71 pages • 2 hours read
Ann M. MartinA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Alone at home except for two boarders in their rooms upstairs, 12-year-old Hattie Owen reflects on the past summer—the summer Adam came into her life. Her parents and grandparents are away at a big dinner event and her father has trusted her to run his cherished movie projector. Hattie first watches a film of one of her old birthday parties; then, anxious to see Adam, she puts in the movie of events that happened in June and July 1960. She sees the boarders, Miss Hagerty, Mr. Penny, and Angel Valentine. She watches her Nana and Papa get ready to go out, and herself and her mother on the carnival Ferris wheel. Finally she watches as Adam, in different scenarios, refuses to smile or look at the camera. Hattie realizes that her dad only filmed happy life events, but what he did not film altered her life.
On her first day of summer vacation, Hattie makes breakfast for Miss Hagerty and organizes things for Cookie, who arrives early to cook for the other boardinghouse residents. Cookie compliments Hattie on her diligence, but Hattie’s mom suggests Hattie should instead be more social. Hurt, Hattie takes Miss Hagerty’s breakfast to her room, which is filled with perfume bottles and sewing paraphernalia. Miss Hagerty has lived at the boardinghouse since before Hattie was born; she considers Hattie her granddaughter. Hattie wishes Miss Hagerty were her grandmother instead of Nana, who is critical of Hattie’s dad for being an artist and not having a “real” job. Hattie worries about being shy. She imagines herself as a love interest of the fictional TV teenager Dobie Gillis. After the other boarders, Mr. Penny, a retired clock repairman, and Angel Valentine, an ambitious young bank secretary, leave after breakfast, Hattie visits her dad’s third-floor studio. Hattie admires his creativity: He paints, makes animated movies, and develops his own photos. Dad tells Hattie that Nana is visiting for lunch, but Hattie hopes to avoid her.
Hattie loves her small hometown of Millerton. Everyone knows everybody’s business and Hattie never needs to tell her mom where she is going. Hattie says goodbye to her one friend, Betsy McGruder, whose family spends every summer in Maine. Betsy’s family always invites Hattie to join them, but Hattie always refuses, just like she declines Nana’s offers to pay for summer camp. Hattie prefers staying in Millerton where everything is safe and routine. Hattie walks the same route through Millerton almost daily during the summer. Her family’s boarding house is the third largest home in the city. After they married, her parents bought it and fixed it up. There are significant differences between their house and Nana and Papa’s mansion. At Hattie’s house, her mom works with Cookie and Toby, the cleaning lady; her dad works in the gardens, and they drive an old car. At Nana’s home, servants do all the work, and Nana and Papa drive a new car. Downtown, Hattie excitedly notices flyers advertising a traveling carnival. Returning home, she finds Nana chatting with her mother.
Immaculately groomed, Nana looks askance at Hattie in her shorts and sandals. Mom tells Hattie to brush her hair before lunch. Hattie does not understand why her mother gives in to Nana’s small pressures, when she was able to stand firm on big decisions like whom she married and where she lives. Miss Hagerty, Mr. Penny, and Dad—ignoring Nana’s critical look at his messy shirt—join them for lunch. Nana’s presence makes the meal awkward: Everyone is self-conscious about manners. Hattie thinks Nana is visiting for some ulterior motive and believes it involves the cryptic comment Hattie overheard: Nana mentioned “the death of Hayden”—possibly Hattie’s Uncle Hayden, or Papa Hayden. Nana announces that the Summer Cotillion dance for 11–12-year-olds will be the day before Hattie’s birthday. Hattie is horrified. She was humiliated at last summer’s dance when her classmates Nancy O’Neil and Janet White made fun of her. Miss Hagerty offers to make Hattie a dress. Hattie plans to tell her privately that she won’t need one.
Hattie enjoys her long afternoon, helping around the boardinghouse, reading, and painting with her dad. After dinner, Dad interrupts the summertime tradition of lemonade on the porch, calling Hattie inside for a serious talk. Mom anxiously reveals that she and her brother Hayden have a younger brother they’ve never told Hattie about: Adam. Adam is 21 years old and has been living at a “special school” in Ohio since he was 12. In hushed voices, Mom and Dad say that Adam has “mental problems,” maybe autism or schizophrenia. They did not tell Hattie about Adam before because they did not want her to worry and they did not think it was important for her to know. Now, Adam’s school is closing, and he must live with Nana and Papa until they find a new school. Hattie is frustrated that her parents do not directly answer her questions. Later, Hattie secretly explores old photo albums in the parlor and finds pictures of Adam. He smiled for the camera as a young boy, but as he aged, would not smile or look at the camera.
In these opening chapters, we meet Hattie and her extended family and explore her beloved hometown of Millerton.
First-person narrator Hattie reveals she is a responsible, busy, shy, and imaginative tween. Hattie is keenly observant and shows an understanding of people. She accepts others’ foibles as parts of their individuality, like Miss Hagerty’s perfume collection and Mr. Penny’s clocks. Hattie is self-aware and honest with herself, cognizant of her own shyness, and able to acknowledge that her best friend, Betsy, is her only friend. Hattie is happier helping cook or clean around the boardinghouse than being social. She interacts more successfully with adults than her peers, treating the boardinghouse residents as though they were family, and cheerfully greets Millerton shopkeepers and policewoman. She admits that she likes things “safe and familiar” (16), and never wants to leave Millerton. Her comments in the prologue, however, foreshadow a life-changing event.
Hattie’s powerful need for ritual and routine and her discomfort with social situations make the reader wonder whether Hattie is displaying signs of mild Autism Spectrum Disorder (ASD). The fact that Hattie’s dad and mom, a comparatively liberal-minded couple for the time, are discomforted talking about Adam also suggest that others will have more negative responses towards Adam. As Hattie wonders about her parents’ embarrassed secrecy around Adam’s mental health, Martin touches on the stigmatization of mental and developmental disorders, which was rampant during the novel’s time and still distressingly prevalent today. Having the compassion and courage to combat negative attitudes towards mental illness will become one of the novel’s central themes.
Hattie’s astute descriptions and internal dialogue reveal an undercurrent of tension in her family dynamics; a theme Martin will build on as the story continues. Hattie prefers directness, to the more tentative guessing approach that characterizes family conversations. Her parents’ frustrating ambiguity only makes Hattie determined to figure things out for herself.
Martin also delineates generational differences evident in characters’ perceptions of one another. These differences mirror changes in societal norms as the buttoned-down 1950s transition to the more the expressive 1960s. Hattie recognizes the frictions between her parents and grandparents, though she does not always understand the adult reasons behind them. Most of their conflicts stem from different values. Nana is proper, correct, and focused on keeping up the elevated social status granted by wealth. Nana represents the old-school post-WWII and 1950s family ideal with its emphasis on conformity, consumerism, and manners. Nana requires Hattie and Hattie’s mom to conform to her expectations of ladylike, proper behavior. Social status is so vital to Nana that she looks down her nose at Hattie’s dad. Nana thinks Hattie’s mother married beneath her station and that Hattie’s dad’s career as artist and boardinghouse owner is common. Hattie’s mom must navigate between Nana’s expectations and her own family’s happiness.
In contrast, Hattie, while an excellent budding homemaker, shows she is part of a new, changing generation. Hattie does not like adhering to Nana’s rules of etiquette, admires the independent Angel Valentine, respects her father’s artistic talent, and does not understand her mom’s need to placate Nana. Martin’s reference to the TV sitcom The Many Loves of Dobie Gillis, which aired from 1959-1960 in some ways encapsulates this change in generational mindset. While Dobie was a typical girl-crazy teen, his best friend, Maynard G. Krebs was one of the first TV Beatniks, sporting a soul patch, playing the bongos, and rejecting authority.
By Ann M. Martin
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