burden that he’[s] never taken lightly” (29). Despite these powers, the Illyrians still treat them with disrespect and disdain several centuries later. Both men were introduced in A Court of Mist and Fury, when Rhys brought Feyre to Velaris after she left Tamlin.
The two Illyrian men are also the adopted brothers of Rhys, whose mother took them in and cared for all three while Rhys lived in the Illyrian camp and learned how to fight. Their bonds of brotherly love are strong, and they have spent centuries supporting and defending one another. Despite these similarities, each of them is quite different.
Azriel is quiet, often seeming as if he lives in the shadows he wields. He uses his powers to particularly strong effect in his role as Rhys’s spymaster, where he has built a team of spies around their world to keep Rhys informed. His emotional-duress response makes a brief appearance in A Court of Frost and Starlight, when he stops Cassian from eating before Elain, who made some of the food, sits down to Winter Solstice Eve dinner with everyone else. Cassian’s behavior, Rhys tells Feyre, reminded Azriel of how his mother was mistreated in the Illyrian camp. Aside from these emotional wounds, Azriel’s primary conflict is his relationships with Mor and Elain. He has loved Mor for centuries, but she has avoided initiating any kind of relationship, particularly since she has discovered that she is more comfortable in relationships with women, which she has only disclosed to Rhys and Feyre. Elain is Lucien’s destined partner, but it is clear that she and Azriel feel some sort of connection and affection for one another; even Feyre wondered in the previous novel why Azriel is not Elain’s partner rather than Lucien. These minor conflicts go unresolved in A Court of Frost and Starlight, leaving them as open questions that may be addressed in future books.
Cassian is, in many ways, the opposite of Azriel: He is boisterous and light-hearted most of the time, and he jokes around and prods at his friends. One of his unresolved conflicts is his relationship with the Illyrians; despite their mistreatment of him, he still loves his people. He also wants to make their culture better, especially for women, who are traditionally mistreated, with their wings clipped and their roles reduced to drudgery for the men. Rhys observes that “[t]his mission of Cassian’s, hatched years ago and perhaps close to fruition […] It [goes] beyond bets for him. [Goes] down to a wound that ha[s] never really healed,” a wound related to how the Illyrians treated his mother (222). This conflict remains unresolved in A Court of Frost and Starlight. The other unresolved storyline for Cassian is his relationship with Nesta. Although he has not said anything about whether they are destined partners, his interest in and care for Nesta is obvious. He tries to reach out to her, sometimes seriously and sometimes jokingly, but she rejects him. This conflict is set up to be addressed in A Court of Silver Flames.
Morrigan (or Mor) is Rhys’s cousin and his third-in-command within the Night Court; she is also the unrequited love interest of Azriel. She oversees the Court of Nightmares, which is the dark city and culture with which the rest of the world identifies Rhys, and the Court of Dreams (in Velaris), which is Rhys’s true home. Previous novels in the series reveal that as a young woman, Mor was betrothed to Eris, the eldest son of the High Lord of the Autumn Court (and brother of Lucien); she did not wish to marry him, so she slept with Cassian to “devalue” herself as a bride in the eyes of Eris. When Eris refused to marry her as a result, her family tortured her and left her in the woods near the Autumn Court with a note nailed to her belly saying that she was Eris’s problem. Her flashbacks in A Court of Frost and Starlight reveal that Eris found her but refused to touch her and make her his responsibility. It was instead Azriel who found and saved her, and from then on, Mor lived under Rhys’s protection and became part of the makeshift family that he, Cassian, and Azriel built. A Court of Frost and Starlight reveals her lingering struggle with past emotional pain, heightened as she is forced to deal with Eris more as a result of Rhys’s deals with Eris and Mor’s father, Keir. Rhys also understands that Mor has been “cooped up within the borders of this court for too long […] [He can] see it: the invisible noose tightening around her neck with every day spent here” (126). She has spent much of her time since her painful ordeal in Velaris or managing relations with the Court of Nightmares, which is run by her father, but A Court of Frost and Starlight sets up her story to continue in subsequent books.
Amren is Rhys’s second-in-command. She is a High Fae, but until the end of the war with Hybern, she was something else—something far more powerful with mysterious origins. It was explained that she came from another world when this one was created. She was once imprisoned in the same place as the Bone Carver, but she bound herself into the form of a High Fae and escaped. She returns to her old self in order to stop the Cauldron’s destructive powers at the end of A Court of Wings and Ruin, but she is revived when Feyre and Rhys restore the Cauldron in the aftermath. Her lover is Varian, a prince of the Summer Court, and A Court of Frost and Starlight reveals her still adjusting to her now fully fae body and enjoying the kind of love with Varian that she never envisioned having.
Lucien is the youngest son of the High Lord of the Autumn Court, although Feyre deduces in A Court of Wings and Ruin that he is actually the son of the High Lord of the Day Court as a result of his mother’s affair. When his brothers and father executed the woman he loved as a young man, he abandoned his place at the Autumn Court and became Tamlin’s friend and emissary of the Spring Court. When Feyre set up a plot to destroy Tamlin after he hurt her and then stole her back from Rhys by allying with Hybern, she dragged Lucien into her plot unwittingly, and he was forced to flee the Spring Court with her. He is now the emissary of the Night Court and helps with human relations. He appears only once in A Court of Frost and Starlight, where it is revealed that Elain, the woman whom he realized is his destined partner upon her transformation into a fae woman, is still cold toward him. He also reveals his isolation, having no place at his home court or the Spring Court, which had become more of a true home for him. He also feels isolated in the Night Court, where Elain cannot abide being near him, and he feels out of place with Feyre’s friends. His story is not resolved in this novel; it is instead set up for possible resolution in future novels.
By Sarah J. Maas
Community
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Family
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Forgiveness
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Friendship
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Grief
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Guilt
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Marriage
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Memory
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Mortality & Death
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Novellas
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Pride & Shame
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Romance
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The Future
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