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83 pages 2 hours read

Haruki Murakami

1Q84

Fiction | Novel | Adult | Published in 2009

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Book 3, Chapters 1-12Chapter Summaries & Analyses

Book 3: “October-December”

Book 3, Chapter 1 Summary: “Something Kicking at the Far Edges of Consciousness”

In Book 3, Ushikawa joins Aomame and Tengo as a perspective character.

Three weeks after Leader’s death, Buzzcut and Ponytail meet with Ushikawa to discuss the status of his investigation into Aomame’s whereabouts. Although Sakigake’s autopsy found no sign of foul play, Aomame’s sudden disappearance makes it extremely likely that she killed Leader and did so with the help of an individual or entity with extensive resources. Meanwhile, Leader’s death remains a secret to the police, the public, and most of Sakigake. As for Ushikawa’s involvement, he performed Aomame’s background check and therefore feels some responsibility for Leader’s death. He also has an unspoken personal interest in locating his killer, telling Buzzcut, “I have no religious beliefs, but Leader helped me personally” (602).

Although Ushikawa tells Buzzcut and Ponytail he’s made little progress in locating Aomame, the truth is he has a lead: When researching the names on Aomame’s client list, the dowager stood out. Although her mission of protecting domestic violence survivors is admirable, something about it is vaguely suspicious to him: “Violence was perhaps the keyword there. This elderly woman had a special awareness of the violent, and thus went out of her way to protect those who were its victims” (606).

Book 3, Chapter 2 Summary: “Alone, but Not Lonely”

Aomame stands on the expressway with a gun in her mouth. As she begins to squeeze the trigger, a voice calls her name and she knows the voice belongs to Tengo. In that moment, she thinks to herself, “Living—not dying—means the possibility of seeing Tengo again. I want to live. [...] Had she ever experienced that feeling before in her life?” (610).

The next day when Tamaru calls her, she tells him she needs to stay in the safehouse for a bit longer, refusing to explain why. After speaking with the dowager, Tamaru says that Aomame may stay until the end of the year, assuming her decision does not jeopardize the dowager’s safety or the safety of the women who stay at Willow House. Tamaru will have groceries and anything else Aomame requests delivered once a week.

Each night, Aomame sits on her balcony staring at the playground, hoping for Tengo to return. Although she can think of countless reasons why he would never come back to this spot again—maybe he was passing through, or maybe he found a better spot to view the moon—she sees no other option but to wait.

Book 3, Chapter 3 Summary: “The Animals All Wore Clothes”

After seeing the air chrysalis materialize and dematerialize in his father’s room, Tengo decides to stay in Chikura indefinitely, checking into a seaside inn and reading to his father every day. He uses his accumulated vacation time and convinces a colleague to cover his classes. Moreover, he tells Fuka-Eri to hide out in his apartment while he visits “the cat town.” At the sanatorium, the nurses assume Tengo is a model son, though his primary motivation is waiting to see the air chrysalis again. Tengo also begins to write a new novel set in the same world as Air Chrysalis, where there are two moons in the sky.

On one of his regular check-in calls with Fuka-Eri, she tells Tengo that an NHK fee collector knocked on the door to demand payment, even though Tengo does not own a TV. Most troublingly, Fuka-Eri reports that the collector knows a lot about Tengo.

Book 3, Chapter 4 Summary: “Occam’s Razor”

Although it is difficult for Ushikawa to logically believe that the dowager had Leader assassinated, he has no other leads. Moreover, he finds it suspicious that a free safe house for domestic abuse survivors has the kind of security one would expect organized criminals to employ. Ushikawa also learns that the dowager’s daughter died at 36, supposedly of an undisclosed illness, and that her husband disappeared not long after that. Although he has no evidence, Ushikawa finds it plausible that the daughter was a domestic violence survivor who took her own life, and that the dowager carried out retribution against the husband. Even still, there is nothing he can think of to connect the dowager to Leader.

Book 3, Chapter 5 Summary: “No Matter How Long You Keep Quiet”

Aomame falls into a monotonous but comfortable routine. She exercises on a stationary bike, listens to classical music, reads Proust, and sits on the balcony for hours every night. She also reads some of Air Chrysalis before bed and has now read it many times over.

The days pass without incident until one afternoon an NHK fee collector starts banging on the door asking to speak to a Ms. Takai. Although Aomame stays silent, the fee collector possesses an almost-supernatural sense of when a person is hiding in an apartment. His relentless persistence causes her to wonder if the man is a secret agent working for Sakigake.

Book 3, Chapter 6 Summary: “By the Pricking of My Thumbs”

Every day, Tengo calls Fuka-Eri, who stays inside all day doing little else but thinking. Tengo also contacts Komatsu, who has been away from work for weeks. Reserved and curt, Komatsu seems like a completely different person to Tengo.

Book 3, Chapter 7 Summary: “I’m Heading Your Way”

Given the heavy security around Willow House, not to mention the fact that there is no concrete evidence implicating the dowager, Ushikawa pivots his investigation toward Aomame’s past. He theorizes that something significant happened to Aomame around the age of ten to cause her to leave the Society of Witnesses. He pulls her school records and is surprised to learn that she attended the same elementary school as Tengo.

Book 3, Chapter 8 Summary: “Not Such a Bad Door”

Aomame’s period is three weeks late. Although she has not had sex in months, she suspects she may be pregnant. Moreover, Aomame believes her egg was somehow fertilized the night she killed Leader during the storm. Over the phone, Tamaru agrees to procures a pregnancy test for Aomame, even as he starts to worry about her mental and emotional wellbeing.

After her phone call, the NHK fee collector returns to harass Aomame.

Book 3, Chapter 9 Summary: “Before the Exit is Blocked”

Tengo befriends three nurses at the sanatorium: Adachi, Omura, and Tamura. One night, the nurses invite him to join them for dinner, drinks, and karaoke. At the end of the evening, Tengo walks Nurse Adachi home. She asks Tengo if he wants to go to her apartment and smoke hashish, which he has never tried before. Tengo is about to refuse, but then Adachi likens the experience to being a dohta inside an air chrysalis staring out at one’s maza; this convinces him to try it.

After smoking the hashish, Tengo envisions himself back in the classroom with ten-year-old Aomame. She tells him he can still find her, because she found him.

The next thing he knows, Tengo is next to Adachi in bed, though neither seems to have any sexual desire for the other. She tells him, “When morning comes you will be leaving here, Tengo. Before the exit is blocked” (692).

The next morning, with that line stuck in Tengo’s head, he decides to leave Chikura.

Book 3, Chapter 10 Summary: “Gathering Solid Leads”

After visiting Aomame and Tengo’s old elementary school, Ushikawa theorizes that the two joined forces against Sakigake, with Aomame going after Leader and Tengo attacking the organization’s religious dogma by writing Air Chrysalis.

Book 3, Chapter 11 Summary: “A Serious Shortage of Both Logic and Kindness”

Two pregnancy tests indicate that Aomame is pregnant. With no logical explanation for the pregnancy, she talks herself into the notion that the baby may be Tengo’s.

Book 3, Chapter 12 Summary: “The Rules of This World are Loosening Up”

Tengo checks out of the inn in Chikura and visits his father one last time. Sitting down next to the hospital bed, Tengo says he believes his father has escaped his physical body and his consciousness is living another life back in Tokyo as an NHK fee collector. Tengo asks him to stop knocking on people’s doors because he is not a fee collector anymore.

When he returns to his apartment, Fuka-Eri is gone.

Book 3, Chapters 1-12 Analysis

Joining Aomame and Tengo, Ushikawa becomes a perspective character in Book 3. At first glance, it is an interesting decision; of all the supporting characters in the first two books, Ushikawa does not particularly stand out as an individual whose head readers are eager to enter. Yet perhaps this is the point, as Murakami shows that as much as 1Q84 is fundamentally about Aomame and Tengo’s love, each character is the star of their own story.

Moreover, it quickly becomes clear that Ushikawa, despite his shady associations and off-putting countenance, has much in common with Aomame and Tengo. Like them, he is a lonely individual who copes through routine and self-discipline. Moreover, he takes great pride in his work as do Aomame and Tengo—and with good reason: It takes him very little time to unravel the basic threads of the conspiracy against Leader, even if he is still unsure of Aomame’s location. However, this pride is his work will ultimately be his undoing, as shown near the end of the book.

Meanwhile, Aomame and Tengo both fall into strict yet comfortable routines as they wait for one another to return. In Aomame’s case, she spends hours every night on the balcony hoping for a glimpse of Tengo atop the slide. Tengo waits in his father’s room hoping that the air chrysalis with Aomame inside will reappear. This shows some evidence of personal improvement; while in the past Aomame and Tengo were satisfied knowing they feel love for one another, now they possess real hope in seeing each other again. Aomame gives voice to this improvement in her emotional condition, thinking to herself, “Living—not dying—means the possibility of seeing Tengo again. I want to live. [...] Had she ever experienced that feeling before in her life” (610).

Even still, the two are stuck in stasis, merely waiting for something to happen that will bring them together, rather than taking active steps to seek each other out. Again, this is an improvement over the resigned loneliness of their past 20 years—particularly for Aomame, who was on the brink of suicide. Yet neither individual will find the other unless they move forward, a conclusion Tengo reaches with the help of Nurse Adachi and a hit of hashish. She likens the experience to being a dohta inside an air chrysalis, and so it is telling that when Tengo smokes hashish, he hallucinates himself being back in the classroom with Aomame at ten years old. Given that he last saw Aomame as a ten-year-old dohta inside an air chrysalis, Murakami conveys that adult Aomame and Tengo are mazas, and their ten-year-old selves are their dohtas. Having lost touch with their respective inner children—or, in the parlance of Air Chrysalis, the “shadow of the maza’s heart and mind” (539)—the only way to retrieve what is lost and escape loneliness is to find one another.

To do that, however, Tengo must leave Chikura—or, what he and Fuka-Eri call “the cat town,” another word for 1Q84. Adachi emphasizes the urgency of this when she tells him, “When morning comes you will be leaving here, Tengo. Before the exit is blocked” (692). People may come to 1Q84/the cat town to find a way to assuage their long-neglected loneliness, but that is only half the equation. They must also find a way to leave, or else their hopes of overcoming loneliness will curdle as they sit waiting passively for something to happen.

Finally, Book 3 introduces a nameless NHK fee collector who harasses both Aomame and Fuka-Eri. It is no stretch of the imagination to conclude that the collector is a projection of Tengo’s father’s consciousness. It is even possible that he willed himself into a coma just so he could astral-project himself back to Tokyo and do what he loves best: haranguing people into paying NHK fees. This only adds to the immense tragedy of Tengo’s father’s life: Born desperately poor in Manchuria, his father applied all his skills and what little resources he had to serve the growing needs of capitalism in the last half of the century in Japan. Doing so alienated his son and likely his wife, too. Even in old age—even in a coma—he can find no rest and no satisfaction, compelled by a quest for affirmation from superiors who are likely long retired or dead.

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